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Michael Branthwaite

Biographic Data

ID6644999
NAMEMichael Branthwaite
GIVEN NAMESMichael
FAMILY NAMEBranthwaite
SIGNATUREBRANTHWAITE M
AFFILIATIONSUniversity of Staffordshire
VERIFIEDNo
TOTAL WORKS3
TOTAL CITATIONS1
WORKS AS AUTHOR3
WORKS AS EDITOR0
FIRST PUBLICATION YEAR2017
LATEST PUBLICATION YEAR2025
H-INDEX1
  • Rebellious academia – the potential of creative practice research

    Michael Branthwaite, Michael Šafarić Branthwaite et al.•ARTICLE•Rethinking History•2025

    Creative practice research sits on a fascinating, albeit sometimes challenging, border between research (understood as knowledge production) and creative practice (individual ways to express oneself using artistic methods). An exciting journey as it is, it sometimes results in confused identities of the makers and, potentially, misaligned expectations of the audiences. Not adhering to existing templates, creative practice research requires a slig…

  • Exploring the Domestic and Benign

    Open Access•Michael Branthwaite, Michael Šafarić Branthwaite•ARTICLE•Journal of Perpetrator Research•2024

    This paper explores how three art projects I made at and in response to Nazi sites can facilitate discussions and engagement with Europe’s conflicted past. Art offers a medium through which to explore some of the more controversial narratives and ‘many truths’ that exist concerning the crimes of the Nazis in a way that might not be permissible in a purely historical context. I explain how my practice has developed to focus not solely on traumatic…

  • This is Proof”? Forensic Evidence and Ambiguous Material Culture at Treblinka Extermination Camp

    Open Access•Caroline Sturdy-Colls, Michael Branthwaite•ARTICLE•International Journal of…•2017•Cited by: 1•References: 2

  • This is Proof”? Forensic Evidence and Ambiguous Material Culture at Treblinka Extermination Camp

    Open Access•Caroline Sturdy-Colls, Michael Branthwaite•ARTICLE•International Journal of…•2017•Cited by: 1•References: 2

  • This is Proof”? Forensic Evidence and Ambiguous Material Culture at Treblinka Extermination Camp

    Open Access•Caroline Sturdy-Colls, Michael Branthwaite•ARTICLE•International Journal of…•2017•Cited by: 1•References: 2

  • Exploring the Domestic and Benign

    Open Access•Michael Branthwaite, Michael Šafarić Branthwaite•ARTICLE•Journal of Perpetrator Research•2024

    This paper explores how three art projects I made at and in response to Nazi sites can facilitate discussions and engagement with Europe’s conflicted past. Art offers a medium through which to explore some of the more controversial narratives and ‘many truths’ that exist concerning the crimes of the Nazis in a way that might not be permissible in a purely historical context. I explain how my practice has developed to focus not solely on traumatic…

  • Rebellious academia – the potential of creative practice research

    Michael Branthwaite, Michael Šafarić Branthwaite et al.•ARTICLE•Rethinking History•2025

    Creative practice research sits on a fascinating, albeit sometimes challenging, border between research (understood as knowledge production) and creative practice (individual ways to express oneself using artistic methods). An exciting journey as it is, it sometimes results in confused identities of the makers and, potentially, misaligned expectations of the audiences. Not adhering to existing templates, creative practice research requires a slig…

Epistemology (2 works) · History (2 works) · Memory, Trauma, and Commemoration (2 works) · Sociology (2 works) · Aesthetics (1 work) · Alternative medicine (1 work) · Archaeology (1 work) · Art (1 work) · Artistic and Creative Research (1 work) · Computer Science (1 work)

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