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Sara Biglieri

Biographic Data

ID6589114
NAMESara Biglieri
GIVEN NAMESSara
FAMILY NAMEBiglieri
SIGNATUREBIGLIERI S
AFFILIATIONSSKEMA Business School Université Côte d’Azur (GREDEG) Valbonne France
ORCID0009-0002-1617-8615
VERIFIEDYes
TOTAL WORKS2
TOTAL CITATIONS0
AUTHOR COUNT2
EDITOR COUNT0
FIRST PUBLICATION YEAR2024
LATEST PUBLICATION YEAR2025
H-INDEX0
  • Autre chose”: Rethinking (post)qualitative methodologies through research-creation in/for the study of organizations

    Sara Biglieri, Emmanouela Mandalaki•ARTICLE•Qualitative Research in…•2025

    Purpose The purpose of this study is to explore and expand methodological approaches in Management and Organization Studies (MOS) by introducing research-creation as a means of knowledge production. By merging artistic practices, particularly dance, with scholarly inquiry, we position this study within the discourse of post qualitative methodologies to explore how aesthetics, embodiments and affects are experienced in the (co)production of resear…

  • Joyful encounters: Dance, touch, and embodied ethics in times of Covid‐19

    Open Access•Sara Biglieri•ARTICLE•Gender Work and Organization•2024•References: 10

    This article explores the practice of Contact Improvisation during the COVID‐19 pandemic, focusing on how dance serves as a means of repair. Drawing on Erin Manning's posthumanist philosophy, woven into both the theoretical and embodied practice of dance, it envisions touch as a social‐relational bond capable of opening pathways to affective intensities, particularly the experience of joy. Employing and experimenting with affective ethnography, I…

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  • Joyful encounters: Dance, touch, and embodied ethics in times of Covid‐19

    Open Access•Sara Biglieri•ARTICLE•Gender Work and Organization•2024•References: 10

    This article explores the practice of Contact Improvisation during the COVID‐19 pandemic, focusing on how dance serves as a means of repair. Drawing on Erin Manning's posthumanist philosophy, woven into both the theoretical and embodied practice of dance, it envisions touch as a social‐relational bond capable of opening pathways to affective intensities, particularly the experience of joy. Employing and experimenting with affective ethnography, I…

  • Autre chose”: Rethinking (post)qualitative methodologies through research-creation in/for the study of organizations

    Sara Biglieri, Emmanouela Mandalaki•ARTICLE•Qualitative Research in…•2025

    Purpose The purpose of this study is to explore and expand methodological approaches in Management and Organization Studies (MOS) by introducing research-creation as a means of knowledge production. By merging artistic practices, particularly dance, with scholarly inquiry, we position this study within the discourse of post qualitative methodologies to explore how aesthetics, embodiments and affects are experienced in the (co)production of resear…

Embodied cognition (2 works) · 2019-20 coronavirus outbreak (1 works) · Aesthetics (1 works) · Art (1 works) · Biology (1 works) · Coronavirus disease 2019 (COVID-19 (1 works) · Dance (1 works) · Diversity and Impact of Dance (1 works) · Epistemology (1 works) · Field (mathematics (1 works)

Ethnos_APP • Open Source Project • MIT License • Frontend v2.0.0 • Privacy and Cookies • API Documentation: api.ethnos.app/docs • API Source Code: GitHub • DOI: 10.5281/zenodo.17049435 • Frontend Source Code: GitHub • DOI: 10.5281/zenodo.17050053 • cruz.rio.br • Expectantes Misericordiae