Matthew Sangster
Biographic Data
| ID | 6617868 |
|---|---|
| NAME | Matthew Sangster |
| GIVEN NAMES | Matthew |
| FAMILY NAME | Sangster |
| SIGNATURE | SANGSTER M |
| AFFILIATIONS | University of Glasgow |
| ORCID | 0000-0001-6452-4813 |
| VERIFIED | Yes |
| TOTAL WORKS | 9 |
| TOTAL CITATIONS | 0 |
| WORKS AS AUTHOR | 8 |
| WORKS AS EDITOR | 1 |
| FIRST PUBLICATION YEAR | 2017 |
| LATEST PUBLICATION YEAR | 2025 |
| H-INDEX | 0 |
Books and Borrowing, 1730–1830
In this article, the authors introduce the research project “Books and Borrowing, 1750–1830: An Analysis of Scottish Borrowers’ Registers” (https://borrowing.stir.ac.uk/), with a particular emphasis on how the project moved from conception to execution. The article discusses the research project’s aims and research questions, provides an overview of the main features of the project’s online resource, discusses the development of the resource in d…
Books and borrowing
The Cambridge Companion to the Romantic Sublime
This is the only collection of its kind to focus on one of the most important aspects of the cultural history of the Romantic period, its sources, and its afterlives. Multidisciplinary in approach, the volume examines the variety of areas of enquiry and genres of cultural productivity in which the sublime played a substantial role during the late eighteenth and early nineteenth centuries. With impressive international scope, this Companion consid…
Remediating The 1820s
Remediating the 1820s
An Introduction to Fantasy
Providing an engaging and accessible introduction to the Fantasy genre in literature, media and culture, this incisive volume explores why Fantasy matters in the context of its unique affordances, its disparate pasts and its extraordinary current flourishing. It pays especial attention to Fantasy's engagements with histories and traditions, its manifestations across media and its dynamic communities. Matthew Sangster covers works ancient and mode…
Keyword
This keyword lays out the evidence for the vast expansion of media provision during the 1820s, discussing technologies such as the steam-driven press, the Fourdrinier papermaking machine and stereotyping while considering their effects on the size, make-up and qualities of the reading public. It argues that the burgeoning of new media forms and formats made the 1820s a decade in which print-cultural mediation became both ubiquitous and unavoidabl…
Coherence and Inclusion in the Life Writing of Romantic-period London
This article explores the ways in which London lives were written together during the Romantic period, considering representations across different genres and media including: poetry by William Wordsworth, Richard Horwood’s house-by-house Plan of the city (1792–9), Fores’s New Guide for Foreigners ([?1789]), the 1788 volume of Harris’s List of Covent Garden Ladies, Richard Phillips’ Modern London (1804) and Pierce Egan’s Life in London (1820–1). …
Transformation and Specialization in London and its Topography
This article puts John Tallis’s London Street Views (1838–40) into conversation with some of the major topographical projects that preceded them. By examining how London was represented in works including Richard Horwood’s PLAN of the Cities of LONDON and WESTMINSTER the Borough of SOUTHWARK, and PARTS adjoining Shewing every HOUSE (1792–9), Richard Phillips’s Modern London (1804) and Rudolph Ackermann’s Microcosm of London (1808–10), it consider…
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Coherence and Inclusion in the Life Writing of Romantic-period London
This article explores the ways in which London lives were written together during the Romantic period, considering representations across different genres and media including: poetry by William Wordsworth, Richard Horwood’s house-by-house Plan of the city (1792–9), Fores’s New Guide for Foreigners ([?1789]), the 1788 volume of Harris’s List of Covent Garden Ladies, Richard Phillips’ Modern London (1804) and Pierce Egan’s Life in London (1820–1). …
Transformation and Specialization in London and its Topography
This article puts John Tallis’s London Street Views (1838–40) into conversation with some of the major topographical projects that preceded them. By examining how London was represented in works including Richard Horwood’s PLAN of the Cities of LONDON and WESTMINSTER the Borough of SOUTHWARK, and PARTS adjoining Shewing every HOUSE (1792–9), Richard Phillips’s Modern London (1804) and Rudolph Ackermann’s Microcosm of London (1808–10), it consider…
Keyword
This keyword lays out the evidence for the vast expansion of media provision during the 1820s, discussing technologies such as the steam-driven press, the Fourdrinier papermaking machine and stereotyping while considering their effects on the size, make-up and qualities of the reading public. It argues that the burgeoning of new media forms and formats made the 1820s a decade in which print-cultural mediation became both ubiquitous and unavoidabl…
The Cambridge Companion to the Romantic Sublime
This is the only collection of its kind to focus on one of the most important aspects of the cultural history of the Romantic period, its sources, and its afterlives. Multidisciplinary in approach, the volume examines the variety of areas of enquiry and genres of cultural productivity in which the sublime played a substantial role during the late eighteenth and early nineteenth centuries. With impressive international scope, this Companion consid…
Remediating The 1820s
Remediating the 1820s
An Introduction to Fantasy
Providing an engaging and accessible introduction to the Fantasy genre in literature, media and culture, this incisive volume explores why Fantasy matters in the context of its unique affordances, its disparate pasts and its extraordinary current flourishing. It pays especial attention to Fantasy's engagements with histories and traditions, its manifestations across media and its dynamic communities. Matthew Sangster covers works ancient and mode…
Books and borrowing
Books and Borrowing, 1730–1830
In this article, the authors introduce the research project “Books and Borrowing, 1750–1830: An Analysis of Scottish Borrowers’ Registers” (https://borrowing.stir.ac.uk/), with a particular emphasis on how the project moved from conception to execution. The article discusses the research project’s aims and research questions, provides an overview of the main features of the project’s online resource, discusses the development of the resource in d…
History (6 works) · Art (5 works) · Law (5 works) · Sociology (5 works) · Aesthetics (4 works) · Literature (4 works) · Political science (4 works) · Computer Science (3 works) · Historical Economic and Social Studies (3 works) · Romance (3 works)