Christian W Erickson
Biographic Data
| ID | 6583544 |
|---|---|
| NAME | Christian W Erickson |
| GIVEN NAMES | Christian W |
| FAMILY NAME | Erickson |
| SIGNATURE | ERICKSON C W |
| AFFILIATIONS | Roosevelt University |
| VERIFIED | No |
| TOTAL WORKS | 2 |
| TOTAL CITATIONS | 13 |
| AUTHOR COUNT | 2 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 2007 |
| LATEST PUBLICATION YEAR | 2008 |
| H-INDEX | 2 |
Thematics of counterterrorism
This paper examines terrorism and counterterrorism as they are manifest in the popular culture of the USA and UK, focusing on two contemporary televisual works, namely, 24 and the series named MI-5 when aired in the US or Spooks when broadcast in the UK. I compare similarities and differences in the representation of agents (individuals) and agencies (organisations) involved in counterterrorism, and how such representations impact upon the two de…
Counter-Terror Culture
This article examines themes of terrorism and counter-terrorism in US popular culture, focusing on eight cinematic or televisual works from the pre- and post-9/11 environment. Each of these works explores the dilemmas posed by terrorism, counter-terrorist mobilization, and occupation and resistance in fictional spaces. Three of the works — 24, The Agency, and The Grid — are narratives that attempt to simulate the activities of counter-terrorist o…
Counter-Terror Culture
This article examines themes of terrorism and counter-terrorism in US popular culture, focusing on eight cinematic or televisual works from the pre- and post-9/11 environment. Each of these works explores the dilemmas posed by terrorism, counter-terrorist mobilization, and occupation and resistance in fictional spaces. Three of the works — 24, The Agency, and The Grid — are narratives that attempt to simulate the activities of counter-terrorist o…
Thematics of counterterrorism
This paper examines terrorism and counterterrorism as they are manifest in the popular culture of the USA and UK, focusing on two contemporary televisual works, namely, 24 and the series named MI-5 when aired in the US or Spooks when broadcast in the UK. I compare similarities and differences in the representation of agents (individuals) and agencies (organisations) involved in counterterrorism, and how such representations impact upon the two de…
Counter-Terror Culture
This article examines themes of terrorism and counter-terrorism in US popular culture, focusing on eight cinematic or televisual works from the pre- and post-9/11 environment. Each of these works explores the dilemmas posed by terrorism, counter-terrorist mobilization, and occupation and resistance in fictional spaces. Three of the works — 24, The Agency, and The Grid — are narratives that attempt to simulate the activities of counter-terrorist o…
Thematics of counterterrorism
This paper examines terrorism and counterterrorism as they are manifest in the popular culture of the USA and UK, focusing on two contemporary televisual works, namely, 24 and the series named MI-5 when aired in the US or Spooks when broadcast in the UK. I compare similarities and differences in the representation of agents (individuals) and agencies (organisations) involved in counterterrorism, and how such representations impact upon the two de…
Law (2 works) · Law (2 works) · Media studies (2 works) · Political science (2 works) · Politics (2 works) · Sociology (2 works) · Subversion (2 works) · Terrorism (2 works) · Terrorism, Counterterrorism, and Political Violence (2 works) · Aesthetics (1 works)