Kate Bolton Bonnici
Biographic Data
| ID | 6604355 |
|---|---|
| NAME | Kate Bolton Bonnici |
| GIVEN NAMES | Kate Bolton |
| FAMILY NAME | Bonnici |
| SIGNATURE | BONNICI K B |
| AFFILIATIONS | Loyola Marymount University |
| VERIFIED | No |
| TOTAL WORKS | 2 |
| TOTAL CITATIONS | 0 |
| WORKS AS AUTHOR | 2 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 2022 |
| LATEST PUBLICATION YEAR | 2024 |
| H-INDEX | 0 |
Death, Love, and the Long Repeat
This interdisciplinary article brings continental philosophy and rhetorical theory to an exploration of crucial scenes between Iphigenia and her mother Clytemnestra in Lady Jane Lumley’s sixteenth-century manuscript translation of Euripides’s Iphigenia at Aulis. In Lumley’s translation, mother and daughter model—through listening to each other, through repetition, and through their ineffective and yet constitutive arguments as Iphigenia approache…
Swimming Through the Fires
In this article, I investigate the operative force of the insufficiently studied beast fable in John Webster’s The Duchess of Malfi in light of the physics-poetics of the Lucretian clinamen and by bringing together theoretical perspectives from Michel Serres, Jacques Derrida, and Louis Marin. The Duchess’s fable is a radical intervention capable of arresting the drama’s tragic structures. The genre of fable marks a declining toward void, toward t…
No prominent works on this page.
Swimming Through the Fires
In this article, I investigate the operative force of the insufficiently studied beast fable in John Webster’s The Duchess of Malfi in light of the physics-poetics of the Lucretian clinamen and by bringing together theoretical perspectives from Michel Serres, Jacques Derrida, and Louis Marin. The Duchess’s fable is a radical intervention capable of arresting the drama’s tragic structures. The genre of fable marks a declining toward void, toward t…
Death, Love, and the Long Repeat
This interdisciplinary article brings continental philosophy and rhetorical theory to an exploration of crucial scenes between Iphigenia and her mother Clytemnestra in Lady Jane Lumley’s sixteenth-century manuscript translation of Euripides’s Iphigenia at Aulis. In Lumley’s translation, mother and daughter model—through listening to each other, through repetition, and through their ineffective and yet constitutive arguments as Iphigenia approache…
Art (2 works) · Literature (2 works) · Philosophy (2 works) · Drama (1 work) · Fable (1 work) · Italian Fascism and Post-war Society (1 work) · Linguistics (1 work) · Literary Theory and Cultural Hermeneutics (1 work) · Looming (1 work) · Optics (1 work)