Martina Revello Lami
Biographic Data
| ID | 6611171 |
|---|---|
| NAME | Martina Revello Lami |
| GIVEN NAMES | Martina Revello |
| FAMILY NAME | Lami |
| SIGNATURE | LAMI M R |
| AFFILIATIONS | Leiden University |
| ORCID | 0000-0001-6572-4016 |
| VERIFIED | Yes |
| TOTAL WORKS | 15 |
| TOTAL CITATIONS | 7 |
| AUTHOR COUNT | 15 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 2017 |
| LATEST PUBLICATION YEAR | 2025 |
| H-INDEX | 2 |
Learning, teaching, changing African archaeology
Archaeology in Africa continues to be shaped by a long history of asymmetrical perspectives—colonial, Eurocentric, and post-colonial—that often reduce the continent to a passive recipient of outside interpretations. However, “Africa is various”, writes Kwame Anthony Appiah (1992) and Shepherd remembers one decade later (2002). Yet, as the contributions to this issue of Ex Novo demonstrate, African archaeologies are anything but static. They are d…
Minds in motion
Time, cognition, and the archaeological imagination
Disegnare per Osservare, Capire, Raccontare. Conversazione con Agostino Sotgia
Agostino Sotgia (Roma, 1990) è dottorando in archeologia preistorica presso la “Sapienza – Università di Roma” e la “RUG – University of Groningen”. Si occupa prevalentemente di Landscape Archaeology con particolare attenzione alla ricostruzione dei paesaggi agro-pastorali antichi in Etruria Meridionale a cavallo del I millennio a.C. Precedentemente si è interessato alla cultura materiale con una serie di studi sulle fornaci e le aree produttive …
A Conversation with Lynn Meskell
Lynn Meskell is PIK Professor of Anthropology in the School of Arts and Sciences, Professor in the Graduate Program in Historic Preservation, and curator in the Middle East and Asia sections at the Penn Museum. She is currently A.D. White Professor-at-Large at Cornell University (2019–2025). She holds Honorary Professorships at Oxford University and Liverpool University in the UK and the University of the Witwatersrand, South Africa. Over the pas…
A Conversation with Elisabeth Niklasson
Elisabeth Niklasson is lecturer at the School of Geosciences at the University of Aberdeen. She holds two master’s degrees in Cultural Heritage and Computational Archaeology from Gothenburg University, and a PhD in Archaeology from Stockholm University. She has long been interested in the ethical and political aspects of archaeological heritage, particularly relating to contemporary identity politics. A core part of her research has focused on Eu…
Creativity, earthquakes, labour, and celestial landscapes
Material Culture Studies
Archaeology at the intersection between cognitive neuroscience, performance theory, and architecture
Material Culture Studies
Of rock art, storytelling, food and sacred groves
La complessitá del reale e la sua immagine
Nato a Lucca nel 1981, Daniele si appassiona al disegno e all'arte già da bambino. Interrotto il cammino scolastico affascinato dalle sottoculture giovanili e dai codici suburbani si é dedicato allo studio ed alla pratica del tatuaggio, mestiere che ha praticato per 20 anni e che gli ha dato l’opportunitá di viaggiare in Europa e nel mondo per assorbire tutti gli stimoli e le ispirazioni possibili. La necessità di ampliare il suo raggio d’azione,…
Foreword to Ex Novo Volume 5, 2020
The fifth volume of Ex Novo has the pleasure to host Flaminia Bartolini as guest editor for the special issue titled Heritage in the Making. Dealing with Legacies of Fascist Italy and Nazi Germany. This collection of peer-reviewed papers stems in part from the successful workshop held at McDonald Institute for Archaeological Research, University of Cambridge in December 2018 under the aegis of the DAAD-Cambridge Hub. The event gathered several in…
Art, Creativity and Automation. From Charters to Shared 3D Visualization Practices
In this study, we introduce the themes of the Special Issue on Art, Creativity and Automation. Sharing 3D Visualization Practices in Archaeology , and present the most important outcomes of a roundtable session involving prominent researchers in the field, organized by the authors during the Archon Winter School in February 2020. By assessing the diversity of research aims, artistic projects, creative practices and technology used in the contribu…
Foreword to Ex Novo Volume 4, 2019
The fourth volume of Ex Novo has the pleasure to host Heleen van Londen, Marjo Schlaman, and Andrea Travaglia as guest editors of the special issue titled The Natural and The Cultural. Integrating Approaches in Landscape Heritage Management. This timely collection of peer-reviewed papers and short essays seek to bridge the longstanding gap between natural and cultural heritage when it comes to landscape management. To this end, the editors foster…
Pottery Goes Public. Performing Archaeological Research Amid the Audience
The project Pottery Goes Public explores the potential of 3D analytical tools to assess to what extent they can provide us with new interpretations and insights into the technological aspects of ancient pottery manufacturing. However, developing innovative 3D imaging techniques for ceramic analysis is not the only aim of the project. Since its inception, Pottery Goes Public has been designed to involve a wider audience not only into the study of …
Who Owns the Past
On the 23rd of August 2015 Daesh blew up the 2,000-year-old Baal-Shamin temple in the world-famous Greco-Roman site of Palmyra. This event triggered a profound emotional reaction in society at large, and the ruins soon became an iconic symbol of world heritage in danger. The appalling images of the ruins of Baal Shamin reinforced the perception, especially among western observers, that protecting cultural and natural heritage is yet another duty …
Pottery Goes Public. Performing Archaeological Research Amid the Audience
The project Pottery Goes Public explores the potential of 3D analytical tools to assess to what extent they can provide us with new interpretations and insights into the technological aspects of ancient pottery manufacturing. However, developing innovative 3D imaging techniques for ceramic analysis is not the only aim of the project. Since its inception, Pottery Goes Public has been designed to involve a wider audience not only into the study of …
Art, Creativity and Automation. From Charters to Shared 3D Visualization Practices
In this study, we introduce the themes of the Special Issue on Art, Creativity and Automation. Sharing 3D Visualization Practices in Archaeology , and present the most important outcomes of a roundtable session involving prominent researchers in the field, organized by the authors during the Archon Winter School in February 2020. By assessing the diversity of research aims, artistic projects, creative practices and technology used in the contribu…
Who Owns the Past
On the 23rd of August 2015 Daesh blew up the 2,000-year-old Baal-Shamin temple in the world-famous Greco-Roman site of Palmyra. This event triggered a profound emotional reaction in society at large, and the ruins soon became an iconic symbol of world heritage in danger. The appalling images of the ruins of Baal Shamin reinforced the perception, especially among western observers, that protecting cultural and natural heritage is yet another duty …
Pottery Goes Public. Performing Archaeological Research Amid the Audience
The project Pottery Goes Public explores the potential of 3D analytical tools to assess to what extent they can provide us with new interpretations and insights into the technological aspects of ancient pottery manufacturing. However, developing innovative 3D imaging techniques for ceramic analysis is not the only aim of the project. Since its inception, Pottery Goes Public has been designed to involve a wider audience not only into the study of …
Foreword to Ex Novo Volume 4, 2019
The fourth volume of Ex Novo has the pleasure to host Heleen van Londen, Marjo Schlaman, and Andrea Travaglia as guest editors of the special issue titled The Natural and The Cultural. Integrating Approaches in Landscape Heritage Management. This timely collection of peer-reviewed papers and short essays seek to bridge the longstanding gap between natural and cultural heritage when it comes to landscape management. To this end, the editors foster…
La complessitá del reale e la sua immagine
Nato a Lucca nel 1981, Daniele si appassiona al disegno e all'arte già da bambino. Interrotto il cammino scolastico affascinato dalle sottoculture giovanili e dai codici suburbani si é dedicato allo studio ed alla pratica del tatuaggio, mestiere che ha praticato per 20 anni e che gli ha dato l’opportunitá di viaggiare in Europa e nel mondo per assorbire tutti gli stimoli e le ispirazioni possibili. La necessità di ampliare il suo raggio d’azione,…
Foreword to Ex Novo Volume 5, 2020
The fifth volume of Ex Novo has the pleasure to host Flaminia Bartolini as guest editor for the special issue titled Heritage in the Making. Dealing with Legacies of Fascist Italy and Nazi Germany. This collection of peer-reviewed papers stems in part from the successful workshop held at McDonald Institute for Archaeological Research, University of Cambridge in December 2018 under the aegis of the DAAD-Cambridge Hub. The event gathered several in…
Art, Creativity and Automation. From Charters to Shared 3D Visualization Practices
In this study, we introduce the themes of the Special Issue on Art, Creativity and Automation. Sharing 3D Visualization Practices in Archaeology , and present the most important outcomes of a roundtable session involving prominent researchers in the field, organized by the authors during the Archon Winter School in February 2020. By assessing the diversity of research aims, artistic projects, creative practices and technology used in the contribu…
Disegnare per Osservare, Capire, Raccontare. Conversazione con Agostino Sotgia
Agostino Sotgia (Roma, 1990) è dottorando in archeologia preistorica presso la “Sapienza – Università di Roma” e la “RUG – University of Groningen”. Si occupa prevalentemente di Landscape Archaeology con particolare attenzione alla ricostruzione dei paesaggi agro-pastorali antichi in Etruria Meridionale a cavallo del I millennio a.C. Precedentemente si è interessato alla cultura materiale con una serie di studi sulle fornaci e le aree produttive …
A Conversation with Lynn Meskell
Lynn Meskell is PIK Professor of Anthropology in the School of Arts and Sciences, Professor in the Graduate Program in Historic Preservation, and curator in the Middle East and Asia sections at the Penn Museum. She is currently A.D. White Professor-at-Large at Cornell University (2019–2025). She holds Honorary Professorships at Oxford University and Liverpool University in the UK and the University of the Witwatersrand, South Africa. Over the pas…
A Conversation with Elisabeth Niklasson
Elisabeth Niklasson is lecturer at the School of Geosciences at the University of Aberdeen. She holds two master’s degrees in Cultural Heritage and Computational Archaeology from Gothenburg University, and a PhD in Archaeology from Stockholm University. She has long been interested in the ethical and political aspects of archaeological heritage, particularly relating to contemporary identity politics. A core part of her research has focused on Eu…
Creativity, earthquakes, labour, and celestial landscapes
Material Culture Studies
Archaeology at the intersection between cognitive neuroscience, performance theory, and architecture
Material Culture Studies
Of rock art, storytelling, food and sacred groves
Time, cognition, and the archaeological imagination
Learning, teaching, changing African archaeology
Archaeology in Africa continues to be shaped by a long history of asymmetrical perspectives—colonial, Eurocentric, and post-colonial—that often reduce the continent to a passive recipient of outside interpretations. However, “Africa is various”, writes Kwame Anthony Appiah (1992) and Shepherd remembers one decade later (2002). Yet, as the contributions to this issue of Ex Novo demonstrate, African archaeologies are anything but static. They are d…
Minds in motion
History (11 works) · Archaeology (9 works) · Art (7 works) · Sociology (7 works) · History (6 works) · Political science (6 works) · Archaeological Research and Protection (5 works) · Psychology (5 works) · Cultural heritage (4 works) · Cultural Heritage Management and Preservation (4 works)