Mima Simić
Biographic Data
| ID | 6644189 |
|---|---|
| NAME | Mima Simić |
| GIVEN NAMES | Mima |
| FAMILY NAME | Simić |
| SIGNATURE | SIMIĆ M |
| AFFILIATIONS | Maudsley Hospital |
| ORCID | 0000-0003-4900-1429 |
| VERIFIED | Yes |
| TOTAL WORKS | 3 |
| TOTAL CITATIONS | 3 |
| WORKS AS AUTHOR | 3 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 2011 |
| LATEST PUBLICATION YEAR | 2021 |
| H-INDEX | 1 |
Adolescent Eating Disorder Day Programme Treatment Models and Outcomes
Background: Adolescent eating disorder day programmes (DP), or partial hospitalization programs, are becoming increasingly widespread worldwide. They typically function as an alternative to inpatient care and/or a step up or down in treatment intensity. There has been an increase in the number of publications within the last 5 years investigating DP outcomes. While there are now numerous programmes operating internationally, there is large variab…
A Preliminary Validation of the Youth Over- and Under-Control (YOU-C) Screening Measure with a Community Sample
Post-Communist Lavender Menace
The article examines four films-Károly Makk's Egymásra nézve (Another Way, Hungary, 1982), Maja Weiss's Varuh meje (Guardian of the Frontier, Slovenia 2002), Dalibor Matanić's Fine mrtve djevojke (Fine Dead Girls, Croatia, 2002), and Dragan Marinković's Diši duboko (Take a Deep Breath, Serbia, 2004)-as post-communist or dissident national allegories. In all of these films by straight directors the lesbians represent a metaphorical threat to the h…
Post-Communist Lavender Menace
The article examines four films-Károly Makk's Egymásra nézve (Another Way, Hungary, 1982), Maja Weiss's Varuh meje (Guardian of the Frontier, Slovenia 2002), Dalibor Matanić's Fine mrtve djevojke (Fine Dead Girls, Croatia, 2002), and Dragan Marinković's Diši duboko (Take a Deep Breath, Serbia, 2004)-as post-communist or dissident national allegories. In all of these films by straight directors the lesbians represent a metaphorical threat to the h…
Post-Communist Lavender Menace
The article examines four films-Károly Makk's Egymásra nézve (Another Way, Hungary, 1982), Maja Weiss's Varuh meje (Guardian of the Frontier, Slovenia 2002), Dalibor Matanić's Fine mrtve djevojke (Fine Dead Girls, Croatia, 2002), and Dragan Marinković's Diši duboko (Take a Deep Breath, Serbia, 2004)-as post-communist or dissident national allegories. In all of these films by straight directors the lesbians represent a metaphorical threat to the h…
Adolescent Eating Disorder Day Programme Treatment Models and Outcomes
Background: Adolescent eating disorder day programmes (DP), or partial hospitalization programs, are becoming increasingly widespread worldwide. They typically function as an alternative to inpatient care and/or a step up or down in treatment intensity. There has been an increase in the number of publications within the last 5 years investigating DP outcomes. While there are now numerous programmes operating internationally, there is large variab…
A Preliminary Validation of the Youth Over- and Under-Control (YOU-C) Screening Measure with a Community Sample
Psychology (3 works) · Clinical Psychology (2 works) · Clinical Psychology (2 works) · Psychiatry (2 works) · Social Psychology (2 works) · Social Psychology (2 works) · Adolescent and Pediatric Healthcare (1 work) · Art (1 work) · Balkans: History, Politics, Society (1 work) · Behavioral Health and Interventions (1 work)