Brigitte Biehl‐Missal
Biographic Data
| ID | 6589254 |
|---|---|
| NAME | Brigitte Biehl‐Missal |
| GIVEN NAMES | Brigitte |
| FAMILY NAME | Biehl‐Missal |
| SIGNATURE | MISSAL B B |
| AFFILIATIONS | Aberystwyth University |
| VERIFIED | No |
| TOTAL WORKS | 5 |
| TOTAL CITATIONS | 30 |
| AUTHOR COUNT | 5 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 2010 |
| LATEST PUBLICATION YEAR | 2016 |
| H-INDEX | 4 |
Filling the ‘empty space’
While organisational space has received broad scholarly attention, movement in organisational spaces remains under-researched. This paper introduces the notion of site-specific dance from dance theory to consider the dynamic relationship between space and people, emphasising that movements are a response to a space, its materiality and context. Berghain, in Berlin and one of the world’s most famous techno clubs, is discussed as a case. An interdi…
I Write Like a Painter’
Feminine writing and organizational aesthetics are brought together in this paper to sketch a different form of academic production in organizational research that involves arts‐based methods (‘feminine creation’). Feminine creation relates to écriture féminine ( C ixous, I rigaray, and K risteva) and also to peinture féminine ( N ancy S pero) and modern choreography ( T risha B rown). Feminine creation responds to the feminist and the aesthetic …
The atmosphere of the image
This paper introduces the concept of “atmosphere” as relevant for visual analysis. This concept was developed in aesthetic theory and has been used previously in studies of aesthetic artefacts and architecture. When a visual encounter is viewed as an aesthetic situation, the concept helps to explain how the impact of images derives from their aesthetic, emotional and corporeal effects, from the mood and cognitive responses they create. In this pa…
Using artistic form for aesthetic organizational inquiry
This paper reviews and analyses an artistic intervention in the context of aesthetic organizational inquiry and theatre in organizations. Having served as inspiration and as a tool within organizations, theatre now has returned the favour: Rimini Protokoll, a group of directors, used Daimler's 2009 Annual General Meeting in Berlin as a ready-made and constructed it as a theatre play entitled Hauptversammlung. Two hundred theatre spectators were c…
Hero takes a fall
Comparing leaders to actors has a long tradition, and researchers and practitioners in the organizational field have tried to learn lessons from theatre. For developing this approach, this article takes an interdisciplinary theatre studies perspective and discusses how leaders in organizations compare to actors in the theatre. It makes the assertion that the actor’s role in (dramatic, epic and postdramatic) theatre over several historic epochs ca…
I Write Like a Painter’
Feminine writing and organizational aesthetics are brought together in this paper to sketch a different form of academic production in organizational research that involves arts‐based methods (‘feminine creation’). Feminine creation relates to écriture féminine ( C ixous, I rigaray, and K risteva) and also to peinture féminine ( N ancy S pero) and modern choreography ( T risha B rown). Feminine creation responds to the feminist and the aesthetic …
The atmosphere of the image
This paper introduces the concept of “atmosphere” as relevant for visual analysis. This concept was developed in aesthetic theory and has been used previously in studies of aesthetic artefacts and architecture. When a visual encounter is viewed as an aesthetic situation, the concept helps to explain how the impact of images derives from their aesthetic, emotional and corporeal effects, from the mood and cognitive responses they create. In this pa…
Using artistic form for aesthetic organizational inquiry
This paper reviews and analyses an artistic intervention in the context of aesthetic organizational inquiry and theatre in organizations. Having served as inspiration and as a tool within organizations, theatre now has returned the favour: Rimini Protokoll, a group of directors, used Daimler's 2009 Annual General Meeting in Berlin as a ready-made and constructed it as a theatre play entitled Hauptversammlung. Two hundred theatre spectators were c…
Filling the ‘empty space’
While organisational space has received broad scholarly attention, movement in organisational spaces remains under-researched. This paper introduces the notion of site-specific dance from dance theory to consider the dynamic relationship between space and people, emphasising that movements are a response to a space, its materiality and context. Berghain, in Berlin and one of the world’s most famous techno clubs, is discussed as a case. An interdi…
Hero takes a fall
Comparing leaders to actors has a long tradition, and researchers and practitioners in the organizational field have tried to learn lessons from theatre. For developing this approach, this article takes an interdisciplinary theatre studies perspective and discusses how leaders in organizations compare to actors in the theatre. It makes the assertion that the actor’s role in (dramatic, epic and postdramatic) theatre over several historic epochs ca…
Hero takes a fall
Comparing leaders to actors has a long tradition, and researchers and practitioners in the organizational field have tried to learn lessons from theatre. For developing this approach, this article takes an interdisciplinary theatre studies perspective and discusses how leaders in organizations compare to actors in the theatre. It makes the assertion that the actor’s role in (dramatic, epic and postdramatic) theatre over several historic epochs ca…
Using artistic form for aesthetic organizational inquiry
This paper reviews and analyses an artistic intervention in the context of aesthetic organizational inquiry and theatre in organizations. Having served as inspiration and as a tool within organizations, theatre now has returned the favour: Rimini Protokoll, a group of directors, used Daimler's 2009 Annual General Meeting in Berlin as a ready-made and constructed it as a theatre play entitled Hauptversammlung. Two hundred theatre spectators were c…
The atmosphere of the image
This paper introduces the concept of “atmosphere” as relevant for visual analysis. This concept was developed in aesthetic theory and has been used previously in studies of aesthetic artefacts and architecture. When a visual encounter is viewed as an aesthetic situation, the concept helps to explain how the impact of images derives from their aesthetic, emotional and corporeal effects, from the mood and cognitive responses they create. In this pa…
I Write Like a Painter’
Feminine writing and organizational aesthetics are brought together in this paper to sketch a different form of academic production in organizational research that involves arts‐based methods (‘feminine creation’). Feminine creation relates to écriture féminine ( C ixous, I rigaray, and K risteva) and also to peinture féminine ( N ancy S pero) and modern choreography ( T risha B rown). Feminine creation responds to the feminist and the aesthetic …
Filling the ‘empty space’
While organisational space has received broad scholarly attention, movement in organisational spaces remains under-researched. This paper introduces the notion of site-specific dance from dance theory to consider the dynamic relationship between space and people, emphasising that movements are a response to a space, its materiality and context. Berghain, in Berlin and one of the world’s most famous techno clubs, is discussed as a case. An interdi…
Aesthetics (5 works) · Art (5 works) · Sociology (5 works) · Visual arts (4 works) · Computer Science (3 works) · Epistemology (3 works) · Management and Organizational Studies (3 works) · Architecture (2 works) · Context (archaeology (2 works) · Dance (2 works)