Matthew Curr
Biographic Data
| ID | 6597428 |
|---|---|
| NAME | Matthew Curr |
| GIVEN NAMES | Matthew |
| FAMILY NAME | Curr |
| SIGNATURE | CURR M |
| AFFILIATIONS | Cape Peninsula University of Technology |
| ORCID | 0000-0001-9270-0570 |
| VERIFIED | Yes |
| TOTAL WORKS | 3 |
| TOTAL CITATIONS | 0 |
| WORKS AS AUTHOR | 3 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 2001 |
| LATEST PUBLICATION YEAR | 2020 |
| H-INDEX | 0 |
An Anzalduan Reading of Ben Okri’s In Arcadia (2002)
Set against Anzaldua’s seminal text, Borderlands, this study of Okri’s In Arcadia (2002) concerns itself with the author’s psychological, emotional and artistic identity; torn as he is between African and European heritages, obliged to negotiate a middle ground or mestiza personality. What appears at first to be unqualified suffering, ignominy and stateless confusion for Lao/Okri, reveals itself in the course of the film crew’s revelatory expedit…
Deaf to women
E.D. Morel’s chapter, ‘The story of Southern Rhodesia’, in his signal text The black man’s burden (1920), provides intertextual reference to Olive Schreiner’s work Trooper Peter Halket of Mashonaland (1897) in discussing libertarian thought and distinguishing aspects of male/female authorship. Schreiner’s feminist perspective affords her a wider purview of colonialist prerogatives than those exhibited by several contemporary male observers or com…
In our case
No prominent works on this page.
In our case
Deaf to women
E.D. Morel’s chapter, ‘The story of Southern Rhodesia’, in his signal text The black man’s burden (1920), provides intertextual reference to Olive Schreiner’s work Trooper Peter Halket of Mashonaland (1897) in discussing libertarian thought and distinguishing aspects of male/female authorship. Schreiner’s feminist perspective affords her a wider purview of colonialist prerogatives than those exhibited by several contemporary male observers or com…
An Anzalduan Reading of Ben Okri’s In Arcadia (2002)
Set against Anzaldua’s seminal text, Borderlands, this study of Okri’s In Arcadia (2002) concerns itself with the author’s psychological, emotional and artistic identity; torn as he is between African and European heritages, obliged to negotiate a middle ground or mestiza personality. What appears at first to be unqualified suffering, ignominy and stateless confusion for Lao/Okri, reveals itself in the course of the film crew’s revelatory expedit…
Aesthetics (2 works) · Art (2 works) · Literature (2 works) · Sociology (2 works) · African history and culture studies (1 work) · Arcadia (1 work) · Damnation (1 work) · Enlightenment (1 work) · Epistemology (1 work) · Gender Studies (1 work)