Adam Kaiserman
Biographic Data
| ID | 6644540 |
|---|---|
| NAME | Adam Kaiserman |
| GIVEN NAMES | Adam |
| FAMILY NAME | Kaiserman |
| SIGNATURE | KAISERMAN A |
| AFFILIATIONS | College of the Canyons |
| VERIFIED | No |
| TOTAL WORKS | 3 |
| TOTAL CITATIONS | 0 |
| WORKS AS AUTHOR | 3 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 2012 |
| LATEST PUBLICATION YEAR | 2014 |
| H-INDEX | 0 |
Farewell, Fred Voodoo
Reviewed by: Farewell, Fred Voodoo: A Letter from Haiti by Amy Wilentz Adam Kaiserman Farewell, Fred Voodoo: A Letter from Haiti. By Amy Wilentz. New York: Simon and Schuster, 2013. ISBN 978-1451643978. 352 pp. $27.00 hardback, $16.00 paperback. In 1936, the writer James Agee and the photographer Walker Evans went to Alabama on assignment for Fortune magazine. The two men spent eight weeks in the Deep South in order to understand the brutal pover…
James Baldwin and the Great Divide
This essay traces James Baldwin and Sol Stein’s failed adaptation of “Equal in Paris” (1955) from the pages of Commentary to the script they presented to United States Steel Hour (1953-63). By situating Baldwin at the intersection of the New York Intellectuals and the institutions of New York-based television, I demonstrate that Baldwin’s portrayal of race, gender, and sexuality was determined by the mass culture critique and the possibilities af…
Kurt Vonnegut's PBS Style
No prominent works on this page.
Kurt Vonnegut's PBS Style
Farewell, Fred Voodoo
Reviewed by: Farewell, Fred Voodoo: A Letter from Haiti by Amy Wilentz Adam Kaiserman Farewell, Fred Voodoo: A Letter from Haiti. By Amy Wilentz. New York: Simon and Schuster, 2013. ISBN 978-1451643978. 352 pp. $27.00 hardback, $16.00 paperback. In 1936, the writer James Agee and the photographer Walker Evans went to Alabama on assignment for Fortune magazine. The two men spent eight weeks in the Deep South in order to understand the brutal pover…
James Baldwin and the Great Divide
This essay traces James Baldwin and Sol Stein’s failed adaptation of “Equal in Paris” (1955) from the pages of Commentary to the script they presented to United States Steel Hour (1953-63). By situating Baldwin at the intersection of the New York Intellectuals and the institutions of New York-based television, I demonstrate that Baldwin’s portrayal of race, gender, and sexuality was determined by the mass culture critique and the possibilities af…
Art (2 works) · History (2 works) · Law (2 works) · Law (2 works) · Literature (2 works) · Literature, Film, and Journalism Analysis (2 works) · Media studies (2 works) · Political science (2 works) · Sociology (2 works) · Advertising (1 work)