Lauren Chalk
Biographic Data
| ID | 6599878 |
|---|---|
| NAME | Lauren Chalk |
| GIVEN NAMES | Lauren |
| FAMILY NAME | Chalk |
| SIGNATURE | CHALK L |
| AFFILIATIONS | School of Humanities, Languages and Social Science, Nathan, Australia |
| ORCID | 0000-0003-2211-3455 |
| VERIFIED | Yes |
| TOTAL WORKS | 3 |
| TOTAL CITATIONS | 0 |
| WORKS AS AUTHOR | 3 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 2022 |
| LATEST PUBLICATION YEAR | 2026 |
| H-INDEX | 0 |
Representing Reggaeton in the Museum
In recent years, there has been a growing interest in the curation of reggaeton as museums working with Latinx Caribbean culture across the United States are making efforts to include the popular music genre in their exhibition programming. This paper draws on interviews with museum and exhibition curators at the Grammy Museum (Los Angeles, USA) and La Casita Cultural Centre (New York, USA) to examine how these spaces have approached the task of …
Representing reggaeton through fans' online community archives
Communities of fans are collaboratively approaching the task of preserving the materials, memories, and histories of reggaeton, a popular music genre. Two online spaces, the Hasta 'Bajo project and the Reggaeton Con La Gata platform, provide examples of community archives founded by fan-scholars. These initiatives invite participation, recognition, and celebration of reggaeton, in turn constructing and revising histories of the genre, in response…
Leveraging popular music heritage as sustainable cultural infrastructure in small cities
Popular music and its heritage increasingly feature as a component of creative city strategies and urban regeneration agendas. However, local governments of small cities face challenges in replicating the cultural policies and strategies popularised by big cities. Focusing on two Australian small cities -Wollongong, New South Wales and Redcliffe, Queensland -this article draws on examples of popular music heritage activity including the Bee Gees …
No prominent works on this page.
Representing reggaeton through fans' online community archives
Communities of fans are collaboratively approaching the task of preserving the materials, memories, and histories of reggaeton, a popular music genre. Two online spaces, the Hasta 'Bajo project and the Reggaeton Con La Gata platform, provide examples of community archives founded by fan-scholars. These initiatives invite participation, recognition, and celebration of reggaeton, in turn constructing and revising histories of the genre, in response…
Leveraging popular music heritage as sustainable cultural infrastructure in small cities
Popular music and its heritage increasingly feature as a component of creative city strategies and urban regeneration agendas. However, local governments of small cities face challenges in replicating the cultural policies and strategies popularised by big cities. Focusing on two Australian small cities -Wollongong, New South Wales and Redcliffe, Queensland -this article draws on examples of popular music heritage activity including the Bee Gees …
Representing Reggaeton in the Museum
In recent years, there has been a growing interest in the curation of reggaeton as museums working with Latinx Caribbean culture across the United States are making efforts to include the popular music genre in their exhibition programming. This paper draws on interviews with museum and exhibition curators at the Grammy Museum (Los Angeles, USA) and La Casita Cultural Centre (New York, USA) to examine how these spaces have approached the task of …
Music History and Culture (3 works) · Sociology (3 works) · Art (2 works) · Cultural Industries and Urban Development (2 works) · Diverse Musicological Studies (2 works) · Political science (2 works) · Visual arts (2 works) · Aesthetics (1 work) · Affect (linguistics) (1 work) · Archaeology (1 work)