Shriya Raina
Biographic Data
| ID | 6601289 |
|---|---|
| NAME | Shriya Raina |
| GIVEN NAMES | Shriya |
| FAMILY NAME | Raina |
| SIGNATURE | RAINA S |
| AFFILIATIONS | Indian Institute of Science Education and Research Mohali |
| VERIFIED | No |
| TOTAL WORKS | 3 |
| TOTAL CITATIONS | 0 |
| AUTHOR COUNT | 3 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 2023 |
| LATEST PUBLICATION YEAR | 2026 |
| H-INDEX | 0 |
Intimate borders and bordering the intimate in This Side, That Side
Vishwajyoti Ghosh’s This Side, That Side: Restorying Partition is an anthology of short graphic narratives based on the partition of British India into India and Pakistan in 1947 and Bangladesh’s subsequent separation from Pakistan in 1971. Ghosh conceptualises borders as ‘personal territories of nationhood’ and treats them as more than just territorial markers. This essay focuses on the engagement of intimacy and borders by probing into the fina…
Harnessing comics as minoritarian interventions in the representation of conflicts and their everyday
This essay studies the representation of the everyday of geopolitical conflicts in Vanni and Welcome to the New World. The graphic novels are situated in war-torn Sri Lanka and Syria, respectively, and document the everyday of their characters. The apparent ordinariness of everyday, especially in states of tension and conflict, has been a prominent trope in comics. The paper examines the properties of comics vis-à-vis their grammar, spatiotopia, …
Corpse geographies in Munnu
Malik Sajad’s graphic novel Munnu: A Boy from Kashmir (2015) is a Künstlerroman that draws from his experiences growing up in Kashmir. It relies on a surfeit visuality of mutilated corpses and dug-up graves functioning as essential to the iconography of a geopolitics of fear. The necropolitical economy of Kashmir is intent on the obliteration of bodies, inscribing the wounded and dead in new power legibilities. Corpse geography, formulated by Cra…
No prominent works on this page.
Corpse geographies in Munnu
Malik Sajad’s graphic novel Munnu: A Boy from Kashmir (2015) is a Künstlerroman that draws from his experiences growing up in Kashmir. It relies on a surfeit visuality of mutilated corpses and dug-up graves functioning as essential to the iconography of a geopolitics of fear. The necropolitical economy of Kashmir is intent on the obliteration of bodies, inscribing the wounded and dead in new power legibilities. Corpse geography, formulated by Cra…
Harnessing comics as minoritarian interventions in the representation of conflicts and their everyday
This essay studies the representation of the everyday of geopolitical conflicts in Vanni and Welcome to the New World. The graphic novels are situated in war-torn Sri Lanka and Syria, respectively, and document the everyday of their characters. The apparent ordinariness of everyday, especially in states of tension and conflict, has been a prominent trope in comics. The paper examines the properties of comics vis-à-vis their grammar, spatiotopia, …
Intimate borders and bordering the intimate in This Side, That Side
Vishwajyoti Ghosh’s This Side, That Side: Restorying Partition is an anthology of short graphic narratives based on the partition of British India into India and Pakistan in 1947 and Bangladesh’s subsequent separation from Pakistan in 1971. Ghosh conceptualises borders as ‘personal territories of nationhood’ and treats them as more than just territorial markers. This essay focuses on the engagement of intimacy and borders by probing into the fina…
Aesthetics (2 works) · Art (2 works) · Law (2 works) · Literature (2 works) · Narrative (2 works) · Political science (2 works) · Politics (2 works) · Sociology (2 works) · Comics (1 works) · Comics and Graphic Narratives (1 works)