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Maggie C K Wan

Biographic Data

ID6639654
NAMEMaggie C K Wan
GIVEN NAMESMaggie C K
FAMILY NAMEWan
SIGNATUREWAN M C K
AFFILIATIONSChinese University of Hong Kong
VERIFIEDNo
TOTAL WORKS4
TOTAL CITATIONS0
WORKS AS AUTHOR4
WORKS AS EDITOR0
FIRST PUBLICATION YEAR2003
LATEST PUBLICATION YEAR2020
H-INDEX0
  • Named Figures in Frontispieces of Buddhist and Daoist Scriptures

    Maggie C K Wan•ARTICLE•Journal of Daoist Studies•2020

    Frontispieces preceding the texts of Buddhist and Daoist scriptures are often thought to resemble each other. They commonly share diagonal and symmetrical compositions that constitute the majority of scripture frontispieces in China since their initiation in the 9th century. However, did similar pictorial scenes develop from shared compositions and represent the same kind of religious scenario? Who were the religious figures chosen to star on the…

  • Daoist Scripture Frontispieces and Their Archetypes

    Maggie C K Wan•ARTICLE•Religion and the Arts•2016

    For over a thousand years, frontispieces for religious scriptures produced in China were based on two basic compositions: the diagonal composition and the symmetrical composition. The two compositions enjoyed persistent currency by offering great flexibility for religious sects to fill in the compositions with their own patron gods and saints. Meanwhile they served different functions: while the diagonal composition illustrates the narrative of t…

  • Image and Efficacy

    Maggie C K Wan•ARTICLE•Artibus Asiae•2015

  • Motifs with an Intention

    Maggie C K Wan•ARTICLE•Artibus Asiae•2003

No prominent works on this page.

  • Motifs with an Intention

    Maggie C K Wan•ARTICLE•Artibus Asiae•2003

  • Image and Efficacy

    Maggie C K Wan•ARTICLE•Artibus Asiae•2015

  • Daoist Scripture Frontispieces and Their Archetypes

    Maggie C K Wan•ARTICLE•Religion and the Arts•2016

    For over a thousand years, frontispieces for religious scriptures produced in China were based on two basic compositions: the diagonal composition and the symmetrical composition. The two compositions enjoyed persistent currency by offering great flexibility for religious sects to fill in the compositions with their own patron gods and saints. Meanwhile they served different functions: while the diagonal composition illustrates the narrative of t…

  • Named Figures in Frontispieces of Buddhist and Daoist Scriptures

    Maggie C K Wan•ARTICLE•Journal of Daoist Studies•2020

    Frontispieces preceding the texts of Buddhist and Daoist scriptures are often thought to resemble each other. They commonly share diagonal and symmetrical compositions that constitute the majority of scripture frontispieces in China since their initiation in the 9th century. However, did similar pictorial scenes develop from shared compositions and represent the same kind of religious scenario? Who were the religious figures chosen to star on the…

Art (4 works) · History (4 works) · Chinese history and philosophy (3 works) · History (3 works) · Ancient history (2 works) · Buddhism (2 works) · Emperor (2 works) · Japanese History and Culture (2 works) · Literature (2 works) · Mathematics (2 works)

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