Mako Fitts Ward
Biographic Data
| ID | 6630146 |
|---|---|
| NAME | Mako Fitts Ward |
| GIVEN NAMES | Mako Fitts |
| FAMILY NAME | Ward |
| SIGNATURE | WARD M F |
| AFFILIATIONS | Twitter (United States) |
| ORCID | 0000-0003-4363-0400 |
| VERIFIED | Yes |
| TOTAL WORKS | 3 |
| TOTAL CITATIONS | 0 |
| WORKS AS AUTHOR | 3 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 2017 |
| LATEST PUBLICATION YEAR | 2024 |
| H-INDEX | 0 |
Hotep anti-Blackness
“Metamorphic Liberation”
The Black Radical Tradition has always captured the fluidity of life, death, and the afterlife of sustained modes of repression that propel Black bodies into hypervisible spectacles of existence. Using what Viviane Saleh-Hanna calls a “Black Feminist Hauntology,” this article draws from work on the temporality of white terrorism, necropolitical social movements, and Black violability to frame Black women’s biopolitical agency in ways that capture…
Queen Bey and the New Niggerati
This essay explores the contributions of Beyoncé to what I call "the New Niggerati," a cadre of Black cultural producers engineering American popular culture. Their promotion of individual economic improvement is a discursive shift in Black music, a "dap" to advanced capitalism. Beyoncé's hegemonic power to move the culture places her at the apex of the New Niggerati. With the simultaneity of her privilege and a perceived Black southern realism, …
No prominent works on this page.
Queen Bey and the New Niggerati
This essay explores the contributions of Beyoncé to what I call "the New Niggerati," a cadre of Black cultural producers engineering American popular culture. Their promotion of individual economic improvement is a discursive shift in Black music, a "dap" to advanced capitalism. Beyoncé's hegemonic power to move the culture places her at the apex of the New Niggerati. With the simultaneity of her privilege and a perceived Black southern realism, …
“Metamorphic Liberation”
The Black Radical Tradition has always captured the fluidity of life, death, and the afterlife of sustained modes of repression that propel Black bodies into hypervisible spectacles of existence. Using what Viviane Saleh-Hanna calls a “Black Feminist Hauntology,” this article draws from work on the temporality of white terrorism, necropolitical social movements, and Black violability to frame Black women’s biopolitical agency in ways that capture…
Hotep anti-Blackness
Gender Studies (3 works) · Gender, Feminism, and Media (3 works) · Sociology (3 works) · Gender Studies (2 works) · Aesthetics (1 work) · Anthropology (1 work) · Appropriation (1 work) · Art (1 work) · Black feminism (1 work) · Cultural appropriation (1 work)