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Motasim O Almwajeh

Biographic Data

ID6591603
NAMEMotasim O Almwajeh
GIVEN NAMESMotasim
FAMILY NAMEO Almwajeh
SIGNATUREALMWAJEH M O
AFFILIATIONSHashemite University
ORCID0000-0002-0353-3553
VERIFIEDYes
TOTAL WORKS6
TOTAL CITATIONS0
WORKS AS AUTHOR6
WORKS AS EDITOR0
FIRST PUBLICATION YEAR2020
LATEST PUBLICATION YEAR2025
H-INDEX0
  • Dissenting Female Voices

    Open Access•Najah A Alzoubi, Motasim O Almwajeh et al.•ARTICLE•Journal of Language Teaching and…•2025

    The female protagonists in Nathaniel Hawthorne’s The Scarlet Letter (1850) and Fadia Faqir’s My Name Is Salma (2007) face similar themes and explore the effects of adultery on women. Despite their different temporal, geographical, and cultural contexts, the novels fight oppression and marginalization. The authors carefully and delicately place the stories in a framework of crimes, marginalization, and dissent. The researchers use feminist critica…

  • Pandemics Fear and Anxiety

    Open Access•Najah A Alzoubi, Haitham M Talafha et al.•ARTICLE•International Journal of…•2025

    This study examines the archetypal stages of human responses to fear and anxiety during pandemics and epidemics in Edgar Allan Poe’s “The Masque of the Red Death,” Amir Tag Elsir’s Ebola 76, and COVID-19. Pandemics and epidemics elicit a range of psychosocial response mechanisms in individuals due to innate and unmanageable feelings of fear and uncertainty. In the face of chaotic circumstances, the human collective psyche exhibits contagious horr…

  • Women and Nature Wrongly Associated

    Open Access•Motasim O Almwajeh•ARTICLE•Theory and Practice in Language…•2024

    This article analyzes Arundhati Roy’s intricately-woven novel The God of Small Things (1997) for ecofeminist implications. It highlights the points of convergence between sexism and ecological degradation, expounding the role of love as a remedy to most social and environmental problems. Ecofeminism incorporates a wide range of sociopolitical and cultural subtleties arising from the transformation of sanctified and ecofriendly conceptions of the …

  • Only Monsters Evolve From Wars

    Open Access•Motasim O Almwajeh, Abdullah F Al-Badarneh et al.•ARTICLE•Theory and Practice in Language…•2024

    This article examines the absurdity of wars and grounds their intersecting contours of enormous death (physical and psychological), destruction, and trauma notwithstanding their location, grounds, pretext, or repercussions. It underlines the scathing critiques of their constituencies in Kurt Vonnegut’s Slaughterhouse-Five (1969) and Ahmed Saadawi’s Frankenstein in Baghdad (2013, trans. 2018), two novels articulating a striking disdain for the eth…

  • Physically Exiled, Spiritually Returning

    Open Access•Motasim O Almwajeh, Luqman Rababah•ARTICLE•International Journal of…•2023

    This article explores a selection of Mahmoud Darwish’s poetry and Samuel Beckett’s Murphy (1938) as postcolonial texts which are rich with postcolonial undertones. Beckett and Darwish articulate a counter-discursive rhetoric that undermines any hierarchically installed oppressive structures. Although political classifications and restrictions limit many neutral inquiries of such texts and hinder objective scholarship on Irish and Palestinian lite…

  • Memory and Artistic Dissent

    Open Access•Shadi S Neimneh, Shadi Neimneh et al.•ARTICLE•Indian Journal of Gender Studies•2020•References: 2

    This article examines the intersections between memory and artistic vision in Virginia Woolf’s To the Lighthouse (1927) and Margaret Atwood’s Surfacing (1972), two novels resonating with feminist tensions and gender issues. Investigating two anxious female artists—Lily Briscoe in Woolf’s novel and the unnamed narrator of Atwood’s novel—the researchers argue that memory functions as a source of order and recuperation. Against patriarchal norms, me…

No prominent works on this page.

  • Memory and Artistic Dissent

    Open Access•Shadi S Neimneh, Shadi Neimneh et al.•ARTICLE•Indian Journal of Gender Studies•2020•References: 2

    This article examines the intersections between memory and artistic vision in Virginia Woolf’s To the Lighthouse (1927) and Margaret Atwood’s Surfacing (1972), two novels resonating with feminist tensions and gender issues. Investigating two anxious female artists—Lily Briscoe in Woolf’s novel and the unnamed narrator of Atwood’s novel—the researchers argue that memory functions as a source of order and recuperation. Against patriarchal norms, me…

  • Physically Exiled, Spiritually Returning

    Open Access•Motasim O Almwajeh, Luqman Rababah•ARTICLE•International Journal of…•2023

    This article explores a selection of Mahmoud Darwish’s poetry and Samuel Beckett’s Murphy (1938) as postcolonial texts which are rich with postcolonial undertones. Beckett and Darwish articulate a counter-discursive rhetoric that undermines any hierarchically installed oppressive structures. Although political classifications and restrictions limit many neutral inquiries of such texts and hinder objective scholarship on Irish and Palestinian lite…

  • Women and Nature Wrongly Associated

    Open Access•Motasim O Almwajeh•ARTICLE•Theory and Practice in Language…•2024

    This article analyzes Arundhati Roy’s intricately-woven novel The God of Small Things (1997) for ecofeminist implications. It highlights the points of convergence between sexism and ecological degradation, expounding the role of love as a remedy to most social and environmental problems. Ecofeminism incorporates a wide range of sociopolitical and cultural subtleties arising from the transformation of sanctified and ecofriendly conceptions of the …

  • Only Monsters Evolve From Wars

    Open Access•Motasim O Almwajeh, Abdullah F Al-Badarneh et al.•ARTICLE•Theory and Practice in Language…•2024

    This article examines the absurdity of wars and grounds their intersecting contours of enormous death (physical and psychological), destruction, and trauma notwithstanding their location, grounds, pretext, or repercussions. It underlines the scathing critiques of their constituencies in Kurt Vonnegut’s Slaughterhouse-Five (1969) and Ahmed Saadawi’s Frankenstein in Baghdad (2013, trans. 2018), two novels articulating a striking disdain for the eth…

  • Dissenting Female Voices

    Open Access•Najah A Alzoubi, Motasim O Almwajeh et al.•ARTICLE•Journal of Language Teaching and…•2025

    The female protagonists in Nathaniel Hawthorne’s The Scarlet Letter (1850) and Fadia Faqir’s My Name Is Salma (2007) face similar themes and explore the effects of adultery on women. Despite their different temporal, geographical, and cultural contexts, the novels fight oppression and marginalization. The authors carefully and delicately place the stories in a framework of crimes, marginalization, and dissent. The researchers use feminist critica…

  • Pandemics Fear and Anxiety

    Open Access•Najah A Alzoubi, Haitham M Talafha et al.•ARTICLE•International Journal of…•2025

    This study examines the archetypal stages of human responses to fear and anxiety during pandemics and epidemics in Edgar Allan Poe’s “The Masque of the Red Death,” Amir Tag Elsir’s Ebola 76, and COVID-19. Pandemics and epidemics elicit a range of psychosocial response mechanisms in individuals due to innate and unmanageable feelings of fear and uncertainty. In the face of chaotic circumstances, the human collective psyche exhibits contagious horr…

Art (5 works) · Philosophy (5 works) · Linguistics (4 works) · Literature (4 works) · History (3 works) · Aesthetics (2 works) · Contemporary Literature and Criticism (2 works) · Gothic Literature and Media Analysis (2 works) · Law (2 works) · Political science (2 works)

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