Christie Logan
Biographic Data
| ID | 6609956 |
|---|---|
| NAME | Christie Logan |
| GIVEN NAMES | Christie |
| FAMILY NAME | Logan |
| SIGNATURE | LOGAN C |
| AFFILIATIONS | Russian State Agrarian Correspondence University |
| VERIFIED | No |
| TOTAL WORKS | 3 |
| TOTAL CITATIONS | 2 |
| WORKS AS AUTHOR | 3 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 1990 |
| LATEST PUBLICATION YEAR | 2013 |
| H-INDEX | 1 |
Collisions in the Canyon
Matthew Spangler's play is a skillful adaptation of the narrative complexity and borderland zeitgeist of T. C. Boyle's The Tortilla Curtain. Spangler expertly condenses and re-arranges events for clarity, and brings individuated interior narrations into the immediate present of dramatic action. The play incorporates Brechtian awareness and Teatro Campesino style, enriched by Spangler's addition of Spanish language in scenes. These and other choic…
The Space Between
Because I've had the good fortune to see this performance at three different locales, in three different contexts, for three different audiences, I have the opportunity to analyze differences in my
Performing ideology
MAKING A SPECTACLE: FEMINIST ESSAYS ON CONTEMPORARY WOMEN'S THEATRE. Edited and with an Introduction by Lynda Hart. Ann Arbor: University of Michigan Press, 1989; pp. 1–347; $10.95 paper. RADICAL PEOPLE'S THEATRE. By Eugene van Erven. Bloomington: Indiana University Press, 1988; pp. ix‐238; $27.50
Collisions in the Canyon
Matthew Spangler's play is a skillful adaptation of the narrative complexity and borderland zeitgeist of T. C. Boyle's The Tortilla Curtain. Spangler expertly condenses and re-arranges events for clarity, and brings individuated interior narrations into the immediate present of dramatic action. The play incorporates Brechtian awareness and Teatro Campesino style, enriched by Spangler's addition of Spanish language in scenes. These and other choic…
The Space Between
Because I've had the good fortune to see this performance at three different locales, in three different contexts, for three different audiences, I have the opportunity to analyze differences in my
Performing ideology
MAKING A SPECTACLE: FEMINIST ESSAYS ON CONTEMPORARY WOMEN'S THEATRE. Edited and with an Introduction by Lynda Hart. Ann Arbor: University of Michigan Press, 1989; pp. 1–347; $10.95 paper. RADICAL PEOPLE'S THEATRE. By Eugene van Erven. Bloomington: Indiana University Press, 1988; pp. ix‐238; $27.50
The Space Between
Because I've had the good fortune to see this performance at three different locales, in three different contexts, for three different audiences, I have the opportunity to analyze differences in my
Collisions in the Canyon
Matthew Spangler's play is a skillful adaptation of the narrative complexity and borderland zeitgeist of T. C. Boyle's The Tortilla Curtain. Spangler expertly condenses and re-arranges events for clarity, and brings individuated interior narrations into the immediate present of dramatic action. The play incorporates Brechtian awareness and Teatro Campesino style, enriched by Spangler's addition of Spanish language in scenes. These and other choic…
Art (3 works) · Media studies (3 works) · Sociology (3 works) · Aesthetics (2 works) · Art history (2 works) · Theatre and Performance Studies (2 works) · Visual arts (2 works) · Agency (philosophy (1 work) · CLARITY (1 work) · Computer Science (1 work)