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Aleisha Ward

Biographic Data

ID6600763
NAMEAleisha Ward
GIVEN NAMESAleisha
FAMILY NAMEWard
SIGNATUREWARD A
AFFILIATIONSUniversity of Auckland
VERIFIEDNo
TOTAL WORKS4
TOTAL CITATIONS0
WORKS AS AUTHOR4
WORKS AS EDITOR0
FIRST PUBLICATION YEAR2020
LATEST PUBLICATION YEAR2024
H-INDEX0
  • Introduction to the special issue

    Aleisha Ward•ARTICLE•Popular Music History•2024

    Both jazz studies and gender studies are relatively new academic disciplines. Both originated in the twentieth century, and neither were taken seriously by academia at large until nearly the twenty-first century. Since that point gender in jazz, and gender in relation to jazz, has been playing catch up to the rest of the field. However, in the second decade of the twenty-first century gender and jazz as an area of serious research has been slowly…

  • Harlem Nights

    Aleisha Ward•ARTICLE•Australian Historical Studies•2022

    Harlem Nights: The Secret History of Australia’s Jazz Age." Australian Historical Studies, 53(2), pp. 371–372

  • Ripm Jazz Periodicals

    Aleisha Ward•ARTICLE•Jazz Perspectives•2021

    Founded in the 1980s RIPM (Le Repertoire international de la presse musicale) has, until now, focused on classical music periodicals from North America and Europe, with a particular focus on 18th–2

  • Jazzing through the luminiferous ether

    Aleisha Ward•ARTICLE•Jazz Research Journal•2020

    In the 1920s radio broadcasting was a new and exciting medium. It contained a multitude of possibilities in entertainment and education, and the wonder of new technology that connected people around the world. This article investigates the experiences of New Zealand jazz fans and musicians 'listening in' to overseas broadcasts in the1920s and 1930s. I consider situations of the jazz listening-in experience, which could be isolated or social depen…

No prominent works on this page.

  • Jazzing through the luminiferous ether

    Aleisha Ward•ARTICLE•Jazz Research Journal•2020

    In the 1920s radio broadcasting was a new and exciting medium. It contained a multitude of possibilities in entertainment and education, and the wonder of new technology that connected people around the world. This article investigates the experiences of New Zealand jazz fans and musicians 'listening in' to overseas broadcasts in the1920s and 1930s. I consider situations of the jazz listening-in experience, which could be isolated or social depen…

  • Ripm Jazz Periodicals

    Aleisha Ward•ARTICLE•Jazz Perspectives•2021

    Founded in the 1980s RIPM (Le Repertoire international de la presse musicale) has, until now, focused on classical music periodicals from North America and Europe, with a particular focus on 18th–2

  • Harlem Nights

    Aleisha Ward•ARTICLE•Australian Historical Studies•2022

    Harlem Nights: The Secret History of Australia’s Jazz Age." Australian Historical Studies, 53(2), pp. 371–372

  • Introduction to the special issue

    Aleisha Ward•ARTICLE•Popular Music History•2024

    Both jazz studies and gender studies are relatively new academic disciplines. Both originated in the twentieth century, and neither were taken seriously by academia at large until nearly the twenty-first century. Since that point gender in jazz, and gender in relation to jazz, has been playing catch up to the rest of the field. However, in the second decade of the twenty-first century gender and jazz as an area of serious research has been slowly…

Art (4 works) · Jazz (4 works) · Music History and Culture (3 works) · Visual arts (3 works) · Art history (2 works) · Computer Science (2 works) · History (2 works) · Media studies (2 works) · Musicology and Musical Analysis (2 works) · Sociology (2 works)

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