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Alison Fisher Bodkin

Biographic Data

ID6609875
NAMEAlison Fisher Bodkin
GIVEN NAMESAlison Fisher
FAMILY NAMEBodkin
SIGNATUREBODKIN A F
AFFILIATIONSJames Madison University
ORCID0000-0003-3593-2759
VERIFIEDNo
TOTAL WORKS4
TOTAL CITATIONS4
WORKS AS AUTHOR4
WORKS AS EDITOR0
FIRST PUBLICATION YEAR2017
LATEST PUBLICATION YEAR2026
H-INDEX1
  • Glow day

    Alison Fisher Bodkin•ARTICLE•Text and Performance Quarterly•2026

    This performance autoethnography traces a week of medically mandated nuclear isolation following iodine-131 treatment for thyroid cancer. Reclassified as an “unsealed source,” I was sent home to contain myself, my bedroom a hot cell. The week makes literal Alaimo's trans-corporeality — the body porous, continuous with its environment — which nuclear medicine treats as a hazard, severing relation itself: touch, shared air, water, space. Care trave…

  • If the truth be told

    Alison Fisher Bodkin•ARTICLE•Text and Performance Quarterly•2018

    If the truth be told: accounts in literary forms." Text and Performance Quarterly, 38(4), pp. 258–259

  • Homophobic masculinity and vulnerable femininity

    Wendy M Weinhold, Alison Fisher Bodkin•ARTICLE•Feminist Media Studies•2017•Cited by: 1•References: 8

    Satire is an important tool for critique in the post-truth era. Journalists eager to call attention to the absurdity of reality in the US presidential election seized on Saturday Night Live’s (2016

  • Fractured

    Alison Fisher Bodkin, Christopher C Collins•ARTICLE•Text and Performance Quarterly•2017•Cited by: 3•References: 1

    Fractured is a two-person performance that engages the topic of hydraulic fracturing as a subject of analysis and an analytic framework. The script investigates the ways in which contemporary performances of environmentalism and capitalism are inextricably bound to each other within the discourse of “fracking,” and as such each section of the script identifies a struggle to define and represent “fracking” for the general public. The goal of this …

  • Fractured

    Alison Fisher Bodkin, Christopher C Collins•ARTICLE•Text and Performance Quarterly•2017•Cited by: 3•References: 1

    Fractured is a two-person performance that engages the topic of hydraulic fracturing as a subject of analysis and an analytic framework. The script investigates the ways in which contemporary performances of environmentalism and capitalism are inextricably bound to each other within the discourse of “fracking,” and as such each section of the script identifies a struggle to define and represent “fracking” for the general public. The goal of this …

  • Homophobic masculinity and vulnerable femininity

    Wendy M Weinhold, Alison Fisher Bodkin•ARTICLE•Feminist Media Studies•2017•Cited by: 1•References: 8

    Satire is an important tool for critique in the post-truth era. Journalists eager to call attention to the absurdity of reality in the US presidential election seized on Saturday Night Live’s (2016

  • Homophobic masculinity and vulnerable femininity

    Wendy M Weinhold, Alison Fisher Bodkin•ARTICLE•Feminist Media Studies•2017•Cited by: 1•References: 8

    Satire is an important tool for critique in the post-truth era. Journalists eager to call attention to the absurdity of reality in the US presidential election seized on Saturday Night Live’s (2016

  • Fractured

    Alison Fisher Bodkin, Christopher C Collins•ARTICLE•Text and Performance Quarterly•2017•Cited by: 3•References: 1

    Fractured is a two-person performance that engages the topic of hydraulic fracturing as a subject of analysis and an analytic framework. The script investigates the ways in which contemporary performances of environmentalism and capitalism are inextricably bound to each other within the discourse of “fracking,” and as such each section of the script identifies a struggle to define and represent “fracking” for the general public. The goal of this …

  • If the truth be told

    Alison Fisher Bodkin•ARTICLE•Text and Performance Quarterly•2018

    If the truth be told: accounts in literary forms." Text and Performance Quarterly, 38(4), pp. 258–259

  • Glow day

    Alison Fisher Bodkin•ARTICLE•Text and Performance Quarterly•2026

    This performance autoethnography traces a week of medically mandated nuclear isolation following iodine-131 treatment for thyroid cancer. Reclassified as an “unsealed source,” I was sent home to contain myself, my bedroom a hot cell. The week makes literal Alaimo's trans-corporeality — the body porous, continuous with its environment — which nuclear medicine treats as a hazard, severing relation itself: touch, shared air, water, space. Care trave…

Art (2 works) · Law (2 works) · Law (2 works) · Literature (2 works) · Political science (2 works) · Politics (2 works) · Sociology (2 works) · Absurdity (1 work) · Advertising (1 work) · Aesthetics (1 work)

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