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Katie Baker Jones

Biographic Data

ID6644440
NAMEKatie Baker Jones
GIVEN NAMESKatie Baker
FAMILY NAMEJones
SIGNATUREJONES K B
AFFILIATIONSWest Virginia University
ORCID0000-0002-6013-396X
VERIFIEDYes
TOTAL WORKS6
TOTAL CITATIONS1
WORKS AS AUTHOR6
WORKS AS EDITOR0
FIRST PUBLICATION YEAR2015
LATEST PUBLICATION YEAR2026
H-INDEX1
  • Salvatore Ferragamo

    Katie Baker Jones•ARTICLE•Dress•2026

    Near the end of Via de’Tornabuoni, just before reaching the Arno River, sits the grand façade of Palazzo Spini Feroni, a thirteenth-century palace purchased by Salvatore Ferragamo to house his comp

  • “My body has gone out of style”

    Open Access•Katie Baker Jones•ARTICLE•Media Culture & Society•2026

    This paper examines the fashion media discourse on the rise of the “Ozempic Era” in the American editions of Vogue and Elle magazines published in print and online since the announcement by the FDA clearing a GLP-1 agonist to be prescribed as a weight loss aid. Using critical discourse analysis, I explore the coverage of Ozempic and other brand name drugs in the fashion press. I situate the discourse on GLP-1’s ability to reshape the body to fit …

  • Sporting Fashion

    Katie Baker Jones•ARTICLE•Dress•2022

  • The Fashionable New Yorker

    Katie Baker Jones•ARTICLE•Fashion Theory•2019•Cited by: 1•References: 4

    The New Yorker is a magazine perhaps best known for its cultural commentary on fields such as music, theater, art, film, and television. However, since its founding in 1925, it has also turned its irreverent eye and acerbic wit towards fashion with two issues dedicated to the topic – “Style Issues” – published twice a year. The nature of its fashion discourse, situated as it is among some of the most celebrated political and cultural writings of …

  • “Chic but Scrupulous, Down to the Very Last Stitch”

    Katie Baker Jones, Jana M Hawley•ARTICLE•Fashion Practice•2017

    Sustainability in fashion becomes a more pressing matter year after year. Growing consumer awareness of the issues paired with governmental regulation has forced the industry to start taking action. Vogue has also incrementally adjusted to the changing demands of the modern socio-cultural context in which it operates. In this article the discursive practices employed by Vogue to construct a discourse on sustainable fashion in its “Style Ethics” e…

  • ‘When one Dior closes …’

    Katie Baker Jones•ARTICLE•Fashion Style & Popular Culture•2015

    The house of Dior is one of the most successful fashion brands in the world. However, after the sudden death of Christian Dior, in 1957 there was a question as to whether the brand could survive without its founder at the helm. The longevity and success of historic fashion houses has been, in many ways, dependent on finding a head designer capable of carrying on both the legacy and the continued financial success of the brand. Since so much empha…

  • The Fashionable New Yorker

    Katie Baker Jones•ARTICLE•Fashion Theory•2019•Cited by: 1•References: 4

    The New Yorker is a magazine perhaps best known for its cultural commentary on fields such as music, theater, art, film, and television. However, since its founding in 1925, it has also turned its irreverent eye and acerbic wit towards fashion with two issues dedicated to the topic – “Style Issues” – published twice a year. The nature of its fashion discourse, situated as it is among some of the most celebrated political and cultural writings of …

  • ‘When one Dior closes …’

    Katie Baker Jones•ARTICLE•Fashion Style & Popular Culture•2015

    The house of Dior is one of the most successful fashion brands in the world. However, after the sudden death of Christian Dior, in 1957 there was a question as to whether the brand could survive without its founder at the helm. The longevity and success of historic fashion houses has been, in many ways, dependent on finding a head designer capable of carrying on both the legacy and the continued financial success of the brand. Since so much empha…

  • “Chic but Scrupulous, Down to the Very Last Stitch”

    Katie Baker Jones, Jana M Hawley•ARTICLE•Fashion Practice•2017

    Sustainability in fashion becomes a more pressing matter year after year. Growing consumer awareness of the issues paired with governmental regulation has forced the industry to start taking action. Vogue has also incrementally adjusted to the changing demands of the modern socio-cultural context in which it operates. In this article the discursive practices employed by Vogue to construct a discourse on sustainable fashion in its “Style Ethics” e…

  • The Fashionable New Yorker

    Katie Baker Jones•ARTICLE•Fashion Theory•2019•Cited by: 1•References: 4

    The New Yorker is a magazine perhaps best known for its cultural commentary on fields such as music, theater, art, film, and television. However, since its founding in 1925, it has also turned its irreverent eye and acerbic wit towards fashion with two issues dedicated to the topic – “Style Issues” – published twice a year. The nature of its fashion discourse, situated as it is among some of the most celebrated political and cultural writings of …

  • Sporting Fashion

    Katie Baker Jones•ARTICLE•Dress•2022

  • Salvatore Ferragamo

    Katie Baker Jones•ARTICLE•Dress•2026

    Near the end of Via de’Tornabuoni, just before reaching the Arno River, sits the grand façade of Palazzo Spini Feroni, a thirteenth-century palace purchased by Salvatore Ferragamo to house his comp

  • “My body has gone out of style”

    Open Access•Katie Baker Jones•ARTICLE•Media Culture & Society•2026

    This paper examines the fashion media discourse on the rise of the “Ozempic Era” in the American editions of Vogue and Elle magazines published in print and online since the announcement by the FDA clearing a GLP-1 agonist to be prescribed as a weight loss aid. Using critical discourse analysis, I explore the coverage of Ozempic and other brand name drugs in the fashion press. I situate the discourse on GLP-1’s ability to reshape the body to fit …

Fashion and Cultural Textiles (4 works) · Aesthetics (3 works) · Art (3 works) · History (3 works) · Sociology (3 works) · Advertising (2 works) · Consumer Behavior in Brand Consumption and Identification (2 works) · Psychology (2 works) · Visual arts (2 works) · Agonist (1 work)

Ethnos_APP • Open Source Project • MIT License • Frontend v2.0.0 • Privacy and Cookies • API Documentation: api.ethnos.app/docs • API Source Code: GitHub • DOI: 10.5281/zenodo.17049435 • Frontend Source Code: GitHub • DOI: 10.5281/zenodo.17050053 • cruz.rio.br • Expectantes Misericordiae