Vania Barraza Toledo
Biographic Data
| ID | 6648785 |
|---|---|
| NAME | Vania Barraza Toledo |
| GIVEN NAMES | Vania Barraza |
| FAMILY NAME | Toledo |
| SIGNATURE | TOLEDO V B |
| AFFILIATIONS | University of Arizona |
| ORCID | 0000-0001-8474-4936 |
| VERIFIED | Yes |
| TOTAL WORKS | 5 |
| TOTAL CITATIONS | 2 |
| WORKS AS AUTHOR | 5 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 2004 |
| LATEST PUBLICATION YEAR | 2025 |
| H-INDEX | 1 |
Within the Limits of the Visible
This article examines the limited representation of violence in Chilean productions from the early 21st century, as a reflection of the democracy of agreements promoted by the “Concertación” governments (1990-2010). The analysis focuses on how violence is often displaced off-screen in the works of three directors from different generations: Andrés Wood, Miguel Littin, and Pablo Larraín. From the films of these directors, two trends in representat…
Bordes de lo Real en la Ficción
Reviewed by: Bordes de lo Real en la Ficción: Cine Chileno Contemporáneo by Carolina Urrutia Neno, y Ana Fernández Vania Barraza Urrutia Neno, Carolina, y Ana Fernández. Bordes de lo Real en la Ficción: Cine Chileno Contemporáneo. Metales Pesados, 2021. Pp. 179 pp. ISBN: 9789566048336. En Bordes de lo real en la ficción, Carolina Urrutia Neno y Ana Fernández emprenden un desafío mayor al estudiar la proyección de una realidad extra-cinematográfic…
From Sanhattan to Nashvegas
This current study focuses on the effects of neoliberalism on the Chilean sociopolitical period of postdictatorship (1990-2010) by studying a new generation of filmmakers in the work of Alberto Fuguet. In the trilogy of Se arrienda (2005), Velódromo (2010), and Música campesina (2011), Fuguet reviews the flâneur figure exploring the aesthetic of detachment and disaffection in the contemporary urban space, a topic that has become critical in Chile…
Victims of the Chilean Miracle
Arizona Journal of Hispanic Cultural Studies 231 thorough theoretical background and a useful research methodology, Edberg is able to tackle interesting questions and notions about the nature and interpretation of narcocorridos such as die relationship between the narcocorrido hero and the hero image in traditional corrido; social factors related to common themes in narcocorridos ; the impact of modern mass-media in narcocorridos ; and how the na…
El imperio de los sentimientos
From Sanhattan to Nashvegas
This current study focuses on the effects of neoliberalism on the Chilean sociopolitical period of postdictatorship (1990-2010) by studying a new generation of filmmakers in the work of Alberto Fuguet. In the trilogy of Se arrienda (2005), Velódromo (2010), and Música campesina (2011), Fuguet reviews the flâneur figure exploring the aesthetic of detachment and disaffection in the contemporary urban space, a topic that has become critical in Chile…
El imperio de los sentimientos
Victims of the Chilean Miracle
Arizona Journal of Hispanic Cultural Studies 231 thorough theoretical background and a useful research methodology, Edberg is able to tackle interesting questions and notions about the nature and interpretation of narcocorridos such as die relationship between the narcocorrido hero and the hero image in traditional corrido; social factors related to common themes in narcocorridos ; the impact of modern mass-media in narcocorridos ; and how the na…
From Sanhattan to Nashvegas
This current study focuses on the effects of neoliberalism on the Chilean sociopolitical period of postdictatorship (1990-2010) by studying a new generation of filmmakers in the work of Alberto Fuguet. In the trilogy of Se arrienda (2005), Velódromo (2010), and Música campesina (2011), Fuguet reviews the flâneur figure exploring the aesthetic of detachment and disaffection in the contemporary urban space, a topic that has become critical in Chile…
Bordes de lo Real en la Ficción
Reviewed by: Bordes de lo Real en la Ficción: Cine Chileno Contemporáneo by Carolina Urrutia Neno, y Ana Fernández Vania Barraza Urrutia Neno, Carolina, y Ana Fernández. Bordes de lo Real en la Ficción: Cine Chileno Contemporáneo. Metales Pesados, 2021. Pp. 179 pp. ISBN: 9789566048336. En Bordes de lo real en la ficción, Carolina Urrutia Neno y Ana Fernández emprenden un desafío mayor al estudiar la proyección de una realidad extra-cinematográfic…
Within the Limits of the Visible
This article examines the limited representation of violence in Chilean productions from the early 21st century, as a reflection of the democracy of agreements promoted by the “Concertación” governments (1990-2010). The analysis focuses on how violence is often displaced off-screen in the works of three directors from different generations: Andrés Wood, Miguel Littin, and Pablo Larraín. From the films of these directors, two trends in representat…
Political and Social Dynamics in Chile and Latin America (3 works) · Art (2 works) · Cinema History and Criticism (2 works) · Humanities (2 works) · Movie theater (2 works) · Aesthetics (1 work) · Art history (1 work) · Ballad (1 work) · Comparative Literary Analysis and Criticism (1 work) · Cultural and Social Studies in Latin America (1 work)