Stefanus Galang Ardana
Biographic Data
| ID | 6601312 |
|---|---|
| NAME | Stefanus Galang Ardana |
| GIVEN NAMES | Stefanus Galang |
| FAMILY NAME | Ardana |
| SIGNATURE | ARDANA S G |
| AFFILIATIONS | Krida Wacana Christian University |
| ORCID | 0009-0005-4585-9905 |
| VERIFIED | Yes |
| TOTAL WORKS | 4 |
| TOTAL CITATIONS | 0 |
| WORKS AS AUTHOR | 4 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 2026 |
| LATEST PUBLICATION YEAR | 2026 |
| H-INDEX | 0 |
The Necropolitical Gaze
In postwar Sri Lanka, the erasure of the Liberation Tigers of Tamil Eelam (LTTE) from the physical landscape often frames readings of Anuk Arudpragasam’s A Passage North (2021) around melancholia and trauma. Departing from this, I argue the novel articulates a “necropolitical gaze” that reclaims sovereignty through the persistence of vision rather than territory. Drawing on Achille Mbembe’s necropolitics and Jasbir Puar’s theory of “debilitation,…
The Transnational Affect Economy
This article examines the transnational flow of emotional capitalism, beginning with Taylor Swift’s industrialization of authentic pain in “All Too Well (10 Minute Version)”. The central problem is understanding how this global model of curated vulnerability is received and reshaped within the Indonesian cultural landscape. This study introduces the “Transnational Affect Economy” as a new analytical framework, synthesizing theories of the Culture…
AI detectors, student anxiety, and authorial alienation
In response to generative AI, universities are rapidly deploying AI detection tools to uphold academic integrity. However, the pedagogical impact of these flawed systems remains critically under-examined. Drawing on the theories of Gilles Deleuze and Sara Ahmed, this paper analyzes this dynamic as a system of affective control. Employing a qualitative case study of six non-native English-speaking thesis writers in Indonesia, this paper contribute…
Semiotic opportunism and the “Brand as fan”
This paper explores the “Orange Rush” – a 72-hour period in August 2025 when global corporations adopted a standardized orange-and-glitter aesthetic to align with Taylor Swift’s announcement of her twelfth studio album, The Life of a Showgirl. Using critical semiotic analysis, the study deconstructs this phenomenon as a site of “semiotic opportunism,” where brands utilize the “brand as fan” myth to infiltrate communal spaces. The analysis reveals…
No prominent works on this page.
The Necropolitical Gaze
In postwar Sri Lanka, the erasure of the Liberation Tigers of Tamil Eelam (LTTE) from the physical landscape often frames readings of Anuk Arudpragasam’s A Passage North (2021) around melancholia and trauma. Departing from this, I argue the novel articulates a “necropolitical gaze” that reclaims sovereignty through the persistence of vision rather than territory. Drawing on Achille Mbembe’s necropolitics and Jasbir Puar’s theory of “debilitation,…
The Transnational Affect Economy
This article examines the transnational flow of emotional capitalism, beginning with Taylor Swift’s industrialization of authentic pain in “All Too Well (10 Minute Version)”. The central problem is understanding how this global model of curated vulnerability is received and reshaped within the Indonesian cultural landscape. This study introduces the “Transnational Affect Economy” as a new analytical framework, synthesizing theories of the Culture…
AI detectors, student anxiety, and authorial alienation
In response to generative AI, universities are rapidly deploying AI detection tools to uphold academic integrity. However, the pedagogical impact of these flawed systems remains critically under-examined. Drawing on the theories of Gilles Deleuze and Sara Ahmed, this paper analyzes this dynamic as a system of affective control. Employing a qualitative case study of six non-native English-speaking thesis writers in Indonesia, this paper contribute…
Semiotic opportunism and the “Brand as fan”
This paper explores the “Orange Rush” – a 72-hour period in August 2025 when global corporations adopted a standardized orange-and-glitter aesthetic to align with Taylor Swift’s announcement of her twelfth studio album, The Life of a Showgirl. Using critical semiotic analysis, the study deconstructs this phenomenon as a site of “semiotic opportunism,” where brands utilize the “brand as fan” myth to infiltrate communal spaces. The analysis reveals…
Music History and Culture (2 works) · South Asian Cinema and Culture (2 works) · Asian Studies and History (1 work) · Commodification (1 work) · Emotion work (1 work) · Fandom (1 work) · Feeling (1 work) · Gender, Feminism, and Media (1 work) · Government (linguistics) (1 work) · Grit, Self-Efficacy, and Motivation (1 work)