Emily Roehl
Biographic Data
| ID | 6641219 |
|---|---|
| NAME | Emily Roehl |
| GIVEN NAMES | Emily |
| FAMILY NAME | Roehl |
| SIGNATURE | ROEHL E |
| VERIFIED | No |
| TOTAL WORKS | 4 |
| TOTAL CITATIONS | 0 |
| WORKS AS AUTHOR | 4 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 2021 |
| LATEST PUBLICATION YEAR | 2026 |
| H-INDEX | 0 |
“Destroy the Monolith”
This article tells the story of Milestone Media in the 1990s, arguing that the creation of the Milestone Universe was a radical act of world building. The Milestone founders and the creative teams they brought together integrated elements of the superhero genre into their narratives while critiquing the genre and the comics world from within. Their partnership with DC was seen by some as proof they had sold out; this might explain why Milestone h…
Petro-landscapes and Political Imagination
sions from these institutions began to directly fund my work, which was clearly aimed directly at the same fossil fuel industry.The irony was never lost on me
Introduction to Critical and Creative Engagements with Petro-Media
The production of oil is imbricated in financial and socio-political systems as well as ways of mediating the worlds in which we live. Like infrastructures used to transport fuel, audio-visual media and other forms of cultural production (museums, poetry, film, visual art) can serve as conduits for ideas about energy, identity, relationships to the nonhuman world, and history. This special issue of Imaginations on “Critical and Creative Engagemen…
Picturing “Oil That Is People”
Picturing “Oil That Is People”: Energy Frontier Domesticity in Louisiana, 1944 Emily Roehl Emily Roehl Email: [email protected] Search for other works by this author on: Oxford Academic Google Scholar Environmental History, Volume 26, Issue 3, July 2021, Pages 581–589, https://doi.org/10.1093/envhis/emab026 Published: 28 June 2021
No prominent works on this page.
Picturing “Oil That Is People”
Picturing “Oil That Is People”: Energy Frontier Domesticity in Louisiana, 1944 Emily Roehl Emily Roehl Email: [email protected] Search for other works by this author on: Oxford Academic Google Scholar Environmental History, Volume 26, Issue 3, July 2021, Pages 581–589, https://doi.org/10.1093/envhis/emab026 Published: 28 June 2021
Petro-landscapes and Political Imagination
sions from these institutions began to directly fund my work, which was clearly aimed directly at the same fossil fuel industry.The irony was never lost on me
Introduction to Critical and Creative Engagements with Petro-Media
The production of oil is imbricated in financial and socio-political systems as well as ways of mediating the worlds in which we live. Like infrastructures used to transport fuel, audio-visual media and other forms of cultural production (museums, poetry, film, visual art) can serve as conduits for ideas about energy, identity, relationships to the nonhuman world, and history. This special issue of Imaginations on “Critical and Creative Engagemen…
“Destroy the Monolith”
This article tells the story of Milestone Media in the 1990s, arguing that the creation of the Milestone Universe was a radical act of world building. The Milestone founders and the creative teams they brought together integrated elements of the superhero genre into their narratives while critiquing the genre and the comics world from within. Their partnership with DC was seen by some as proof they had sold out; this might explain why Milestone h…
American Environmental and Regional History (3 works) · Art (3 works) · Aesthetics (2 works) · Archaeology (2 works) · Law (2 works) · Political science (2 works) · Politics (2 works) · Sociology (2 works) · Art history (1 work) · Colonialism (1 work)