Kirt A Shineman
Biographic Data
| ID | 6610104 |
|---|---|
| NAME | Kirt A Shineman |
| GIVEN NAMES | Kirt A |
| FAMILY NAME | Shineman |
| SIGNATURE | SHINEMAN K A |
| AFFILIATIONS | Glendale Community College, Glendale, AZ, USA |
| VERIFIED | No |
| TOTAL WORKS | 2 |
| TOTAL CITATIONS | 1 |
| WORKS AS AUTHOR | 2 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 2018 |
| LATEST PUBLICATION YEAR | 2023 |
| H-INDEX | 1 |
The performance of Last Words
This essay frames the Last Words' script and how an audience participates in the performance to create meaning and enhance relational aesthetics. I use a second-person narrative to focus on the audience, both as the subject and the play's content, and to demonstrate the performance indeterminacy of the experience. I present the author as an equal audience member rather than from an authoritarian perspective (Gesuato) to help consider how an audie…
En/Gendering dystopia
In the post 9–11 era, the war on terrorism hastened the questionable practice of detaining alleged terrorists in confinement sites such as Guantanamo Bay. These mainly Muslim male detainees underwent interrogation by female agents with the intent to inflict suffering to gain covert information. Female agents used torture tactics by exploiting their sexuality, showing gender-specific undergarments, menstrual blood, and sexualized body taunts, all …
The performance of Last Words
This essay frames the Last Words' script and how an audience participates in the performance to create meaning and enhance relational aesthetics. I use a second-person narrative to focus on the audience, both as the subject and the play's content, and to demonstrate the performance indeterminacy of the experience. I present the author as an equal audience member rather than from an authoritarian perspective (Gesuato) to help consider how an audie…
En/Gendering dystopia
In the post 9–11 era, the war on terrorism hastened the questionable practice of detaining alleged terrorists in confinement sites such as Guantanamo Bay. These mainly Muslim male detainees underwent interrogation by female agents with the intent to inflict suffering to gain covert information. Female agents used torture tactics by exploiting their sexuality, showing gender-specific undergarments, menstrual blood, and sexualized body taunts, all …
The performance of Last Words
This essay frames the Last Words' script and how an audience participates in the performance to create meaning and enhance relational aesthetics. I use a second-person narrative to focus on the audience, both as the subject and the play's content, and to demonstrate the performance indeterminacy of the experience. I present the author as an equal audience member rather than from an authoritarian perspective (Gesuato) to help consider how an audie…
Psychology (2 works) · Sociology (2 works) · Aesthetics (1 work) · Art (1 work) · Audience reception (1 work) · Computer Science (1 work) · Covert (1 work) · Criminology (1 work) · Democracy (1 work) · Dystopia (1 work)