Jordi Alberich Pascual
Biographic Data
| ID | 6656802 |
|---|---|
| NAME | Jordi Alberich Pascual |
| GIVEN NAMES | Jordi Alberich |
| FAMILY NAME | Pascual |
| SIGNATURE | PASCUAL J A |
| AFFILIATIONS | Universidad de Granada |
| ORCID | 0000-0001-6871-4614 |
| VERIFIED | Yes |
| TOTAL WORKS | 18 |
| TOTAL CITATIONS | 15 |
| AUTHOR COUNT | 18 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 1970 |
| LATEST PUBLICATION YEAR | 2024 |
| H-INDEX | 2 |
Collaborative modes of audiovisual media: Literature review and conceptual proposal
There is no consensus on the definition of participatory or collaborative practices in relation to audiovisual media. The same term has been used to name a range of similar practices although they have important differences that should be described. Moreover, different terms have been used to refer to the same practice. The present article provides a conceptual proposal for this mode of creation, which originated and has been essentially develope…
Capítulo 6. Iniciativas universitarias para el emprendimiento en Comunicación desde la Universidad de Granada
En la actualidad, las industrias creativas han visto consolidar su reconocimiento internacional debido a su enorme potencial como motor del desarrollo económico y social. No solo contribuyen a unas mayores tasas de crecimiento y creación de empleo (especialmente joven y femenino), sino que se han erigido como canales de transmisión de identidad cultural fundamentales para la promoción de la diversidad cultural. Las industrias creativas y cultural…
Co-creation and learning: An assessment of the pedagogical proposals in collaborative interactive non-fiction
Audiovisual co-creation has always had a pedagogical nature, which has been maintained in its adaptation to digital communication, although it is applied in different ways. This study analyses the pedagogical proposals in collaborative interactive non-fiction in the digital environment, and compares them with previous projects of participatory practices. As case studies we selected five interactive audiovisual projects that stand out for their ed…
Estrategias de interacción y comunicación de showrunners de series de ficción televisiva de Netflix en Twitter
Este artículo estudia cómo los showrunners se comunican con su audiencia en la red social Twitter. Tras una revisión literaria sobre el panorama televisivo derivado de la implantación de servicios de streaming y redes sociales, se analizan cuantitativa y cualitativamente las técnicas, el contenido y los elementos audiovisuales y textuales que utilizan en Twitter los showrunners de series originales de Netflix. A pesar de la heterogeneidad de su g…
The showrunner’s skills and responsibilities in the creation and production process of fiction series in the contemporary North American television industry
Contemporary fiction TV series production in North America is characterized by the showrunner figure’s importance. This paper aims to study the concept of “showrunner” as executive-creative producer, analyze the competencies and responsibilities carried out by them during the production process of TV shows according to personal and professional factors, and examine their position within the current television market. For this purpose, a literatur…
Análisis y tipificación de formatos emergentes en el ciberperiodismo español: De la adaptación multimedia a la disrupción transmedia
En la actualidad el sector prensa se encuentra en un momento de profunda transformación, en el que el conjunto de los diarios digitales está desarrollando estrategias de adaptación de los medios al creciente entorno multimedia, hipertextual e interactivo. El presente artículo tiene como objetivo realizar la identificación y tipificación de los formatos periodísticos que están emergiendo en los nuevos medios a medida que las empresas y profesional…
Videoactivismo “online” y problematización del concepto de autoría. El anonimato en el colectivo audiovisual Malaguistán
El videoactivismo online es un reciente fenómeno audiovisual que permite que colectivos compuestos por ciudadanos alejados de la práctica institucional cinematográfica protagonicen y dirijan sus propios proyectos audiovisuales, con un componente transformador. El presente artículo analiza experiencias que siguen esta dirección y que tienen en el anonimato y en la falta de reconocimiento personal de la figura del autor, su principal razón de ser. …
Construcción social de la imagen de una ciudad a través de Instagram: El caso de Granada
Our digital world is increasingly visual. Mobile applications focused on digital photography such as Instagram are vehicles for the creation, manipulation and instant diffusion of images. Instagram is therefore an open window to research in Social Sciences and Digital Humanities, and an opportunity to investigate how young users of this application develop visual culture in their local environments through global visual languages. The present wor…
Uses and applications of georeferencing and geolocation in old cartographic and photographic document management
The contemporary application of georeferencing and geolocation technologies has enabled the review and revitalisation of the method of presenting, disseminating, and making accessible cartographic and photographic documentation stored in archives, libraries, map libraries, museums, geographic institutes, and other key institutions. This article evaluates the interest and scope of document management of both technologies, analyses its contemporary…
Deconstrucción de los géneros periodísticos y nuevos medios: De la pirámide invertida al cubo de Rubik
The present article offers a proposal of deconstruction of the news to adapt it to the new media placing the focus in the audiovisual -up of the textual-, incorporating the key ingredients of the digital environment (multimediality, hypertextuality, interactivity) and fixing paths through links and comments that allow both personalization with different levels of deepening as the integration of readers-users in the new communication paradigm of t…
Análisis de estrategias de difusión de contenidos y actividad en redes sociales en revistas de divulgación científica: Factores de interacción, visibilidad e impacto
La era digital ha provocado una redefinición de la actividad de las revistas de divulgación científica contemporáneas. Con el fin de captar interesados en los temas científicos, lograr un público e impacto mayor, y compensar así la pérdida de audiencia de sus versiones impresas, la presencia de éstas en las redes sociales se ha vuelto común. El presente artículo investiga los factores que han influido en la difusión, visibilidad e impacto alcanza…
Facebook y la metáfora. La comunicación retórica en las redes sociales digitales = Facebook and metaphors. Rhetorical communication in digital social networks
The article presents the results of an investigation into the use of rhetorical devices in social networks. The content analysis of 16 micro networks (200 Facebook users), showed that communication was rhetorical. In particular, the research suggested that even in a digital context, our common ways of thinking and being in contact with others are metaphorical
Revisión de usos sociales y formas de ejercer la política a través de los nuevos medios
This article reviews the elements that have facilitated greater communicative autonomy for significant contemporary social movements and organizations through new media. Taking as reference the historical diagnosis of Hans Magnus Enzensberger (1970) for an emancipatory use of social media, we analyse the process of emergence and development of a new information paradigm in the global activity of contemporary social movements. Finally, we offer a …
Filmotecas en la encrucijada. Función y expansión de la actividad filmotecaria en el nuevo escenario digital
The intense digital change that is taking place in the world of cinema presents significant future challenges for film archives. This article reviews the extent to which the basis for the activities of film libraries founded in the 1930s remains valid in the information age, along with key debates questioning their identity and role in the 21st century. We explore the lines of film archives expansion that are being drawn in the current digital co…
Origen y desarrollo de la actividad filmotecaria en España. Implementación y singularidad del mapa filmotecario español ante el nuevo contexto digital
This article makes the genealogical study of the current Spanish film archive map, which is inhabited by fifteen regional film archives, plus three local and one state. We explored the beginnings of film preservation in the 20s in Spain, and how that desire breaks through with difficulty. After the interruption forced by the Civil War, we attend to its revitalization, culminating in the creation of the first National Film Archive (1954). Finally,…
Plataformas y proyectos de crowdsourcing y crowdfunding cinematográfico en España (2007-2011)
This article discusses the emergence of pioneering crowdsourcing in Spanish cinematography in the period 2007-2011. This will first explore the changing that Internet is promoting in creative industries and their links with collaborative networking strategies. After that, we focus our attention on a selection of especific spanish platforms and projects of audiovisual collaborative production in the period of analysis set. Finally, the paper concl…
Retórica y comunicación en red: Convergencias y analogías. Nuevas propuestas docentes
Education in Communication requires an ongoing revision of methods. This paper suggests the introduction \nof theoretical and practical content of the Rhetoric science in the curricula of communication studies \nand other studies revolving around communication. This suggestion is based on the ANECA reports \nfor the degree Bachelor of Arts in Communication, together with ANECA proposals for future journalists \nand communicators. Our fieldwork i…
Historical Review and Contemporary Characterization of Showrunner as Professional Profile in TV Series Production: Traits, Skills, Competences, and Style
This article reviews the professional profile of the showrunner in the audiovisual industry, from a historical and conceptual perspective: the background, the features that define it, and the TV media position. To do so, qualitative methodology has been used to conduct a thorough bibliographic review, and examine the emergence and development of the “showrunner” concept in television history, and the term used to describe it. We then analysed the…
Análisis y tipificación de formatos emergentes en el ciberperiodismo español: De la adaptación multimedia a la disrupción transmedia
En la actualidad el sector prensa se encuentra en un momento de profunda transformación, en el que el conjunto de los diarios digitales está desarrollando estrategias de adaptación de los medios al creciente entorno multimedia, hipertextual e interactivo. El presente artículo tiene como objetivo realizar la identificación y tipificación de los formatos periodísticos que están emergiendo en los nuevos medios a medida que las empresas y profesional…
Deconstrucción de los géneros periodísticos y nuevos medios: De la pirámide invertida al cubo de Rubik
The present article offers a proposal of deconstruction of the news to adapt it to the new media placing the focus in the audiovisual -up of the textual-, incorporating the key ingredients of the digital environment (multimediality, hypertextuality, interactivity) and fixing paths through links and comments that allow both personalization with different levels of deepening as the integration of readers-users in the new communication paradigm of t…
Plataformas y proyectos de crowdsourcing y crowdfunding cinematográfico en España (2007-2011)
This article discusses the emergence of pioneering crowdsourcing in Spanish cinematography in the period 2007-2011. This will first explore the changing that Internet is promoting in creative industries and their links with collaborative networking strategies. After that, we focus our attention on a selection of especific spanish platforms and projects of audiovisual collaborative production in the period of analysis set. Finally, the paper concl…
The showrunner’s skills and responsibilities in the creation and production process of fiction series in the contemporary North American television industry
Contemporary fiction TV series production in North America is characterized by the showrunner figure’s importance. This paper aims to study the concept of “showrunner” as executive-creative producer, analyze the competencies and responsibilities carried out by them during the production process of TV shows according to personal and professional factors, and examine their position within the current television market. For this purpose, a literatur…
Construcción social de la imagen de una ciudad a través de Instagram: El caso de Granada
Our digital world is increasingly visual. Mobile applications focused on digital photography such as Instagram are vehicles for the creation, manipulation and instant diffusion of images. Instagram is therefore an open window to research in Social Sciences and Digital Humanities, and an opportunity to investigate how young users of this application develop visual culture in their local environments through global visual languages. The present wor…
Retórica y comunicación en red: Convergencias y analogías. Nuevas propuestas docentes
Education in Communication requires an ongoing revision of methods. This paper suggests the introduction \nof theoretical and practical content of the Rhetoric science in the curricula of communication studies \nand other studies revolving around communication. This suggestion is based on the ANECA reports \nfor the degree Bachelor of Arts in Communication, together with ANECA proposals for future journalists \nand communicators. Our fieldwork i…
Historical Review and Contemporary Characterization of Showrunner as Professional Profile in TV Series Production: Traits, Skills, Competences, and Style
This article reviews the professional profile of the showrunner in the audiovisual industry, from a historical and conceptual perspective: the background, the features that define it, and the TV media position. To do so, qualitative methodology has been used to conduct a thorough bibliographic review, and examine the emergence and development of the “showrunner” concept in television history, and the term used to describe it. We then analysed the…
Historical Review and Contemporary Characterization of Showrunner as Professional Profile in TV Series Production: Traits, Skills, Competences, and Style
This article reviews the professional profile of the showrunner in the audiovisual industry, from a historical and conceptual perspective: the background, the features that define it, and the TV media position. To do so, qualitative methodology has been used to conduct a thorough bibliographic review, and examine the emergence and development of the “showrunner” concept in television history, and the term used to describe it. We then analysed the…
Retórica y comunicación en red: Convergencias y analogías. Nuevas propuestas docentes
Education in Communication requires an ongoing revision of methods. This paper suggests the introduction \nof theoretical and practical content of the Rhetoric science in the curricula of communication studies \nand other studies revolving around communication. This suggestion is based on the ANECA reports \nfor the degree Bachelor of Arts in Communication, together with ANECA proposals for future journalists \nand communicators. Our fieldwork i…
Filmotecas en la encrucijada. Función y expansión de la actividad filmotecaria en el nuevo escenario digital
The intense digital change that is taking place in the world of cinema presents significant future challenges for film archives. This article reviews the extent to which the basis for the activities of film libraries founded in the 1930s remains valid in the information age, along with key debates questioning their identity and role in the 21st century. We explore the lines of film archives expansion that are being drawn in the current digital co…
Origen y desarrollo de la actividad filmotecaria en España. Implementación y singularidad del mapa filmotecario español ante el nuevo contexto digital
This article makes the genealogical study of the current Spanish film archive map, which is inhabited by fifteen regional film archives, plus three local and one state. We explored the beginnings of film preservation in the 20s in Spain, and how that desire breaks through with difficulty. After the interruption forced by the Civil War, we attend to its revitalization, culminating in the creation of the first National Film Archive (1954). Finally,…
Plataformas y proyectos de crowdsourcing y crowdfunding cinematográfico en España (2007-2011)
This article discusses the emergence of pioneering crowdsourcing in Spanish cinematography in the period 2007-2011. This will first explore the changing that Internet is promoting in creative industries and their links with collaborative networking strategies. After that, we focus our attention on a selection of especific spanish platforms and projects of audiovisual collaborative production in the period of analysis set. Finally, the paper concl…
Revisión de usos sociales y formas de ejercer la política a través de los nuevos medios
This article reviews the elements that have facilitated greater communicative autonomy for significant contemporary social movements and organizations through new media. Taking as reference the historical diagnosis of Hans Magnus Enzensberger (1970) for an emancipatory use of social media, we analyse the process of emergence and development of a new information paradigm in the global activity of contemporary social movements. Finally, we offer a …
Facebook y la metáfora. La comunicación retórica en las redes sociales digitales = Facebook and metaphors. Rhetorical communication in digital social networks
The article presents the results of an investigation into the use of rhetorical devices in social networks. The content analysis of 16 micro networks (200 Facebook users), showed that communication was rhetorical. In particular, the research suggested that even in a digital context, our common ways of thinking and being in contact with others are metaphorical
Deconstrucción de los géneros periodísticos y nuevos medios: De la pirámide invertida al cubo de Rubik
The present article offers a proposal of deconstruction of the news to adapt it to the new media placing the focus in the audiovisual -up of the textual-, incorporating the key ingredients of the digital environment (multimediality, hypertextuality, interactivity) and fixing paths through links and comments that allow both personalization with different levels of deepening as the integration of readers-users in the new communication paradigm of t…
Análisis de estrategias de difusión de contenidos y actividad en redes sociales en revistas de divulgación científica: Factores de interacción, visibilidad e impacto
La era digital ha provocado una redefinición de la actividad de las revistas de divulgación científica contemporáneas. Con el fin de captar interesados en los temas científicos, lograr un público e impacto mayor, y compensar así la pérdida de audiencia de sus versiones impresas, la presencia de éstas en las redes sociales se ha vuelto común. El presente artículo investiga los factores que han influido en la difusión, visibilidad e impacto alcanza…
Uses and applications of georeferencing and geolocation in old cartographic and photographic document management
The contemporary application of georeferencing and geolocation technologies has enabled the review and revitalisation of the method of presenting, disseminating, and making accessible cartographic and photographic documentation stored in archives, libraries, map libraries, museums, geographic institutes, and other key institutions. This article evaluates the interest and scope of document management of both technologies, analyses its contemporary…
Videoactivismo “online” y problematización del concepto de autoría. El anonimato en el colectivo audiovisual Malaguistán
El videoactivismo online es un reciente fenómeno audiovisual que permite que colectivos compuestos por ciudadanos alejados de la práctica institucional cinematográfica protagonicen y dirijan sus propios proyectos audiovisuales, con un componente transformador. El presente artículo analiza experiencias que siguen esta dirección y que tienen en el anonimato y en la falta de reconocimiento personal de la figura del autor, su principal razón de ser. …
Construcción social de la imagen de una ciudad a través de Instagram: El caso de Granada
Our digital world is increasingly visual. Mobile applications focused on digital photography such as Instagram are vehicles for the creation, manipulation and instant diffusion of images. Instagram is therefore an open window to research in Social Sciences and Digital Humanities, and an opportunity to investigate how young users of this application develop visual culture in their local environments through global visual languages. The present wor…
Análisis y tipificación de formatos emergentes en el ciberperiodismo español: De la adaptación multimedia a la disrupción transmedia
En la actualidad el sector prensa se encuentra en un momento de profunda transformación, en el que el conjunto de los diarios digitales está desarrollando estrategias de adaptación de los medios al creciente entorno multimedia, hipertextual e interactivo. El presente artículo tiene como objetivo realizar la identificación y tipificación de los formatos periodísticos que están emergiendo en los nuevos medios a medida que las empresas y profesional…
Estrategias de interacción y comunicación de showrunners de series de ficción televisiva de Netflix en Twitter
Este artículo estudia cómo los showrunners se comunican con su audiencia en la red social Twitter. Tras una revisión literaria sobre el panorama televisivo derivado de la implantación de servicios de streaming y redes sociales, se analizan cuantitativa y cualitativamente las técnicas, el contenido y los elementos audiovisuales y textuales que utilizan en Twitter los showrunners de series originales de Netflix. A pesar de la heterogeneidad de su g…
The showrunner’s skills and responsibilities in the creation and production process of fiction series in the contemporary North American television industry
Contemporary fiction TV series production in North America is characterized by the showrunner figure’s importance. This paper aims to study the concept of “showrunner” as executive-creative producer, analyze the competencies and responsibilities carried out by them during the production process of TV shows according to personal and professional factors, and examine their position within the current television market. For this purpose, a literatur…
Capítulo 6. Iniciativas universitarias para el emprendimiento en Comunicación desde la Universidad de Granada
En la actualidad, las industrias creativas han visto consolidar su reconocimiento internacional debido a su enorme potencial como motor del desarrollo económico y social. No solo contribuyen a unas mayores tasas de crecimiento y creación de empleo (especialmente joven y femenino), sino que se han erigido como canales de transmisión de identidad cultural fundamentales para la promoción de la diversidad cultural. Las industrias creativas y cultural…
Co-creation and learning: An assessment of the pedagogical proposals in collaborative interactive non-fiction
Audiovisual co-creation has always had a pedagogical nature, which has been maintained in its adaptation to digital communication, although it is applied in different ways. This study analyses the pedagogical proposals in collaborative interactive non-fiction in the digital environment, and compares them with previous projects of participatory practices. As case studies we selected five interactive audiovisual projects that stand out for their ed…
Collaborative modes of audiovisual media: Literature review and conceptual proposal
There is no consensus on the definition of participatory or collaborative practices in relation to audiovisual media. The same term has been used to name a range of similar practices although they have important differences that should be described. Moreover, different terms have been used to refer to the same practice. The present article provides a conceptual proposal for this mode of creation, which originated and has been essentially develope…
Art (12 works) · Humanities (12 works) · Political science (12 works) · Computer Science (11 works) · Sociology (10 works) · Media and Digital Communication (6 works) · World Wide Web (6 works) · Advertising and Communication Studies (5 works) · Journalism and Media Studies (5 works) · Media, Journalism, and Communication History (5 works)