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Patrick Lenaghan

Biographic Data

ID6610980
NAMEPatrick Lenaghan
GIVEN NAMESPatrick
FAMILY NAMELenaghan
SIGNATURELENAGHAN P
AFFILIATIONSHispanic Society of America
ORCID0009-0006-5230-2934
VERIFIEDYes
TOTAL WORKS3
TOTAL CITATIONS0
AUTHOR COUNT3
EDITOR COUNT0
FIRST PUBLICATION YEAR2015
LATEST PUBLICATION YEAR2024
H-INDEX0
  • The Muse of Zenon

    Open Access•Julia Lenaghan, Patrick Lenaghan•ARTICLE•Journal of Roman Archaeology•2024•References: 5

    This article traces a statue, which Zenon of Aphrodisias carved, from Syracuse to its discovery at the Palace of Cogolludo in 2007. The study of this statue of the Muse Euterpe broadly demonstrates the appreciation for a figure from the classical world to Early Modern Europe and focuses attention on two understudied moments in the history of sculpture. It shows that Zenon carved the figure in the 4th c. CE, and its story reveals new connections b…

  • Goya y sus críticos (y otros ensayos)

    Patrick Lenaghan•ARTICLE•Hispanic Research Journal•2018

    Nigel Glendinning may today be best-known for his spirited defence of Goya’s El Coloso, but this represented only a part of a lifetime’s study of the great painter.1 In fact, when he died, he left

  • The Tombs from San Francisco in Cuéllar

    Patrick Lenaghan•ARTICLE•Hispanic Research Journal•2015

    In The Hispanic Society of America are two of the three monuments that made up the funerary ensemble which Beltrán de la Cueva erected in the church of San Francisco in Cuéllar. After the monastery was disbanded, the art it once held was dispersed. Although impressive sculptures, the Hispanic Society monuments have not enjoyed the widespread recognition they deserve. Scholars have not been able to establish the ensemble’s attribution and history …

No prominent works on this page.

  • The Tombs from San Francisco in Cuéllar

    Patrick Lenaghan•ARTICLE•Hispanic Research Journal•2015

    In The Hispanic Society of America are two of the three monuments that made up the funerary ensemble which Beltrán de la Cueva erected in the church of San Francisco in Cuéllar. After the monastery was disbanded, the art it once held was dispersed. Although impressive sculptures, the Hispanic Society monuments have not enjoyed the widespread recognition they deserve. Scholars have not been able to establish the ensemble’s attribution and history …

  • Goya y sus críticos (y otros ensayos)

    Patrick Lenaghan•ARTICLE•Hispanic Research Journal•2018

    Nigel Glendinning may today be best-known for his spirited defence of Goya’s El Coloso, but this represented only a part of a lifetime’s study of the great painter.1 In fact, when he died, he left

  • The Muse of Zenon

    Open Access•Julia Lenaghan, Patrick Lenaghan•ARTICLE•Journal of Roman Archaeology•2024•References: 5

    This article traces a statue, which Zenon of Aphrodisias carved, from Syracuse to its discovery at the Palace of Cogolludo in 2007. The study of this statue of the Muse Euterpe broadly demonstrates the appreciation for a figure from the classical world to Early Modern Europe and focuses attention on two understudied moments in the history of sculpture. It shows that Zenon carved the figure in the 4th c. CE, and its story reveals new connections b…

Archaeology (2 works) · Art (2 works) · Art history (2 works) · Historical Art and Architecture Studies (2 works) · History (2 works) · History (2 works) · Humanities (2 works) · Philosophy (2 works) · Philosophy (2 works) · Sculpture (2 works)

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