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Benjamin James Dix

Biographic Data

ID6624924
NAMEBenjamin James Dix
GIVEN NAMESBenjamin James
FAMILY NAMEDix
SIGNATUREDIX B J
VERIFIEDNo
TOTAL WORKS1
TOTAL CITATIONS11
AUTHOR COUNT1
EDITOR COUNT0
FIRST PUBLICATION YEAR2019
LATEST PUBLICATION YEAR2019
H-INDEX1
  • Drawing‐Writing Culture: The Truth‐Fiction Spectrum of an Ethno‐Graphic Novel on the Sri Lankan Civil War and Migration

    Open Access•Benjamin James Dix, Benjamin Dix et al.•ARTICLE•Visual Anthropology Review•2019•Cited by: 11•References: 18

    With our focus on an “ethno‐graphic novel” on the Sri Lankan civil war and the forcible displacement and migration of Tamil survivors, we make two main propositions while reflecting on the “graphic narrative turn” that has emerged in anthropology in recent years. First, we inscribe drawing into the “writing of cultures” where words have held a superior status in ethnographic representations. Rather than seeing drawings as perceptive tools for rec…

  • Drawing‐Writing Culture: The Truth‐Fiction Spectrum of an Ethno‐Graphic Novel on the Sri Lankan Civil War and Migration

    Open Access•Benjamin James Dix, Benjamin Dix et al.•ARTICLE•Visual Anthropology Review•2019•Cited by: 11•References: 18

    With our focus on an “ethno‐graphic novel” on the Sri Lankan civil war and the forcible displacement and migration of Tamil survivors, we make two main propositions while reflecting on the “graphic narrative turn” that has emerged in anthropology in recent years. First, we inscribe drawing into the “writing of cultures” where words have held a superior status in ethnographic representations. Rather than seeing drawings as perceptive tools for rec…

  • Drawing‐Writing Culture: The Truth‐Fiction Spectrum of an Ethno‐Graphic Novel on the Sri Lankan Civil War and Migration

    Open Access•Benjamin James Dix, Benjamin Dix et al.•ARTICLE•Visual Anthropology Review•2019•Cited by: 11•References: 18

    With our focus on an “ethno‐graphic novel” on the Sri Lankan civil war and the forcible displacement and migration of Tamil survivors, we make two main propositions while reflecting on the “graphic narrative turn” that has emerged in anthropology in recent years. First, we inscribe drawing into the “writing of cultures” where words have held a superior status in ethnographic representations. Rather than seeing drawings as perceptive tools for rec…

Aesthetics (1 works) · Anthropology (1 works) · Archaeology (1 works) · Art (1 works) · Comics and Graphic Narratives (1 works) · Digital Storytelling and Education (1 works) · Epistemology (1 works) · Ethnography (1 works) · History (1 works) · History (1 works)

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