Melanie Kitchens O’Meara
Biographic Data
| ID | 6609879 |
|---|---|
| NAME | Melanie Kitchens O’Meara |
| GIVEN NAMES | Melanie Kitchens |
| FAMILY NAME | O’Meara |
| SIGNATURE | O’MEARA M K |
| AFFILIATIONS | Augusta University |
| VERIFIED | No |
| TOTAL WORKS | 3 |
| TOTAL CITATIONS | 0 |
| WORKS AS AUTHOR | 3 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 2018 |
| LATEST PUBLICATION YEAR | 2023 |
| H-INDEX | 0 |
The Countess holds me
Is She Mad, or Does She Joke is an ensemble performance piece I scripted based on my almost twenty-year fascination with the Countess de Castiglione and her photograph Scherzo di Follia. In this artist statement, I briefly discuss some of the questions, considerations, and intentions that went into the scripting and rehearsal process for the show.KEYWORDS: Countess de CastiglioneScherzo di Folliaphotographysocial gestperformance Disclosure statem…
Is she mad, or does she joke
Is She Mad, or Does She Joke is an ensemble performance piece I scripted based on my almost twenty-year fascination with the Countess de Castiglione and her photograph Scherzo di Follia. I directed the show with a cast of 10 student performers at Augusta University in the fall of 2021.KEYWORDS: Countess de CastiglioneScherzo di Folliaportrait photographyperformancescript Disclosure statementNo potential conflict of interest was reported by the au…
Activating minor pedagogy in an adaptation and staging of The Little Prince
In 2016, I adapted and directed a chamber theatre production of Antoine de Saint-Exupéry’s The Little Prince at Augusta University. The experience was new for my students and our audience, who are accustomed to Augusta University theatre directors producing plays that largely draw on representational practices in a realistic mode. Inspired by Robert Breen’s chamber theatre as reinvigorated by Michael Bowman, my adaptation and staging applied what…
No prominent works on this page.
Activating minor pedagogy in an adaptation and staging of The Little Prince
In 2016, I adapted and directed a chamber theatre production of Antoine de Saint-Exupéry’s The Little Prince at Augusta University. The experience was new for my students and our audience, who are accustomed to Augusta University theatre directors producing plays that largely draw on representational practices in a realistic mode. Inspired by Robert Breen’s chamber theatre as reinvigorated by Michael Bowman, my adaptation and staging applied what…
The Countess holds me
Is She Mad, or Does She Joke is an ensemble performance piece I scripted based on my almost twenty-year fascination with the Countess de Castiglione and her photograph Scherzo di Follia. In this artist statement, I briefly discuss some of the questions, considerations, and intentions that went into the scripting and rehearsal process for the show.KEYWORDS: Countess de CastiglioneScherzo di Folliaphotographysocial gestperformance Disclosure statem…
Is she mad, or does she joke
Is She Mad, or Does She Joke is an ensemble performance piece I scripted based on my almost twenty-year fascination with the Countess de Castiglione and her photograph Scherzo di Follia. I directed the show with a cast of 10 student performers at Augusta University in the fall of 2021.KEYWORDS: Countess de CastiglioneScherzo di Folliaportrait photographyperformancescript Disclosure statementNo potential conflict of interest was reported by the au…
Art (3 works) · Art history (3 works) · Performance art (3 works) · Theatre and Performance Studies (3 works) · Visual arts (3 works) · Aesthetics (2 works) · Joke (2 works) · Literature (2 works) · Adaptation (eye (1 work) · Art Education and Development (1 work)