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Francisca Lobera Corsetti

Biographic Data

ID6611107
NAMEFrancisca Lobera Corsetti
GIVEN NAMESFrancisca Lobera
FAMILY NAMECorsetti
SIGNATURECORSETTI F L
AFFILIATIONSFreelance Archaeologist
VERIFIEDNo
TOTAL WORKS2
TOTAL CITATIONS1
AUTHOR COUNT2
EDITOR COUNT0
FIRST PUBLICATION YEAR2023
LATEST PUBLICATION YEAR2025
H-INDEX1
  • A painted portrait from the Augustan period in the Municipium Augusta Bilbilis (Calatayud, Zaragoza, Spain)

    Open Access•Lara Íñiguez Berrozpe, Francisca Lobera Corsetti et al.•ARTICLE•Journal of Roman Archaeology•2025•References: 10

    This analysis focuses on a young female portrait enclosed within an eight-pointed frame, located in the upper zone of a wall fragment discovered among a substantial assemblage of painted plaster within the fill of the torcularium of the Domus del Larario in the Municipium Augusta Bilbilis. The wall to which this fragment originally belonged likely formed part of a cubiculum within the same domus. The portrait is dated to the last quarter of the 1…

  • Archaeology of Twentieth-Century Rome

    Francisca Lobera Corsetti, Jan Kindberg Jacobsen et al.•ARTICLE•Journal of Contemporary Archaeology•2023•Cited by: 1•References: 3

    When Rome became the capital of a unified Italian state in 1871, the city lagged behind other European capitals in contemporary architectural expression. Ancient ruins evoked a distant glory, although the area of Rome containing the Imperial Fora was covered over by a dense urban residential quarter called the Alessandrino District. The quarter was labelled a slum district by fascist propaganda, and it was demolished in the early 1930s to make wa…

  • Archaeology of Twentieth-Century Rome

    Francisca Lobera Corsetti, Jan Kindberg Jacobsen et al.•ARTICLE•Journal of Contemporary Archaeology•2023•Cited by: 1•References: 3

    When Rome became the capital of a unified Italian state in 1871, the city lagged behind other European capitals in contemporary architectural expression. Ancient ruins evoked a distant glory, although the area of Rome containing the Imperial Fora was covered over by a dense urban residential quarter called the Alessandrino District. The quarter was labelled a slum district by fascist propaganda, and it was demolished in the early 1930s to make wa…

  • Archaeology of Twentieth-Century Rome

    Francisca Lobera Corsetti, Jan Kindberg Jacobsen et al.•ARTICLE•Journal of Contemporary Archaeology•2023•Cited by: 1•References: 3

    When Rome became the capital of a unified Italian state in 1871, the city lagged behind other European capitals in contemporary architectural expression. Ancient ruins evoked a distant glory, although the area of Rome containing the Imperial Fora was covered over by a dense urban residential quarter called the Alessandrino District. The quarter was labelled a slum district by fascist propaganda, and it was demolished in the early 1930s to make wa…

  • A painted portrait from the Augustan period in the Municipium Augusta Bilbilis (Calatayud, Zaragoza, Spain)

    Open Access•Lara Íñiguez Berrozpe, Francisca Lobera Corsetti et al.•ARTICLE•Journal of Roman Archaeology•2025•References: 10

    This analysis focuses on a young female portrait enclosed within an eight-pointed frame, located in the upper zone of a wall fragment discovered among a substantial assemblage of painted plaster within the fill of the torcularium of the Domus del Larario in the Municipium Augusta Bilbilis. The wall to which this fragment originally belonged likely formed part of a cubiculum within the same domus. The portrait is dated to the last quarter of the 1…

Art (2 works) · History (2 works) · History (2 works) · Aesthetics (1 works) · Ancient history (1 works) · Ancient Mediterranean Archaeology and History (1 works) · Archaeological and Historical Studies (1 works) · Archaeological Research and Protection (1 works) · Archaeology (1 works) · Art history (1 works)

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