Orsolya Szűcs
Biographic Data
| ID | 6609753 |
|---|---|
| NAME | Orsolya Szűcs |
| GIVEN NAMES | Orsolya |
| FAMILY NAME | Szűcs |
| SIGNATURE | SZŰCS O |
| AFFILIATIONS | Pázmány Péter Catholic University |
| VERIFIED | No |
| TOTAL WORKS | 2 |
| TOTAL CITATIONS | 0 |
| WORKS AS AUTHOR | 2 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 2020 |
| LATEST PUBLICATION YEAR | 2021 |
| H-INDEX | 0 |
Language, Being and the Body in Eimear McBride’s A Girl Is a Half-Formed Thing
Presence and participation are key aspects in McBride's narrative; it allows the reader to access the point where thought becomes language so that it is still closely linked to the experiencing body. It tells the story of a young girl and her troublesome teenagehood filled with abuse, loneliness and the need to heal. Even if it is through the context of a literary work, the novel seeks to be taken seriously, demanding a corporeal presence from th…
Faith Binckes, Kathryn Laing, Hannah Lynch (1859-1904)
She wrote with a passion for perfection. (p. 1) The recent decade in Irish literature has been marked by a boom in critical research that seeks to restore fairness to the canon’s gender inequality. Although there is always a risk of exclusion, in the case of Ireland, women writers have suffered from a serious degree of under-representation in Irish critical discourse. The change is detectable by a new wave of inspiring critics who challenge previ…
No prominent works on this page.
Faith Binckes, Kathryn Laing, Hannah Lynch (1859-1904)
She wrote with a passion for perfection. (p. 1) The recent decade in Irish literature has been marked by a boom in critical research that seeks to restore fairness to the canon’s gender inequality. Although there is always a risk of exclusion, in the case of Ireland, women writers have suffered from a serious degree of under-representation in Irish critical discourse. The change is detectable by a new wave of inspiring critics who challenge previ…
Language, Being and the Body in Eimear McBride’s A Girl Is a Half-Formed Thing
Presence and participation are key aspects in McBride's narrative; it allows the reader to access the point where thought becomes language so that it is still closely linked to the experiencing body. It tells the story of a young girl and her troublesome teenagehood filled with abuse, loneliness and the need to heal. Even if it is through the context of a literary work, the novel seeks to be taken seriously, demanding a corporeal presence from th…
Art (2 works) · Irish and British Studies (2 works) · Philosophy (2 works) · Aesthetics (1 work) · Art history (1 work) · Communication (1 work) · Developmental psychology (1 work) · Faith (1 work) · Girl (1 work) · Irish (1 work)