Evelyn Reynolds
Biographic Data
| ID | 6640368 |
|---|---|
| NAME | Evelyn Reynolds |
| GIVEN NAMES | Evelyn |
| FAMILY NAME | Reynolds |
| SIGNATURE | REYNOLDS E |
| AFFILIATIONS | Bloomington, Indiana |
| ORCID | 0009-0006-6818-2412 |
| VERIFIED | Yes |
| TOTAL WORKS | 2 |
| TOTAL CITATIONS | 1 |
| AUTHOR COUNT | 2 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 2022 |
| LATEST PUBLICATION YEAR | 2022 |
| H-INDEX | 1 |
Forms of Catastrophe
This special issue considers how depictions of premodern catastrophe—environmental, social, political—shape and are shaped by literary form. The issue's introduction explores what form has to do with catastrophe and offers a case study of how form moves in a Middle English lyric about three fourteenth-century catastrophes: a revolt, a plague, and an earthquake. The six essays that follow approach the dynamics of catastrophic form in their own way…
They Saw Mute Creation Trembling”
The Old English poem Christ III represents the Crucifixion not by focusing on Christ's suffering but by depicting natural disasters. In its representation of creation's upheavals, Christ III establishes an ecopoetics in which language can sketch but never fully fathom either the extent or, importantly, the causes of ecological catastrophe. Its forms suggest that creation's compassion for Christ's suffering actually results in violent self-destruc…
Forms of Catastrophe
This special issue considers how depictions of premodern catastrophe—environmental, social, political—shape and are shaped by literary form. The issue's introduction explores what form has to do with catastrophe and offers a case study of how form moves in a Middle English lyric about three fourteenth-century catastrophes: a revolt, a plague, and an earthquake. The six essays that follow approach the dynamics of catastrophic form in their own way…
Forms of Catastrophe
This special issue considers how depictions of premodern catastrophe—environmental, social, political—shape and are shaped by literary form. The issue's introduction explores what form has to do with catastrophe and offers a case study of how form moves in a Middle English lyric about three fourteenth-century catastrophes: a revolt, a plague, and an earthquake. The six essays that follow approach the dynamics of catastrophic form in their own way…
They Saw Mute Creation Trembling”
The Old English poem Christ III represents the Crucifixion not by focusing on Christ's suffering but by depicting natural disasters. In its representation of creation's upheavals, Christ III establishes an ecopoetics in which language can sketch but never fully fathom either the extent or, importantly, the causes of ecological catastrophe. Its forms suggest that creation's compassion for Christ's suffering actually results in violent self-destruc…
Aesthetics (2 works) · History (2 works) · History (2 works) · Law (2 works) · Law (2 works) · Medieval Literature and History (2 works) · Philosophy (2 works) · Philosophy (2 works) · Sociology (2 works) · Archaeology (1 work)