Sang Mi Park
Biographic Data
| ID | 6599845 |
|---|---|
| NAME | Sang Mi Park |
| GIVEN NAMES | Sang Mi |
| FAMILY NAME | Park |
| SIGNATURE | PARK S M |
| AFFILIATIONS | Waseda University |
| VERIFIED | No |
| TOTAL WORKS | 7 |
| TOTAL CITATIONS | 10 |
| WORKS AS AUTHOR | 7 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 2006 |
| LATEST PUBLICATION YEAR | 2015 |
| H-INDEX | 2 |
Staging Japan
In the 1950s and 1960s, the modern Japanese state employed overseas cultural promotion as a way to maximise its interests and image not only in international contexts but also at home. By juxtaposing the Takarazuka Revue’s performances in the United States and Japan during the postwar period, this paper argues that the overseas promotion of this Japanese theatre troupe both depended upon and reinforced the Japanese populace’s nationalistic pride …
Ri Kōran by Asari Keita (review)
Reviewed by: Ri Kōran by Asari Keita Sang Mi Park Ri Kōran. By Asari Keita. Created and performed by Shiki Theatre Company. Shiki Theatre, Tokyo. 8–29 September 2013. Ri Kōran, the major wartime (1931–45) play by Asari Keita, director and impresario of the Shiki Theatre Company, has enjoyed a continuous run in Shiki's member theatres across Japan and overseas since its 1991 Tokyo premiere. An adaptation of the autobiography Ri Kōran: watashi no h…
Biomolecular evidence of anti-inflammatory effects by Clematis mandshurica Ruprecht root extract in rodent cells
The Paradox of Postcolonial Korean Nationalism
This paper examines the process by which the South Korean government revived Japanese forms of cultural policy to mobilize the populace in support of state goals, thus reproducing colonial cultural experiences in postcolonial times. Facing threats to their authority from the North Korean communist alternative, the inequalities of rapid economic development, and the questionable legitimacy of their unelected military governments, successive South …
The Takarazuka Girls’ Revue in the West
This essay examines wartime Japan’s establishment of culture bureaus and its promotion of the Takarazuka Girls’ Revue in allied European nations and the United States in a moment of international crisis. This overseas cultural policy was part of a series of alternative strategies employed by the Japanese Ministry of Foreign Affairs in an effort to persuade the West to acknowledge Japan’s self‐appointed role as a leader in East Asia, capable of pr…
The Preference for an Additional Child Among Married Women in Seoul, Korea
South Korea reported a total fertility rate (TFR) of 1·08 in 2005. This is the lowest level of all nations in the Organisation for Economic Co-operation and Development (OECD). Recently, the decline in the fertility rate has been a dominant phenomenon in Korea’s major cities. This study investigated the relationship between social environmental factors and fertility intentions for married women in Seoul, the capital of Korea, using a sample of 22…
The Making of a Cultural Icon for the Japanese Empire
Research Article| August 01 2006 The Making of a Cultural Icon for the Japanese Empire: Choe Seung-Hui's U.s. Dance Tours and “New Asian Culture” In the 1930s and 1940s Sang Mi Park Sang Mi Park Search for other works by this author on: This Site Google positions (2006) 14 (3): 597–632. https://doi.org/10.1215/10679847-2006-015 Cite Icon Cite Share Icon Share Facebook Twitter LinkedIn MailTo Permissions Search Site Citation Sang Mi Park; The Maki…
The Making of a Cultural Icon for the Japanese Empire
Research Article| August 01 2006 The Making of a Cultural Icon for the Japanese Empire: Choe Seung-Hui's U.s. Dance Tours and “New Asian Culture” In the 1930s and 1940s Sang Mi Park Sang Mi Park Search for other works by this author on: This Site Google positions (2006) 14 (3): 597–632. https://doi.org/10.1215/10679847-2006-015 Cite Icon Cite Share Icon Share Facebook Twitter LinkedIn MailTo Permissions Search Site Citation Sang Mi Park; The Maki…
The Takarazuka Girls’ Revue in the West
This essay examines wartime Japan’s establishment of culture bureaus and its promotion of the Takarazuka Girls’ Revue in allied European nations and the United States in a moment of international crisis. This overseas cultural policy was part of a series of alternative strategies employed by the Japanese Ministry of Foreign Affairs in an effort to persuade the West to acknowledge Japan’s self‐appointed role as a leader in East Asia, capable of pr…
The Making of a Cultural Icon for the Japanese Empire
Research Article| August 01 2006 The Making of a Cultural Icon for the Japanese Empire: Choe Seung-Hui's U.s. Dance Tours and “New Asian Culture” In the 1930s and 1940s Sang Mi Park Sang Mi Park Search for other works by this author on: This Site Google positions (2006) 14 (3): 597–632. https://doi.org/10.1215/10679847-2006-015 Cite Icon Cite Share Icon Share Facebook Twitter LinkedIn MailTo Permissions Search Site Citation Sang Mi Park; The Maki…
The Preference for an Additional Child Among Married Women in Seoul, Korea
South Korea reported a total fertility rate (TFR) of 1·08 in 2005. This is the lowest level of all nations in the Organisation for Economic Co-operation and Development (OECD). Recently, the decline in the fertility rate has been a dominant phenomenon in Korea’s major cities. This study investigated the relationship between social environmental factors and fertility intentions for married women in Seoul, the capital of Korea, using a sample of 22…
The Paradox of Postcolonial Korean Nationalism
This paper examines the process by which the South Korean government revived Japanese forms of cultural policy to mobilize the populace in support of state goals, thus reproducing colonial cultural experiences in postcolonial times. Facing threats to their authority from the North Korean communist alternative, the inequalities of rapid economic development, and the questionable legitimacy of their unelected military governments, successive South …
The Takarazuka Girls’ Revue in the West
This essay examines wartime Japan’s establishment of culture bureaus and its promotion of the Takarazuka Girls’ Revue in allied European nations and the United States in a moment of international crisis. This overseas cultural policy was part of a series of alternative strategies employed by the Japanese Ministry of Foreign Affairs in an effort to persuade the West to acknowledge Japan’s self‐appointed role as a leader in East Asia, capable of pr…
Ri Kōran by Asari Keita (review)
Reviewed by: Ri Kōran by Asari Keita Sang Mi Park Ri Kōran. By Asari Keita. Created and performed by Shiki Theatre Company. Shiki Theatre, Tokyo. 8–29 September 2013. Ri Kōran, the major wartime (1931–45) play by Asari Keita, director and impresario of the Shiki Theatre Company, has enjoyed a continuous run in Shiki's member theatres across Japan and overseas since its 1991 Tokyo premiere. An adaptation of the autobiography Ri Kōran: watashi no h…
Biomolecular evidence of anti-inflammatory effects by Clematis mandshurica Ruprecht root extract in rodent cells
Staging Japan
In the 1950s and 1960s, the modern Japanese state employed overseas cultural promotion as a way to maximise its interests and image not only in international contexts but also at home. By juxtaposing the Takarazuka Revue’s performances in the United States and Japan during the postwar period, this paper argues that the overseas promotion of this Japanese theatre troupe both depended upon and reinforced the Japanese populace’s nationalistic pride …
Japanese History and Culture (5 works) · Asian Culture and Media Studies (4 works) · Sociology (4 works) · Law (3 works) · Political economy (3 works) · Political science (3 works) · Politics (3 works) · Computer Science (2 works) · Economics (2 works) · Hong Kong and Taiwan Politics (2 works)