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Maria Damkjær

Biographic Data

ID6625200
NAMEMaria Damkjær
GIVEN NAMESMaria
FAMILY NAMEDamkjær
SIGNATUREDAMKJÆR M
AFFILIATIONSUniversity of Copenhagen
ORCID0000-0003-1434-6574
VERIFIEDYes
TOTAL WORKS5
TOTAL CITATIONS0
WORKS AS AUTHOR5
WORKS AS EDITOR0
FIRST PUBLICATION YEAR2012
LATEST PUBLICATION YEAR2017
H-INDEX0
  • Afbrydelsens kronotopi i britisk litteratur, 1840-1870

    Open Access•Maria Damkjær•ARTICLE•K&K - Kultur og Klasse•2017

    Bakhtin’s chronotope is not only a meeting between time and space, but often also a meeting between a number of contrasting temporalities. This article discusses the topos of domestic interruption, which lays bare the temporal politics of the nineteenth-century middle-class home. It was a commonplace in the nineteenth century that women’s time in the home was interruptible and porous. When Victorian writers described everyday interruptions, they …

  • Awkward Appendages

    Open Access•Maria Damkjær•ARTICLE•Victorian Literature and Culture•2017•References: 3

    In a letter “To the Editor of the Times,” a G. S. Hatton of Brompton writes furiously in May 1850: [This afternoon] three ladies, a member of my family with two friends, visited the Society of Arts in John-street, Adelphi, having ridden all the way from their own doors in a private carriage. Shortly after they had entered the society's rooms, they noticed a tall man of a shabby genteel appearance, with an umbrella in his hand, who was studiously …

  • Time, Domesticity and Print Culture in Nineteenth-Century Britain

    Open Access•Maria Damkjær•BOOK•Time, Domesticity and Print…•2016

    This innovative study shows that nineteenth-century texts gave domesticity not just a spatial but also a temporal dimension. Novels by Dickens and Gaskell, as well as periodicals, cookery books and al

  • Literary Bric-à-Brac and the Victorians

    Maria Damkjær•ARTICLE•Journal of Victorian Culture•2014

    This collection of chapters has a better excuse than most multi-authored books if it lacks coherence: its central theme, bric-à-brac, reflects back pleasingly on the fragmentary format. It is paradoxical, then, that Literary Bric-à-Brac and the Victorians seems more coherent than such enterprises usually are – no mean feat. It is a well-edited, multi-faceted and illuminating volume. In the heavily cluttered field of object studies (or thing theor…

  • Not-reading

    Maria Damkjær•ARTICLE•Journal of Victorian Culture•2012

No prominent works on this page.

  • Not-reading

    Maria Damkjær•ARTICLE•Journal of Victorian Culture•2012

  • Literary Bric-à-Brac and the Victorians

    Maria Damkjær•ARTICLE•Journal of Victorian Culture•2014

    This collection of chapters has a better excuse than most multi-authored books if it lacks coherence: its central theme, bric-à-brac, reflects back pleasingly on the fragmentary format. It is paradoxical, then, that Literary Bric-à-Brac and the Victorians seems more coherent than such enterprises usually are – no mean feat. It is a well-edited, multi-faceted and illuminating volume. In the heavily cluttered field of object studies (or thing theor…

  • Time, Domesticity and Print Culture in Nineteenth-Century Britain

    Open Access•Maria Damkjær•BOOK•Time, Domesticity and Print…•2016

    This innovative study shows that nineteenth-century texts gave domesticity not just a spatial but also a temporal dimension. Novels by Dickens and Gaskell, as well as periodicals, cookery books and al

  • Afbrydelsens kronotopi i britisk litteratur, 1840-1870

    Open Access•Maria Damkjær•ARTICLE•K&K - Kultur og Klasse•2017

    Bakhtin’s chronotope is not only a meeting between time and space, but often also a meeting between a number of contrasting temporalities. This article discusses the topos of domestic interruption, which lays bare the temporal politics of the nineteenth-century middle-class home. It was a commonplace in the nineteenth century that women’s time in the home was interruptible and porous. When Victorian writers described everyday interruptions, they …

  • Awkward Appendages

    Open Access•Maria Damkjær•ARTICLE•Victorian Literature and Culture•2017•References: 3

    In a letter “To the Editor of the Times,” a G. S. Hatton of Brompton writes furiously in May 1850: [This afternoon] three ladies, a member of my family with two friends, visited the Society of Arts in John-street, Adelphi, having ridden all the way from their own doors in a private carriage. Shortly after they had entered the society's rooms, they noticed a tall man of a shabby genteel appearance, with an umbrella in his hand, who was studiously …

History (5 works) · Art (4 works) · Literature (4 works) · History (3 works) · Law (3 works) · Political science (3 works) · Law (2 works) · Literature: history, themes, analysis (2 works) · Print culture (2 works) · Reading (process (2 works)

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