Rachael Gunn
Biographic Data
| ID | 6600524 |
|---|---|
| NAME | Rachael Gunn |
| GIVEN NAMES | Rachael |
| FAMILY NAME | Gunn |
| SIGNATURE | GUNN R |
| AFFILIATIONS | , |
| ORCID | 0000-0002-1069-4021 |
| VERIFIED | Yes |
| TOTAL WORKS | 2 |
| TOTAL CITATIONS | 2 |
| WORKS AS AUTHOR | 2 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 2016 |
| LATEST PUBLICATION YEAR | 2021 |
| H-INDEX | 1 |
Where the #bgirls at? politics of (in)visibility in breaking culture
Representation is a central tenet of hip-hop culture, yet women’s experiences and contributions have long been invisibilised. This article reveals some of the barriers to visibility facing women in breaking (“b-girls”). It shows how b-girls respond to gender-based challenges and their sense of obligation to be visible in order to promote gender equality. Through participant-observation, interviews with Sydney b-girls, and online case studies, thi…
The ‘systems of relay’ in doing cultural studies
In this article, I highlight the system of relays between Deleuze and Guattari’s (2010) ‘Body without Organs’ (BwO), the gender politics of Sydney's breakdancing scene that regulate ‘what a body can do’, and my own breakdancing (b-girling) practice. The BwO is not a static notion, but both ‘a practice [and] a set of practices’ through which the body de-stratifies from the prevailing order of domination - such as gender - and refills with intensit…
The ‘systems of relay’ in doing cultural studies
In this article, I highlight the system of relays between Deleuze and Guattari’s (2010) ‘Body without Organs’ (BwO), the gender politics of Sydney's breakdancing scene that regulate ‘what a body can do’, and my own breakdancing (b-girling) practice. The BwO is not a static notion, but both ‘a practice [and] a set of practices’ through which the body de-stratifies from the prevailing order of domination - such as gender - and refills with intensit…
The ‘systems of relay’ in doing cultural studies
In this article, I highlight the system of relays between Deleuze and Guattari’s (2010) ‘Body without Organs’ (BwO), the gender politics of Sydney's breakdancing scene that regulate ‘what a body can do’, and my own breakdancing (b-girling) practice. The BwO is not a static notion, but both ‘a practice [and] a set of practices’ through which the body de-stratifies from the prevailing order of domination - such as gender - and refills with intensit…
Where the #bgirls at? politics of (in)visibility in breaking culture
Representation is a central tenet of hip-hop culture, yet women’s experiences and contributions have long been invisibilised. This article reveals some of the barriers to visibility facing women in breaking (“b-girls”). It shows how b-girls respond to gender-based challenges and their sense of obligation to be visible in order to promote gender equality. Through participant-observation, interviews with Sydney b-girls, and online case studies, thi…
Gender, Feminism, and Media (2 works) · Music History and Culture (2 works) · Biology (1 work) · Cinema and Media Studies (1 work) · Communication (1 work) · Communication (1 work) · Computer Science (1 work) · Gender Studies (1 work) · Gender Studies (1 work) · Geography (1 work)