Haidee Wasson
Biographic Data
| ID | 6600492 |
|---|---|
| NAME | Haidee Wasson |
| GIVEN NAMES | Haidee |
| FAMILY NAME | Wasson |
| SIGNATURE | WASSON H |
| AFFILIATIONS | Phd at McGill University |
| VERIFIED | No |
| TOTAL WORKS | 10 |
| TOTAL CITATIONS | 0 |
| WORKS AS AUTHOR | 7 |
| WORKS AS EDITOR | 3 |
| FIRST PUBLICATION YEAR | 1998 |
| LATEST PUBLICATION YEAR | 2022 |
| H-INDEX | 0 |
Introduction
Canadian Journal of Film Studies / Revue canadienne d'études cinématographiques - Volume 31, Number 2, Fall / automne 2022
Experimental Viewing Protocols
The Military’s Cinema Complex
Cinema's Military Industrial Complex
Cinema’s Military Industrial Complex examines how the American military has used cinema and related visual, sonic, and mobile technologies to further its varied aims. The essays in this book address the way cinema was put to work for purposes of training, orientation, record keeping, internal and external communication, propaganda, research and development, tactical analysis, surveillance, physical and mental health, recreation, and morale. The c…
Experimental Viewing Protocols
This chapter, by Haidee Wasson, addresses the development and use of portable film projectors by the American military during World War II and after. It examines the close ties to the technological wing of the American film industry and situates the innovation and use of film projectors in the context of ongoing experiments with projectors, projection, and film viewing within the armed services. This includes a discussion of standard operating eq…
The Military’s Cinema Complex
This chapter, by Lee Grieveson and Haidee Wasson, establishes a framework for studying the American military, a singularly powerful institution, and its relationship to cinema. It first lays out a brief history of the American military and its rise to prominence and power, and then situates the enduring use of cinema across the broad remit of the armed forces alongside previous work in this area. Special attention is paid to the economic and indu…
Cinema's Military Industrial Complex
Moving Images
This chapter surveys the ways in which the history of film exhibition has been conceptualized and elaborated by film historians, with special attention paid to the possibilities of an expanded current historiographical approach that includes small film technologies, in particular, portable film projectors. Like theatrical exhibition, the portable projector exemplifies the nineteenth‐century marriage of mechanical movement, chemistry, and projecte…
Useful Cinema
What's old is new again
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What's old is new again
Useful Cinema
Moving Images
This chapter surveys the ways in which the history of film exhibition has been conceptualized and elaborated by film historians, with special attention paid to the possibilities of an expanded current historiographical approach that includes small film technologies, in particular, portable film projectors. Like theatrical exhibition, the portable projector exemplifies the nineteenth‐century marriage of mechanical movement, chemistry, and projecte…
Cinema's Military Industrial Complex
Cinema’s Military Industrial Complex examines how the American military has used cinema and related visual, sonic, and mobile technologies to further its varied aims. The essays in this book address the way cinema was put to work for purposes of training, orientation, record keeping, internal and external communication, propaganda, research and development, tactical analysis, surveillance, physical and mental health, recreation, and morale. The c…
Experimental Viewing Protocols
This chapter, by Haidee Wasson, addresses the development and use of portable film projectors by the American military during World War II and after. It examines the close ties to the technological wing of the American film industry and situates the innovation and use of film projectors in the context of ongoing experiments with projectors, projection, and film viewing within the armed services. This includes a discussion of standard operating eq…
The Military’s Cinema Complex
This chapter, by Lee Grieveson and Haidee Wasson, establishes a framework for studying the American military, a singularly powerful institution, and its relationship to cinema. It first lays out a brief history of the American military and its rise to prominence and power, and then situates the enduring use of cinema across the broad remit of the armed forces alongside previous work in this area. Special attention is paid to the economic and indu…
Cinema's Military Industrial Complex
Experimental Viewing Protocols
The Military’s Cinema Complex
Introduction
Canadian Journal of Film Studies / Revue canadienne d'études cinématographiques - Volume 31, Number 2, Fall / automne 2022
Art (7 works) · Cinema and Media Studies (7 works) · History (6 works) · Movie theater (5 works) · Art history (4 works) · Visual arts (4 works) · Computer Science (3 works) · Military History and Strategy (3 works) · World Wars: History, Literature, and Impact (3 works) · Art History and Market Analysis (2 works)