María del Mar González Chacón
Biographic Data
| ID | 6583967 |
|---|---|
| NAME | María del Mar González Chacón |
| GIVEN NAMES | María del Mar González |
| FAMILY NAME | Chacón |
| SIGNATURE | CHACÓN M M G |
| AFFILIATIONS | Universidad de Oviedo |
| ORCID | 0000-0001-9722-8033 |
| VERIFIED | Yes |
| TOTAL WORKS | 4 |
| TOTAL CITATIONS | 0 |
| WORKS AS AUTHOR | 4 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 2020 |
| LATEST PUBLICATION YEAR | 2023 |
| H-INDEX | 0 |
‘Walking the boundaries’
Crossing the frontiers looking for inspiration has been part of the Irish literary tradition, and translation and adaptation of continental writers such as Federico García Lorca have played an important role. The dissenting Lorquian voices revive in Ireland to find new meanings for the silences of the original play. This article explores an unpublished version of La Casa de Bernarda Alba, by Lynne Parker (The House of Bernarda Alba, 1993). The st…
Theatre That Speaks to Its Moment
In Melt (2017), by Shane Mac an Bhaird, two Irish scientists struggle in the Antarctic to reach glory from their research while Veba, a female creature found in the subglacial lake, questions the reality or fantasy of the episode. The study carried out in this article considers, first, the context of creation of the play through the presentation of the concept of new Irish theatres in the millennium, which involves the appearance of companies and…
The Concept of the Edge in the Plays of Marina Carr
Pojęcie krawędzi w sztukach Mariny Carr Kobiety w sztukach Mariny Carr zawsze są na krawędzi. Mai cierpi z powodu braku indywidualności i próbuje odrzucić ograniczenia narzucone przez rodzinę, Portia walczy o prawo do bycia matką która nie kocha swoich dzieci, Hester nie potrafi żyć poza trzęsawiskiem, które ją zabija, a Catherine próbuje żyć we śnie. Krawędź w sztukach Mariny Carr można zdefiniować jako przestrzeń umysłu, przestrzeń oporu w któr…
This is not about love, this is about guilt and terror”
Marina Carr’s relationship with the Greeks has been acknowledged in her Midlands tragedies and Ariel (2002). However, Phaedra Backwards (2011), one of her latest versions of a Greek myth, has not yet received the critical attention it deserves. This analysis aims to view Carr’s play as an example of an adaptation that constitutes a valuable contribution to the corpus of Irish versions of Greek tragedies; the discussion also intends to consider to…
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The Concept of the Edge in the Plays of Marina Carr
Pojęcie krawędzi w sztukach Mariny Carr Kobiety w sztukach Mariny Carr zawsze są na krawędzi. Mai cierpi z powodu braku indywidualności i próbuje odrzucić ograniczenia narzucone przez rodzinę, Portia walczy o prawo do bycia matką która nie kocha swoich dzieci, Hester nie potrafi żyć poza trzęsawiskiem, które ją zabija, a Catherine próbuje żyć we śnie. Krawędź w sztukach Mariny Carr można zdefiniować jako przestrzeń umysłu, przestrzeń oporu w któr…
This is not about love, this is about guilt and terror”
Marina Carr’s relationship with the Greeks has been acknowledged in her Midlands tragedies and Ariel (2002). However, Phaedra Backwards (2011), one of her latest versions of a Greek myth, has not yet received the critical attention it deserves. This analysis aims to view Carr’s play as an example of an adaptation that constitutes a valuable contribution to the corpus of Irish versions of Greek tragedies; the discussion also intends to consider to…
Theatre That Speaks to Its Moment
In Melt (2017), by Shane Mac an Bhaird, two Irish scientists struggle in the Antarctic to reach glory from their research while Veba, a female creature found in the subglacial lake, questions the reality or fantasy of the episode. The study carried out in this article considers, first, the context of creation of the play through the presentation of the concept of new Irish theatres in the millennium, which involves the appearance of companies and…
‘Walking the boundaries’
Crossing the frontiers looking for inspiration has been part of the Irish literary tradition, and translation and adaptation of continental writers such as Federico García Lorca have played an important role. The dissenting Lorquian voices revive in Ireland to find new meanings for the silences of the original play. This article explores an unpublished version of La Casa de Bernarda Alba, by Lynne Parker (The House of Bernarda Alba, 1993). The st…
Art (3 works) · History (3 works) · Irish (3 works) · Irish and British Studies (3 works) · Law (3 works) · Literature (3 works) · Aesthetics (2 works) · Carr (2 works) · Linguistics (2 works) · Philosophy (2 works)