Alicia Volk
Biographic Data
| ID | 6629797 |
|---|---|
| NAME | Alicia Volk |
| GIVEN NAMES | Alicia |
| FAMILY NAME | Volk |
| SIGNATURE | VOLK A |
| VERIFIED | No |
| TOTAL WORKS | 3 |
| TOTAL CITATIONS | 0 |
| AUTHOR COUNT | 3 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 2003 |
| LATEST PUBLICATION YEAR | 2013 |
| H-INDEX | 0 |
Authority, Autonomy, and the Early Taishō “Avant-Garde”
This essay addresses the problematic notion of the “avant-garde” in the context of Japanese modern art. It looks at the formation in 1907 of the national salon, the Bunten, to elucidate the relational dynamics of art organizations in early twentieth-century Japan, especially during the Taisho period (1912 – 27) when the Fusain Society (Fyûzankai) and the Nika Society (Nikakai) came into being as alternatives to the Bunten. The essay elucidates on…
Radicals and Realists in the Japanese Nonverbal Arts
Reviewed by: Radicals and Realists in the Japanese Nonverbal Arts: The Avant-garde Rejection of Modernism Alicia Volk (bio) Radicals and Realists in the Japanese Nonverbal Arts: The Avant-garde Rejection of Modernism. By Thomas R. H. Havens. University of Hawai'i Press, Honolulu, 2006. x, 296 pages. $38.00. Thomas Havens needs no introduction to this readership. A historian of modern Japan with an influential array of monographs to his name, rang…
Katsura Yuki and the Japanese Avant-Garde
No prominent works on this page.
Katsura Yuki and the Japanese Avant-Garde
Radicals and Realists in the Japanese Nonverbal Arts
Reviewed by: Radicals and Realists in the Japanese Nonverbal Arts: The Avant-garde Rejection of Modernism Alicia Volk (bio) Radicals and Realists in the Japanese Nonverbal Arts: The Avant-garde Rejection of Modernism. By Thomas R. H. Havens. University of Hawai'i Press, Honolulu, 2006. x, 296 pages. $38.00. Thomas Havens needs no introduction to this readership. A historian of modern Japan with an influential array of monographs to his name, rang…
Authority, Autonomy, and the Early Taishō “Avant-Garde”
This essay addresses the problematic notion of the “avant-garde” in the context of Japanese modern art. It looks at the formation in 1907 of the national salon, the Bunten, to elucidate the relational dynamics of art organizations in early twentieth-century Japan, especially during the Taisho period (1912 – 27) when the Fusain Society (Fyûzankai) and the Nika Society (Nikakai) came into being as alternatives to the Bunten. The essay elucidates on…
Art (3 works) · Art history (3 works) · Art, Politics, and Modernism (2 works) · Avant garde (2 works) · History (2 works) · Aesthetics (1 works) · Architecture, Art, Education (1 works) · Asian Culture and Media Studies (1 works) · Autonomy (1 works) · Context (archaeology (1 works)