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Frédérique Chevillot

Biographic Data

ID6644355
NAMEFrédérique Chevillot
GIVEN NAMESFrédérique
FAMILY NAMEChevillot
SIGNATURECHEVILLOT F
AFFILIATIONSUniversity of Denver
VERIFIEDNo
TOTAL WORKS8
TOTAL CITATIONS1
WORKS AS AUTHOR8
WORKS AS EDITOR0
FIRST PUBLICATION YEAR1989
LATEST PUBLICATION YEAR2023
H-INDEX1
  • Écritures de femmes racialisées

    Frédérique Chevillot•ARTICLE•Contemporary French and…•2023

    This article examines three texts written by Black women and/or racialized creators writing in French: Trop noire pour être française (2017) by Isabelle Boni-Claverie, Je suis quelqu’un (2018) by Aminata Aidara and Chair Piment (2002) by Gisèle Pineau. Together, these texts interrogate historical and contemporary forms of racism and sexism embedded in the French language and search for ways to humanize the experience of characters generally denig…

  • Rebelles et criminelles chez les écrivaines d’expression française

    Frédérique Chevillot, Colette Trout Hall•BOOK•Rebelles et criminelles chez les…•2013

    Les femmes rebelles et/ou criminelles seraient-elles plus monstrueuses que leurs homologues masculins parce qu’elles transgressent la construction socio-sexuée d’une élusive « nature féminine »? La représentation de la rébellion et de la criminalité des femmes par les écrivaines d’expression française soulève la question de la représentation de la violence tout autant que celle de la violence de cette représentation, à travers le temps mais aussi…

  • Rebelles et criminelles chez les écrivaines d'expression française

    Frédérique Chevillot•BOOK•Rebelles et criminelles chez les…•2013

  • Amélie Nothomb

    Frédérique Chevillot•ARTICLE•Contemporary French and…•2007

  • Journeying Together

    Frédérique Chevillot, Susan S Manning et al.•ARTICLE•Journal of Lesbian Studies•2002•Cited by: 1•References: 2

    Three women faculty from different disciplines assert the necessity of initiating a process to confront silence and create voice in order to address heterosexism and homophobia in the classroom. One advocates for the feminist construct of a consciously positional and political voice to improve students' sensitivity to multiculturalism in regard to lesbian, gay, bisexual, and transgendered people (LGBT). Another proposes a process of locating sexu…

  • La reouverture du texte

    Ben Stoltzfus, Frédérique Chevillot•ARTICLE•South Atlantic Review•1994

  • Les Hommes De Madeleine Monette

    Frédérique Chevillot•ARTICLE•Quebec Studies•1992

  • Tradition Et Modernité

    Frédérique Chevillot•ARTICLE•Quebec Studies•1989

    The notions of tradition and modernity can be said to function like Jakobson's shifters, as Jespersen originally defined them: "A class of words ... whose meaning varies with the situation." These two terms are a function of 1) a situation in space and time; 2) they are semantically interdependent; and 3) they cannot ignore the notions of tradition and modernity that preceded them. In order to remain, today's modernity must evolve into tomorrow's…

  • Journeying Together

    Frédérique Chevillot, Susan S Manning et al.•ARTICLE•Journal of Lesbian Studies•2002•Cited by: 1•References: 2

    Three women faculty from different disciplines assert the necessity of initiating a process to confront silence and create voice in order to address heterosexism and homophobia in the classroom. One advocates for the feminist construct of a consciously positional and political voice to improve students' sensitivity to multiculturalism in regard to lesbian, gay, bisexual, and transgendered people (LGBT). Another proposes a process of locating sexu…

  • Tradition Et Modernité

    Frédérique Chevillot•ARTICLE•Quebec Studies•1989

    The notions of tradition and modernity can be said to function like Jakobson's shifters, as Jespersen originally defined them: "A class of words ... whose meaning varies with the situation." These two terms are a function of 1) a situation in space and time; 2) they are semantically interdependent; and 3) they cannot ignore the notions of tradition and modernity that preceded them. In order to remain, today's modernity must evolve into tomorrow's…

  • Les Hommes De Madeleine Monette

    Frédérique Chevillot•ARTICLE•Quebec Studies•1992

  • La reouverture du texte

    Ben Stoltzfus, Frédérique Chevillot•ARTICLE•South Atlantic Review•1994

  • Journeying Together

    Frédérique Chevillot, Susan S Manning et al.•ARTICLE•Journal of Lesbian Studies•2002•Cited by: 1•References: 2

    Three women faculty from different disciplines assert the necessity of initiating a process to confront silence and create voice in order to address heterosexism and homophobia in the classroom. One advocates for the feminist construct of a consciously positional and political voice to improve students' sensitivity to multiculturalism in regard to lesbian, gay, bisexual, and transgendered people (LGBT). Another proposes a process of locating sexu…

  • Amélie Nothomb

    Frédérique Chevillot•ARTICLE•Contemporary French and…•2007

  • Rebelles et criminelles chez les écrivaines d’expression française

    Frédérique Chevillot, Colette Trout Hall•BOOK•Rebelles et criminelles chez les…•2013

    Les femmes rebelles et/ou criminelles seraient-elles plus monstrueuses que leurs homologues masculins parce qu’elles transgressent la construction socio-sexuée d’une élusive « nature féminine »? La représentation de la rébellion et de la criminalité des femmes par les écrivaines d’expression française soulève la question de la représentation de la violence tout autant que celle de la violence de cette représentation, à travers le temps mais aussi…

  • Rebelles et criminelles chez les écrivaines d'expression française

    Frédérique Chevillot•BOOK•Rebelles et criminelles chez les…•2013

  • Écritures de femmes racialisées

    Frédérique Chevillot•ARTICLE•Contemporary French and…•2023

    This article examines three texts written by Black women and/or racialized creators writing in French: Trop noire pour être française (2017) by Isabelle Boni-Claverie, Je suis quelqu’un (2018) by Aminata Aidara and Chair Piment (2002) by Gisèle Pineau. Together, these texts interrogate historical and contemporary forms of racism and sexism embedded in the French language and search for ways to humanize the experience of characters generally denig…

Art (6 works) · Humanities (5 works) · French Historical and Cultural Studies (2 works) · Gender Studies (2 works) · Gender Studies (2 works) · Historical and Literary Analyses (2 works) · Philosophy (2 works) · Sociology (2 works) · Academic Freedom and Politics (1 work) · Aesthetics (1 work)

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