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José Antonio Palao Errando

Biographic Data

ID6658690
NAMEJosé Antonio Palao Errando
GIVEN NAMESJosé Antonio Palao
FAMILY NAMEErrando
SIGNATUREERRANDO J A P
AFFILIATIONSUniversitat Jaume I
ORCID0000-0002-9943-9819
VERIFIEDYes
TOTAL WORKS4
TOTAL CITATIONS0
WORKS AS AUTHOR4
WORKS AS EDITOR0
FIRST PUBLICATION YEAR2007
LATEST PUBLICATION YEAR2020
H-INDEX0
  • Making Sense of Complex Narration in Perfect Blue

    Open Access•Antonio Loriguillo-López, José Antonio Palao Errando et al.•ARTICLE•Animation•2020

    Although identified as a feature of the film by both critics and researchers, the narrative complexity of Perfect Blue (Satoshi Kon, Madhouse, 1997) has been ambiguously defined. In this article, the authors examine the complex narration in Kon’s first feature film, equivocal and obscure in its more confusing points, through a narratological analysis of the film’s most ambiguous scenes. Using cognitive film theory as introduced by David Bordwell …

  • Advertising communication and spirituality

    Open Access•Samuel Gil Soldevilla, José Antonio Palao Errando et al.•ARTICLE•Communication & Society•2019•References: 2

    This article explores advertising as a space where spiritual discourses are reproduced from the critical approach of academics in communication and sociology, along with professionals in the advertising sector. Therefore, a qualitative methodology of semi-structured interviews with a panel of fifteen experts was used. This research aims to develop a discourse derived from the interviewee’s experience of the meaning provided by advertising as a tr…

  • Advertising communication and spirituality

    Open Access•Samuel Gil Soldevilla, José Antonio Palao Errando et al.•ARTICLE•Communication & Society•2019

  • Sequential literacy

    Open Access•José Antonio Palao Errando, José-Antonio Palao-Errando•ARTICLE•Comunicar•2007

    In the so called «information society», film studies have been diluted in the pragmatic and technological approaching of the audiovisual speech, as well as the own fruition of the cinema has been caught in the net of DVD and hypertext. The cinema itself reacts in the face of it through complex narrative structures that take it away from the standard audio-visual speech. The function of film studies at the university education should be the reintr…

No prominent works on this page.

  • Sequential literacy

    Open Access•José Antonio Palao Errando, José-Antonio Palao-Errando•ARTICLE•Comunicar•2007

    In the so called «information society», film studies have been diluted in the pragmatic and technological approaching of the audiovisual speech, as well as the own fruition of the cinema has been caught in the net of DVD and hypertext. The cinema itself reacts in the face of it through complex narrative structures that take it away from the standard audio-visual speech. The function of film studies at the university education should be the reintr…

  • Advertising communication and spirituality

    Open Access•Samuel Gil Soldevilla, José Antonio Palao Errando et al.•ARTICLE•Communication & Society•2019•References: 2

    This article explores advertising as a space where spiritual discourses are reproduced from the critical approach of academics in communication and sociology, along with professionals in the advertising sector. Therefore, a qualitative methodology of semi-structured interviews with a panel of fifteen experts was used. This research aims to develop a discourse derived from the interviewee’s experience of the meaning provided by advertising as a tr…

  • Advertising communication and spirituality

    Open Access•Samuel Gil Soldevilla, José Antonio Palao Errando et al.•ARTICLE•Communication & Society•2019

  • Making Sense of Complex Narration in Perfect Blue

    Open Access•Antonio Loriguillo-López, José Antonio Palao Errando et al.•ARTICLE•Animation•2020

    Although identified as a feature of the film by both critics and researchers, the narrative complexity of Perfect Blue (Satoshi Kon, Madhouse, 1997) has been ambiguously defined. In this article, the authors examine the complex narration in Kon’s first feature film, equivocal and obscure in its more confusing points, through a narratological analysis of the film’s most ambiguous scenes. Using cognitive film theory as introduced by David Bordwell …

Narrative (3 works) · Advertising (2 works) · Art (2 works) · Business (2 works) · Computer Science (2 works) · Epistemology (2 works) · Literature (2 works) · Movie theater (2 works) · Sociology (2 works) · Spirituality (2 works)

Ethnos_APP • Open Source Project • MIT License • Frontend v2.0.0 • Privacy and Cookies • API Documentation: api.ethnos.app/docs • API Source Code: GitHub • DOI: 10.5281/zenodo.17049435 • Frontend Source Code: GitHub • DOI: 10.5281/zenodo.17050053 • cruz.rio.br • Expectantes Misericordiae