María Begoña Sánchez Galán
Biographic Data
| ID | 6659049 |
|---|---|
| NAME | María Begoña Sánchez Galán |
| GIVEN NAMES | María Begoña Sánchez |
| FAMILY NAME | Galán |
| SIGNATURE | GALÁN M B S |
| AFFILIATIONS | Universidad de Valladolid |
| ORCID | 0000-0002-3578-8446 |
| VERIFIED | Yes |
| TOTAL WORKS | 3 |
| TOTAL CITATIONS | 1 |
| WORKS AS AUTHOR | 3 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 2014 |
| LATEST PUBLICATION YEAR | 2024 |
| H-INDEX | 1 |
Xelia. La belleza en las ilustraciones de Elia Martínez Fernández
Xelia, pseudónimo de Elia Martínez Fernández Torregrosa Salazar, fue una ilustradora que, durante los años cincuenta y sesenta del siglo xx, trabajó paralas publicaciones más importantes del momento. Como profesional independiente, asumió encargos de un amplísimo número de editoriales y agencias depublicidad. Especialmente importantes fueron los trabajos que realizó para el diario ABC, la revista Chicas y la colección Biblioteca de Chicas. En el …
Los títulos de crédito como patrimonio fílmico. De documento informativo a obra plástica
During the first decades of Cinema History, before the electronic character generators were invented, title sequences were drawn in paper, filmed and manually edited in the movies. One of the many anonymous members of the technical team, usually skilled in the craft of design, was put in charge of drawing the signs, the textual and graphic symbols with whom the film story begun. The vast majority of those papers has been lost, but there are still…
Documentos publicitarios en archivos fílmicos
Many important filmmakers have perfected their cinematographic technique by filming advertisements. For this reason, it is not surprising that advertising materials are often included when filmmakers donate their work to a film archive. However, these materials are not always properly catalogued and their dissemination and use is quite limited. This paper describes the quantity and variety of advertising documents preserved in the Spanish film ar…
Documentos publicitarios en archivos fílmicos
Many important filmmakers have perfected their cinematographic technique by filming advertisements. For this reason, it is not surprising that advertising materials are often included when filmmakers donate their work to a film archive. However, these materials are not always properly catalogued and their dissemination and use is quite limited. This paper describes the quantity and variety of advertising documents preserved in the Spanish film ar…
Documentos publicitarios en archivos fílmicos
Many important filmmakers have perfected their cinematographic technique by filming advertisements. For this reason, it is not surprising that advertising materials are often included when filmmakers donate their work to a film archive. However, these materials are not always properly catalogued and their dissemination and use is quite limited. This paper describes the quantity and variety of advertising documents preserved in the Spanish film ar…
Los títulos de crédito como patrimonio fílmico. De documento informativo a obra plástica
During the first decades of Cinema History, before the electronic character generators were invented, title sequences were drawn in paper, filmed and manually edited in the movies. One of the many anonymous members of the technical team, usually skilled in the craft of design, was put in charge of drawing the signs, the textual and graphic symbols with whom the film story begun. The vast majority of those papers has been lost, but there are still…
Xelia. La belleza en las ilustraciones de Elia Martínez Fernández
Xelia, pseudónimo de Elia Martínez Fernández Torregrosa Salazar, fue una ilustradora que, durante los años cincuenta y sesenta del siglo xx, trabajó paralas publicaciones más importantes del momento. Como profesional independiente, asumió encargos de un amplísimo número de editoriales y agencias depublicidad. Especialmente importantes fueron los trabajos que realizó para el diario ABC, la revista Chicas y la colección Biblioteca de Chicas. En el …
Art (2 works) · History (2 works) · Humanities (2 works) · Media, Journalism, and Communication History (2 works) · Photographic and Visual Arts (2 works) · Advertising (1 work) · Art history (1 work) · Artificial Intelligence (1 work) · Business (1 work) · Cinema History and Criticism (1 work)