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Rui Oliveira Lopes

Biographic Data

ID661473
NAMERui Oliveira Lopes
GIVEN NAMESRui Oliveira
FAMILY NAMELopes
SIGNATURELOPES R O
AFFILIATIONSUniversiti Brunei Darussalam
ORCID0000-0001-7608-2370
VERIFIEDYes
TOTAL WORKS8
TOTAL CITATIONS2
WORKS AS AUTHOR8
WORKS AS EDITOR0
FIRST PUBLICATION YEAR2014
LATEST PUBLICATION YEAR2025
H-INDEX1
  • A Conceptual Hybrid Model for Transcultural Product Design Innovation

    Open Access•Yussif Iddrisu Yussif Iddrisu, Yussif Iddrisu et al.•ARTICLE•Wacana Seni•2025

    In the current era of globalisation, cultural diversity is playing a critical role in shaping how individuals interpret, exchange, or adopt sociocultural traits from other cultures. In this context, creating a transcultural product has become a complex process that demands a keen understanding of user identity and cultural differences. The primary aim of this study is to develop a hybrid framework for designing culturally inclusive transcultural …

  • A multidimensional approach to digital applications in architectural heritage in Brunei Darussalam

    Open Access•Rui Oliveira Lopes, Owais Ahmed Malik et al.•ARTICLE•Digital Applications in…•2025•References: 1

  • Power and devotion in the art of the Catholic missions in Asia during the Early Modern period

    Rui Oliveira Lopes•ARTICLE•Culture and Religion•2023•References: 2

    During the Early Modern period, European explorers, merchants, and missionaries crossed the oceans across Asia, from the Malabar Coast in India to the Far East. It was a period of unprecedented artistic and cultural transfers between Europe, Africa, Asia, and the Americas, resulting in a dynamic and intense transmission of knowledge, beliefs, and the circulation of material culture. During the age of discoveries, the consciousness of multipolar p…

  • The Expression of Cultural Identity in Mosque Architecture in Brunei Darussalam

    Open Access•Rui Oliveira Lopes, Nuriskandar bin Mohd Hasnan•ARTICLE•TRaNS Trans -Regional and…•2021•Cited by: 1•References: 2

    The mosque connotes a place of prostration towards Allah . As a sacred space, mosque designs use great detail to respect specific ceremonial functions and some requirements outlined in the Quran, but accommodate diverse styles and construction materials that several traditional and cultural factors determine. As early as the seventh century, as Islam spread across the Mediterranean, North Africa, East Asia, and Southeast Asia, the mosque remained…

  • Semionauts of Tradition

    Rui Oliveira Lopes•ARTICLE•Journal of Contemporary Asia•2020

    The authors of this book come from distinct but intertwined academic and professional backgrounds, offering a propitious perspective on the issues of cultural identity expressions and contemporary

  • A New Light on the Shadows of Heavenly Bodies

    Rui Oliveira Lopes•ARTICLE•Religion and the Arts•2016•Cited by: 1

    The distinct tradition of Indian shadow puppetry has been the subject of much interest among scholars, focusing mainly on its origin, the mutual exchange between different regions across Asia, and the relationship between theater performance and popular culture. This study discusses the similarities of shadow puppets with temple mural painting and loose-leaf paintings, and shows how puppets may have shifted technically from narrative paintings on…

  • Securing the Harmony between the High and the Low

    Rui Oliveira Lopes•ARTICLE•Asian perspectives•2014

    For decades scholars have been discussing the meaning, purpose, and function of the various styles of decoration found in jade and bronze objects produced in the period spanning the Neolithic to the Han dynasty. Max Loehr made a significant contribution to this discussion in 1953 when he made the first attempt to understand the nature and sequence of styles of bronze décor from the Anyang period (1300–1038 b.c .), which corresponds to the late Sh…

  • Meeting another China

    Rui Oliveira Lopes•ARTICLE•World Art•2014

    This paper examines the role of Western museums, in particular the Museu do Oriente (Orient Museum) in Lisbon, Portugal, concerning the display of Chinese folk art and popular culture, contributing to a wider perspective of the image of China, after 500 years of artistic and cultural exchange between Portugal, Macau and China. The Orient Museum comprises a large collection of Chinese art and material culture which offers a wider perspective of Gr…

  • The Expression of Cultural Identity in Mosque Architecture in Brunei Darussalam

    Open Access•Rui Oliveira Lopes, Nuriskandar bin Mohd Hasnan•ARTICLE•TRaNS Trans -Regional and…•2021•Cited by: 1•References: 2

    The mosque connotes a place of prostration towards Allah . As a sacred space, mosque designs use great detail to respect specific ceremonial functions and some requirements outlined in the Quran, but accommodate diverse styles and construction materials that several traditional and cultural factors determine. As early as the seventh century, as Islam spread across the Mediterranean, North Africa, East Asia, and Southeast Asia, the mosque remained…

  • A New Light on the Shadows of Heavenly Bodies

    Rui Oliveira Lopes•ARTICLE•Religion and the Arts•2016•Cited by: 1

    The distinct tradition of Indian shadow puppetry has been the subject of much interest among scholars, focusing mainly on its origin, the mutual exchange between different regions across Asia, and the relationship between theater performance and popular culture. This study discusses the similarities of shadow puppets with temple mural painting and loose-leaf paintings, and shows how puppets may have shifted technically from narrative paintings on…

  • Securing the Harmony between the High and the Low

    Rui Oliveira Lopes•ARTICLE•Asian perspectives•2014

    For decades scholars have been discussing the meaning, purpose, and function of the various styles of decoration found in jade and bronze objects produced in the period spanning the Neolithic to the Han dynasty. Max Loehr made a significant contribution to this discussion in 1953 when he made the first attempt to understand the nature and sequence of styles of bronze décor from the Anyang period (1300–1038 b.c .), which corresponds to the late Sh…

  • Meeting another China

    Rui Oliveira Lopes•ARTICLE•World Art•2014

    This paper examines the role of Western museums, in particular the Museu do Oriente (Orient Museum) in Lisbon, Portugal, concerning the display of Chinese folk art and popular culture, contributing to a wider perspective of the image of China, after 500 years of artistic and cultural exchange between Portugal, Macau and China. The Orient Museum comprises a large collection of Chinese art and material culture which offers a wider perspective of Gr…

  • A New Light on the Shadows of Heavenly Bodies

    Rui Oliveira Lopes•ARTICLE•Religion and the Arts•2016•Cited by: 1

    The distinct tradition of Indian shadow puppetry has been the subject of much interest among scholars, focusing mainly on its origin, the mutual exchange between different regions across Asia, and the relationship between theater performance and popular culture. This study discusses the similarities of shadow puppets with temple mural painting and loose-leaf paintings, and shows how puppets may have shifted technically from narrative paintings on…

  • Semionauts of Tradition

    Rui Oliveira Lopes•ARTICLE•Journal of Contemporary Asia•2020

    The authors of this book come from distinct but intertwined academic and professional backgrounds, offering a propitious perspective on the issues of cultural identity expressions and contemporary

  • The Expression of Cultural Identity in Mosque Architecture in Brunei Darussalam

    Open Access•Rui Oliveira Lopes, Nuriskandar bin Mohd Hasnan•ARTICLE•TRaNS Trans -Regional and…•2021•Cited by: 1•References: 2

    The mosque connotes a place of prostration towards Allah . As a sacred space, mosque designs use great detail to respect specific ceremonial functions and some requirements outlined in the Quran, but accommodate diverse styles and construction materials that several traditional and cultural factors determine. As early as the seventh century, as Islam spread across the Mediterranean, North Africa, East Asia, and Southeast Asia, the mosque remained…

  • Power and devotion in the art of the Catholic missions in Asia during the Early Modern period

    Rui Oliveira Lopes•ARTICLE•Culture and Religion•2023•References: 2

    During the Early Modern period, European explorers, merchants, and missionaries crossed the oceans across Asia, from the Malabar Coast in India to the Far East. It was a period of unprecedented artistic and cultural transfers between Europe, Africa, Asia, and the Americas, resulting in a dynamic and intense transmission of knowledge, beliefs, and the circulation of material culture. During the age of discoveries, the consciousness of multipolar p…

  • A Conceptual Hybrid Model for Transcultural Product Design Innovation

    Open Access•Yussif Iddrisu Yussif Iddrisu, Yussif Iddrisu et al.•ARTICLE•Wacana Seni•2025

    In the current era of globalisation, cultural diversity is playing a critical role in shaping how individuals interpret, exchange, or adopt sociocultural traits from other cultures. In this context, creating a transcultural product has become a complex process that demands a keen understanding of user identity and cultural differences. The primary aim of this study is to develop a hybrid framework for designing culturally inclusive transcultural …

  • A multidimensional approach to digital applications in architectural heritage in Brunei Darussalam

    Open Access•Rui Oliveira Lopes, Owais Ahmed Malik et al.•ARTICLE•Digital Applications in…•2025•References: 1

Art (6 works) · Aesthetics (5 works) · History (5 works) · History (4 works) · Philosophy (4 works) · Sociology (4 works) · Archaeology (3 works) · China (3 works) · Law (3 works) · Philosophy (3 works)

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