Viwe Ndayi
Biographic Data
| ID | 6596853 |
|---|---|
| NAME | Viwe Ndayi |
| GIVEN NAMES | Viwe |
| FAMILY NAME | Ndayi |
| SIGNATURE | NDAYI V |
| AFFILIATIONS | Twitter (United States) |
| ORCID | 0000-0002-8443-1769 |
| VERIFIED | Yes |
| TOTAL WORKS | 2 |
| TOTAL CITATIONS | 1 |
| WORKS AS AUTHOR | 2 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 2019 |
| LATEST PUBLICATION YEAR | 2020 |
| H-INDEX | 1 |
Black Panther
This article considers the representation of disability as a criminalised un- African identity in the film Black Panther (directed by Ryan Coogler, 2018). Relying heavily on centuries of differentiation and the hierarchical ordering of bodies “that matter”, the film represents bodies as sites of writing and reading the politics of being and belonging in a future African society. Mass media representations of morality and criminality rely on this …
Gendered differences in the representation of men’s and women’s relationship to marriage and childbearing in business and economic contexts
Generations: The Legacy, a South African television soap opera, presents multi-layered representations of the daily lives of middle and upper class South Africans. It negotiates issues of culture, family dynamics, gender-based violence, abuse, business ethics, crime and generational wealth. The Broadcast Research Council (2019) reported that, in 2018, the programme had over eight million viewers in South Africa. Generations: The Legacy enjoys a d…
Gendered differences in the representation of men’s and women’s relationship to marriage and childbearing in business and economic contexts
Generations: The Legacy, a South African television soap opera, presents multi-layered representations of the daily lives of middle and upper class South Africans. It negotiates issues of culture, family dynamics, gender-based violence, abuse, business ethics, crime and generational wealth. The Broadcast Research Council (2019) reported that, in 2018, the programme had over eight million viewers in South Africa. Generations: The Legacy enjoys a d…
Gendered differences in the representation of men’s and women’s relationship to marriage and childbearing in business and economic contexts
Generations: The Legacy, a South African television soap opera, presents multi-layered representations of the daily lives of middle and upper class South Africans. It negotiates issues of culture, family dynamics, gender-based violence, abuse, business ethics, crime and generational wealth. The Broadcast Research Council (2019) reported that, in 2018, the programme had over eight million viewers in South Africa. Generations: The Legacy enjoys a d…
Black Panther
This article considers the representation of disability as a criminalised un- African identity in the film Black Panther (directed by Ryan Coogler, 2018). Relying heavily on centuries of differentiation and the hierarchical ordering of bodies “that matter”, the film represents bodies as sites of writing and reading the politics of being and belonging in a future African society. Mass media representations of morality and criminality rely on this …
Gender Studies (2 works) · Law (2 works) · Narrative (2 works) · Political science (2 works) · Politics (2 works) · Sociology (2 works) · Aesthetics (1 work) · African cultural and philosophical studies (1 work) · African history and culture studies (1 work) · African Sexualities and LGBTQ+ Issues (1 work)