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Ralph Goodman

Biographic Data

ID6597450
NAMERalph Goodman
GIVEN NAMESRalph
FAMILY NAMEGoodman
SIGNATUREGOODMAN R
AFFILIATIONSStellenbosch University
VERIFIEDNo
TOTAL WORKS10
TOTAL CITATIONS11
AUTHOR COUNT10
EDITOR COUNT0
FIRST PUBLICATION YEAR2004
LATEST PUBLICATION YEAR2016
H-INDEX2
  • Boundary issues and beyond

    Ralph Goodman•ARTICLE•Scrutiny2•2016•Cited by: 1•References: 2

    This article is written primarily within the Derridean frame of différance, his composite term which alludes to both “deferral” and “difference” and challenges Ferdinand Saussure’s notion of language, which the latter saw as stable. In its place Jacques Derrida offers another convention – of engaged delay between signifier and referent – a “form of critical dialogue” with language (Johnson1997: 53), from which more significant meaning (and action…

  • Homage to Mr Turner

    Ralph Goodman•ARTICLE•Scrutiny2•2015

  • Pilgrimage of the sperm

    Ralph Goodman•ARTICLE•Scrutiny2•2014

  • Reprise

    Ralph Goodman•ARTICLE•Scrutiny2•2014

  • Kopano Matlwa's Coconut

    Ralph Goodman•ARTICLE•Current Writing•2012

    This article demonstrates how Kopano Matlwa's recent novel, Coconut, highlights the faultlines that persist in contemporary South African society. The dangers of binary thinking and certain modernist approaches are discussed, and the influence of racist and colonial approaches is demonstrated. Coconut reflects current South African social and political realities, showing how the results of apartheid continue to haunt race relations, and how struc…

  • District 9

    Michael Valdez Moses, Lucy Valerie Graham et al.•ARTICLE•Safundi•2010•Cited by: 6

    Directed by Neill Blomkamp. Written by Neill Blomkamp and Terri Tatchell. Produced by Peter Jackson and Carolynne Cunningham. Co-produced by Philippa Boyens. Executive Producers Bill Block, Elliot

  • Ivan Vladislavić's Portrait with Keys

    Ralph Goodman•ARTICLE•Safundi•2009•Cited by: 3•References: 2

    Portrait with Keys: Joburg and What-what IVAN VLADISLAVIC Roggebaai, Umuzi, 2006, pp. 211 (pbk) ISBN 978-1-4152-0020-91 1 Also published in the United Kingdom as Portrait with Keys: The City of Joh

  • The man, the woman and the whale

    Ralph Goodman•ARTICLE•Current Writing•2008

    Zakes Mda's The Whale Caller is set in the Western Cape village of Hermanus, which proves to be an idyllic place only for tourists and rich South Africans, framing a story of doomed love for its three chief protagonists, Saluni, the otherwise nameless Whale Caller, and Sharisha, a female whale. The Whale Caller revolves around a love story with a timely narrative which, at a point in South African history when some influential voices have been su…

  • Ivan Vladislavić's The exploded view

    Ralph Goodman•ARTICLE•Scrutiny2•2006•Cited by: 1•References: 8

    This essay discusses Ivan Vladislavić's The exploded view as a satirical text about the construction of space in post-1994 South Africa. The text consists of four sections, each of which foregrounds attempts to grapple with and represent various South African spaces, both literal and figurative. The census-taker in section one, the town-planner in section two, the trendy artist in section three and the philosophizing erector of billboards in sect…

  • De‐scribing the centre

    Open Access•Ralph Goodman•ARTICLE•Journal of Literary Studies•2004

    In The Madonna of Excelsior (2002) Zakes Mda makes use of both satiric and postcoloniai strategies to create discursive fissures within colonial discourses, with a strong focus on issues of race and the Immorality Act in particular. This essay explores the nature of both satire and postcolonialism as dialogic, heteroglossic textual forms which serve to liberate the subject from the power of hegemonic language, contrasting satire and postcoloniali…

  • District 9

    Michael Valdez Moses, Lucy Valerie Graham et al.•ARTICLE•Safundi•2010•Cited by: 6

    Directed by Neill Blomkamp. Written by Neill Blomkamp and Terri Tatchell. Produced by Peter Jackson and Carolynne Cunningham. Co-produced by Philippa Boyens. Executive Producers Bill Block, Elliot

  • Ivan Vladislavić's Portrait with Keys

    Ralph Goodman•ARTICLE•Safundi•2009•Cited by: 3•References: 2

    Portrait with Keys: Joburg and What-what IVAN VLADISLAVIC Roggebaai, Umuzi, 2006, pp. 211 (pbk) ISBN 978-1-4152-0020-91 1 Also published in the United Kingdom as Portrait with Keys: The City of Joh

  • Boundary issues and beyond

    Ralph Goodman•ARTICLE•Scrutiny2•2016•Cited by: 1•References: 2

    This article is written primarily within the Derridean frame of différance, his composite term which alludes to both “deferral” and “difference” and challenges Ferdinand Saussure’s notion of language, which the latter saw as stable. In its place Jacques Derrida offers another convention – of engaged delay between signifier and referent – a “form of critical dialogue” with language (Johnson1997: 53), from which more significant meaning (and action…

  • Ivan Vladislavić's The exploded view

    Ralph Goodman•ARTICLE•Scrutiny2•2006•Cited by: 1•References: 8

    This essay discusses Ivan Vladislavić's The exploded view as a satirical text about the construction of space in post-1994 South Africa. The text consists of four sections, each of which foregrounds attempts to grapple with and represent various South African spaces, both literal and figurative. The census-taker in section one, the town-planner in section two, the trendy artist in section three and the philosophizing erector of billboards in sect…

  • De‐scribing the centre

    Open Access•Ralph Goodman•ARTICLE•Journal of Literary Studies•2004

    In The Madonna of Excelsior (2002) Zakes Mda makes use of both satiric and postcoloniai strategies to create discursive fissures within colonial discourses, with a strong focus on issues of race and the Immorality Act in particular. This essay explores the nature of both satire and postcolonialism as dialogic, heteroglossic textual forms which serve to liberate the subject from the power of hegemonic language, contrasting satire and postcoloniali…

  • Ivan Vladislavić's The exploded view

    Ralph Goodman•ARTICLE•Scrutiny2•2006•Cited by: 1•References: 8

    This essay discusses Ivan Vladislavić's The exploded view as a satirical text about the construction of space in post-1994 South Africa. The text consists of four sections, each of which foregrounds attempts to grapple with and represent various South African spaces, both literal and figurative. The census-taker in section one, the town-planner in section two, the trendy artist in section three and the philosophizing erector of billboards in sect…

  • The man, the woman and the whale

    Ralph Goodman•ARTICLE•Current Writing•2008

    Zakes Mda's The Whale Caller is set in the Western Cape village of Hermanus, which proves to be an idyllic place only for tourists and rich South Africans, framing a story of doomed love for its three chief protagonists, Saluni, the otherwise nameless Whale Caller, and Sharisha, a female whale. The Whale Caller revolves around a love story with a timely narrative which, at a point in South African history when some influential voices have been su…

  • Ivan Vladislavić's Portrait with Keys

    Ralph Goodman•ARTICLE•Safundi•2009•Cited by: 3•References: 2

    Portrait with Keys: Joburg and What-what IVAN VLADISLAVIC Roggebaai, Umuzi, 2006, pp. 211 (pbk) ISBN 978-1-4152-0020-91 1 Also published in the United Kingdom as Portrait with Keys: The City of Joh

  • District 9

    Michael Valdez Moses, Lucy Valerie Graham et al.•ARTICLE•Safundi•2010•Cited by: 6

    Directed by Neill Blomkamp. Written by Neill Blomkamp and Terri Tatchell. Produced by Peter Jackson and Carolynne Cunningham. Co-produced by Philippa Boyens. Executive Producers Bill Block, Elliot

  • Kopano Matlwa's Coconut

    Ralph Goodman•ARTICLE•Current Writing•2012

    This article demonstrates how Kopano Matlwa's recent novel, Coconut, highlights the faultlines that persist in contemporary South African society. The dangers of binary thinking and certain modernist approaches are discussed, and the influence of racist and colonial approaches is demonstrated. Coconut reflects current South African social and political realities, showing how the results of apartheid continue to haunt race relations, and how struc…

  • Pilgrimage of the sperm

    Ralph Goodman•ARTICLE•Scrutiny2•2014

  • Reprise

    Ralph Goodman•ARTICLE•Scrutiny2•2014

  • Homage to Mr Turner

    Ralph Goodman•ARTICLE•Scrutiny2•2015

  • Boundary issues and beyond

    Ralph Goodman•ARTICLE•Scrutiny2•2016•Cited by: 1•References: 2

    This article is written primarily within the Derridean frame of différance, his composite term which alludes to both “deferral” and “difference” and challenges Ferdinand Saussure’s notion of language, which the latter saw as stable. In its place Jacques Derrida offers another convention – of engaged delay between signifier and referent – a “form of critical dialogue” with language (Johnson1997: 53), from which more significant meaning (and action…

Sociology (7 works) · Political science (6 works) · Aesthetics (5 works) · Art (4 works) · Gender Studies (4 works) · Law (4 works) · Philosophy (4 works) · Politics (4 works) · Postcolonial and Cultural Literary Studies (4 works) · Epistemology (3 works)

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