Takeshi Moriyama
Biographic Data
| ID | 6602264 |
|---|---|
| NAME | Takeshi Moriyama |
| GIVEN NAMES | Takeshi |
| FAMILY NAME | Moriyama |
| SIGNATURE | MORIYAMA T |
| AFFILIATIONS | Murdoch University |
| ORCID | 0000-0002-8691-6276 |
| VERIFIED | Yes |
| TOTAL WORKS | 6 |
| TOTAL CITATIONS | 1 |
| AUTHOR COUNT | 6 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 1979 |
| LATEST PUBLICATION YEAR | 2013 |
| H-INDEX | 1 |
Crossing Boundaries in Tokugawa Society
Suzuki Bokushi (1770-1842) was an elite villager in Echigo, a snowy province of Japan. Crossing Boundaries in Tokugawa Society presents a vivid picture of the life and world of this rural commoner, focusing on his interaction with the changing social and cultural environment of the late Tokugawa period (1603-1868). Bokushi's life and texts challenge notions of the rigidity of social boundaries between the urban and the rural, between social statu…
Rural Poets' Publishing Projects in a Tokugawa-period Province
From the beginning of the eighteenth century, rural enthusiasts in the arts took part in production of printed materials, often with help from urban professionals and the publishing industry. Their works in print constitute concrete evidence of the diffusion of the arts from urban centres to the provinces during the Tokugawa period. Taking Echigo province as a case study, this essay explores provincial amateurs’ publishing projects, particularly …
Guest Editors’ note
Communicating Provincials
The article extends existing analyses of communication networks in late Tokugawa Japan; it undertakes a case study of the uses a member of the rural elite made of these new opportunities to maintain a network of personal contacts across significant distances. Suzuki Bokushi lived in Echigo Province and is known for his contribution to the writing of Hokuetsu seppu, a well-known account of the region. The personal network he cultivated comprised p…
Quasi‐postmodernity in Edo literature
All literary texts intermittently demand new interpretations of their readers.1 In this regard, it can be said that Saikaku's works have been some of the most 'clamorous' texts for new interpretations by critics of Japanese literature
The Fracas Over the Rising Yen
Rural Poets' Publishing Projects in a Tokugawa-period Province
From the beginning of the eighteenth century, rural enthusiasts in the arts took part in production of printed materials, often with help from urban professionals and the publishing industry. Their works in print constitute concrete evidence of the diffusion of the arts from urban centres to the provinces during the Tokugawa period. Taking Echigo province as a case study, this essay explores provincial amateurs’ publishing projects, particularly …
The Fracas Over the Rising Yen
Quasi‐postmodernity in Edo literature
All literary texts intermittently demand new interpretations of their readers.1 In this regard, it can be said that Saikaku's works have been some of the most 'clamorous' texts for new interpretations by critics of Japanese literature
Communicating Provincials
The article extends existing analyses of communication networks in late Tokugawa Japan; it undertakes a case study of the uses a member of the rural elite made of these new opportunities to maintain a network of personal contacts across significant distances. Suzuki Bokushi lived in Echigo Province and is known for his contribution to the writing of Hokuetsu seppu, a well-known account of the region. The personal network he cultivated comprised p…
Crossing Boundaries in Tokugawa Society
Suzuki Bokushi (1770-1842) was an elite villager in Echigo, a snowy province of Japan. Crossing Boundaries in Tokugawa Society presents a vivid picture of the life and world of this rural commoner, focusing on his interaction with the changing social and cultural environment of the late Tokugawa period (1603-1868). Bokushi's life and texts challenge notions of the rigidity of social boundaries between the urban and the rural, between social statu…
Rural Poets' Publishing Projects in a Tokugawa-period Province
From the beginning of the eighteenth century, rural enthusiasts in the arts took part in production of printed materials, often with help from urban professionals and the publishing industry. Their works in print constitute concrete evidence of the diffusion of the arts from urban centres to the provinces during the Tokugawa period. Taking Echigo province as a case study, this essay explores provincial amateurs’ publishing projects, particularly …
Guest Editors’ note
History (4 works) · Japanese History and Culture (4 works) · Political science (4 works) · Art (3 works) · History (3 works) · Sociology (3 works) · Aesthetics (2 works) · Archaeology (2 works) · Business (2 works) · Chinese history and philosophy (2 works)