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Mindy Fenske

Biographic Data

ID6609915
NAMEMindy Fenske
GIVEN NAMESMindy
FAMILY NAMEFenske
SIGNATUREFENSKE M
AFFILIATIONSNorth-West State Technical University
VERIFIEDNo
TOTAL WORKS6
TOTAL CITATIONS25
AUTHOR COUNT6
EDITOR COUNT0
FIRST PUBLICATION YEAR2004
LATEST PUBLICATION YEAR2013
H-INDEX3
  • Disciplinary Dedications and Extradisciplinary Experiences

    Mindy Fenske, Dustin Bradley Goltz•ARTICLE•Text and Performance Quarterly•2013•Cited by: 2•References: 2

  • Playing the Field

    Mindy Fenske•ARTICLE•Text and Performance Quarterly•2013•References: 2

  • Movement and Resistance

    Mindy Fenske•ARTICLE•Communication and Critical/Cultural…•2007•Cited by: 2

    This essay is a genealogy of the performances of extensively tattooed individuals in tattoo contests held at tattoo conventions. It focuses on how the body in performance cites historical discourses and how that citation is necessary for both resistant and recuperative effects. I argue that the force of the normalizing discourse of class to contain and dictate the meaning of the (tattooed) body is challenged through actual and immanent movement. …

  • Interdisciplinary Terrains of Performance Studies

    Mindy Fenske•ARTICLE•Text and Performance Quarterly•2007•Cited by: 5•References: 2

  • The Movement of Interpretation

    Mindy Fenske•ARTICLE•Text and Performance Quarterly•2006•Cited by: 3•References: 8

    This essay participates in exploring alternative styles of performance criticism. It also seeks to address critics of performative writing practices by providing a conceptual and theoretical foundation for one such style of practice. It calls for a style of performative criticism modeled upon hypertextual theories of movement. It advocates that critics of mediated performance events adopt a performative critical pose that emphasizes the speed and…

  • The aesthetic of the unfinished

    Mindy Fenske•ARTICLE•Text and Performance Quarterly•2004•Cited by: 13•References: 4

    This essay highlights the presence and problems associated with the structure of a dialectic between materiality and virtuality in various discourses regarding body and performance art. I suggest that both the structures and interpretations of body and performance art practices located in various contexts with different relations to technology reproduce the material/virtual dialectic in problematic ways. I propose that an attention to ethical aes…

  • The aesthetic of the unfinished

    Mindy Fenske•ARTICLE•Text and Performance Quarterly•2004•Cited by: 13•References: 4

    This essay highlights the presence and problems associated with the structure of a dialectic between materiality and virtuality in various discourses regarding body and performance art. I suggest that both the structures and interpretations of body and performance art practices located in various contexts with different relations to technology reproduce the material/virtual dialectic in problematic ways. I propose that an attention to ethical aes…

  • Interdisciplinary Terrains of Performance Studies

    Mindy Fenske•ARTICLE•Text and Performance Quarterly•2007•Cited by: 5•References: 2

  • The Movement of Interpretation

    Mindy Fenske•ARTICLE•Text and Performance Quarterly•2006•Cited by: 3•References: 8

    This essay participates in exploring alternative styles of performance criticism. It also seeks to address critics of performative writing practices by providing a conceptual and theoretical foundation for one such style of practice. It calls for a style of performative criticism modeled upon hypertextual theories of movement. It advocates that critics of mediated performance events adopt a performative critical pose that emphasizes the speed and…

  • Disciplinary Dedications and Extradisciplinary Experiences

    Mindy Fenske, Dustin Bradley Goltz•ARTICLE•Text and Performance Quarterly•2013•Cited by: 2•References: 2

  • Movement and Resistance

    Mindy Fenske•ARTICLE•Communication and Critical/Cultural…•2007•Cited by: 2

    This essay is a genealogy of the performances of extensively tattooed individuals in tattoo contests held at tattoo conventions. It focuses on how the body in performance cites historical discourses and how that citation is necessary for both resistant and recuperative effects. I argue that the force of the normalizing discourse of class to contain and dictate the meaning of the (tattooed) body is challenged through actual and immanent movement. …

  • The aesthetic of the unfinished

    Mindy Fenske•ARTICLE•Text and Performance Quarterly•2004•Cited by: 13•References: 4

    This essay highlights the presence and problems associated with the structure of a dialectic between materiality and virtuality in various discourses regarding body and performance art. I suggest that both the structures and interpretations of body and performance art practices located in various contexts with different relations to technology reproduce the material/virtual dialectic in problematic ways. I propose that an attention to ethical aes…

  • The Movement of Interpretation

    Mindy Fenske•ARTICLE•Text and Performance Quarterly•2006•Cited by: 3•References: 8

    This essay participates in exploring alternative styles of performance criticism. It also seeks to address critics of performative writing practices by providing a conceptual and theoretical foundation for one such style of practice. It calls for a style of performative criticism modeled upon hypertextual theories of movement. It advocates that critics of mediated performance events adopt a performative critical pose that emphasizes the speed and…

  • Movement and Resistance

    Mindy Fenske•ARTICLE•Communication and Critical/Cultural…•2007•Cited by: 2

    This essay is a genealogy of the performances of extensively tattooed individuals in tattoo contests held at tattoo conventions. It focuses on how the body in performance cites historical discourses and how that citation is necessary for both resistant and recuperative effects. I argue that the force of the normalizing discourse of class to contain and dictate the meaning of the (tattooed) body is challenged through actual and immanent movement. …

  • Interdisciplinary Terrains of Performance Studies

    Mindy Fenske•ARTICLE•Text and Performance Quarterly•2007•Cited by: 5•References: 2

  • Disciplinary Dedications and Extradisciplinary Experiences

    Mindy Fenske, Dustin Bradley Goltz•ARTICLE•Text and Performance Quarterly•2013•Cited by: 2•References: 2

  • Playing the Field

    Mindy Fenske•ARTICLE•Text and Performance Quarterly•2013•References: 2

Sociology (6 works) · Philosophy (4 works) · Philosophy (4 works) · Aesthetics (3 works) · Artistic and Creative Research (3 works) · Epistemology (3 works) · Interdisciplinary Research and Collaboration (3 works) · Art (2 works) · Computer Science (2 works) · Dialectic (2 works)

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