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Elahe Karimnia

Biographic Data

ID6591297
NAMEElahe Karimnia
GIVEN NAMESElahe
FAMILY NAMEKarimnia
SIGNATUREKARIMNIA E
AFFILIATIONSUniversity of the West of England
ORCID0000-0002-4718-5036
VERIFIEDYes
TOTAL WORKS3
TOTAL CITATIONS1
WORKS AS AUTHOR3
WORKS AS EDITOR0
FIRST PUBLICATION YEAR2023
LATEST PUBLICATION YEAR2026
H-INDEX1
  • Tentacular-feminine-body as city archivist

    Open Access•Adesola Akinleye, Elahe Karimnia•ARTICLE•Feminist Encounters A Journal of…•2026

    This paper introduces the tentacular-feminine-body as an embodied methodology for exploring archives as relational constituted in the encounters between citizen and city. Rooted in Black/endarkened feminist thought and developed through an interdisciplinary research partnership in dance and urban studies, tentacular-feminine-body resists hegemonic framings of place-making that erase or distort marginalized perspectives. Rather than treating archi…

  • Planning, Art, and Aesthetics

    Danny Mcnally, Katie Mcclymont et al.•ARTICLE•Planning Theory & Practice•2023

    Robin Hood Gardens (RHG) was a brutalist social housing estate in Poplar, East London, built in 1972 by British architects Alison and Peter Smithson, and since 2017 has been undergoing demolition to be turned into luxury flats as part of the Blackwall Reach Development scheme. Its recent trajectory has followed a similar pattern of state led gentrification experienced by many other inner-city housing estates; with a history of managed decline, pu…

  • Cultural backstages as urban creative ecologies

    Open Access•Elahe Karimnia, Fani Kostourou•ARTICLE•European Urban and Regional Studies•2023•Cited by: 1•References: 7

    Amid growing interest in the creative industries and their influence on urban planning and regeneration strategies, this article revisits cultural backstages and their underlying infrastructural conditions. By cultural backstages, we mean those urban production sites which accommodate small-scale, independent and often invisible cultural producers and businesses who operate from the margins of the creative sector in cities. This study approaches …

  • Cultural backstages as urban creative ecologies

    Open Access•Elahe Karimnia, Fani Kostourou•ARTICLE•European Urban and Regional Studies•2023•Cited by: 1•References: 7

    Amid growing interest in the creative industries and their influence on urban planning and regeneration strategies, this article revisits cultural backstages and their underlying infrastructural conditions. By cultural backstages, we mean those urban production sites which accommodate small-scale, independent and often invisible cultural producers and businesses who operate from the margins of the creative sector in cities. This study approaches …

  • Planning, Art, and Aesthetics

    Danny Mcnally, Katie Mcclymont et al.•ARTICLE•Planning Theory & Practice•2023

    Robin Hood Gardens (RHG) was a brutalist social housing estate in Poplar, East London, built in 1972 by British architects Alison and Peter Smithson, and since 2017 has been undergoing demolition to be turned into luxury flats as part of the Blackwall Reach Development scheme. Its recent trajectory has followed a similar pattern of state led gentrification experienced by many other inner-city housing estates; with a history of managed decline, pu…

  • Cultural backstages as urban creative ecologies

    Open Access•Elahe Karimnia, Fani Kostourou•ARTICLE•European Urban and Regional Studies•2023•Cited by: 1•References: 7

    Amid growing interest in the creative industries and their influence on urban planning and regeneration strategies, this article revisits cultural backstages and their underlying infrastructural conditions. By cultural backstages, we mean those urban production sites which accommodate small-scale, independent and often invisible cultural producers and businesses who operate from the margins of the creative sector in cities. This study approaches …

  • Tentacular-feminine-body as city archivist

    Open Access•Adesola Akinleye, Elahe Karimnia•ARTICLE•Feminist Encounters A Journal of…•2026

    This paper introduces the tentacular-feminine-body as an embodied methodology for exploring archives as relational constituted in the encounters between citizen and city. Rooted in Black/endarkened feminist thought and developed through an interdisciplinary research partnership in dance and urban studies, tentacular-feminine-body resists hegemonic framings of place-making that erase or distort marginalized perspectives. Rather than treating archi…

Urban Planning and Governance (2 works) · Aesthetics (1 work) · Art (1 work) · Creative City (1 work) · Creative class (1 work) · Creativity (1 work) · Cultural Heritage Management and Preservation (1 work) · Cultural Industries and Urban Development (1 work) · Dance (1 work) · Diversity (politics (1 work)

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