Karen L Carter
Biographic Data
| ID | 6663792 |
|---|---|
| NAME | Karen L Carter |
| GIVEN NAMES | Karen L |
| FAMILY NAME | Carter |
| SIGNATURE | CARTER K L |
| AFFILIATIONS | Kendall College of Art and Design of Ferris State University, Grand Rapids, MI, USA |
| VERIFIED | No |
| TOTAL WORKS | 3 |
| TOTAL CITATIONS | 0 |
| WORKS AS AUTHOR | 3 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 2010 |
| LATEST PUBLICATION YEAR | 2017 |
| H-INDEX | 0 |
Hippie Modernism
Hippie Modernism: The Struggle for Utopia at the Walker Art Center was a far-reaching and unexpected exhibition devoted to examining the art, design, and architecture of the late 1960s and early 19
Masterpieces for Ragpickers”
This essay argues that the revolutionary potential of the poster—established by a legacy of the political poster extending back to the French Revolution—and the poster’s mode of collective spectatorship made it subject to greater scrutiny, censorship, and public debate in the period after the passage of the 1881 Press Law ( loi de press, 29 Juillet, 1881) until 1893 when political propaganda was increasingly repressed following anarchist bombings…
Unfit for public display
In April 1891, the Parisian and French authorities censored a poster created by designer Alfred Choubrac advertising a performance by the dancer Ilka de Mynn for outraging public morals. This essay analyzes Choubrac’s case in relation to the law that defined obscenity violations and, more importantly, the commentary published in the press, which discussed whether the poster was explicitly appealing to base instincts and/or simply representing the…
No prominent works on this page.
Unfit for public display
In April 1891, the Parisian and French authorities censored a poster created by designer Alfred Choubrac advertising a performance by the dancer Ilka de Mynn for outraging public morals. This essay analyzes Choubrac’s case in relation to the law that defined obscenity violations and, more importantly, the commentary published in the press, which discussed whether the poster was explicitly appealing to base instincts and/or simply representing the…
Masterpieces for Ragpickers”
This essay argues that the revolutionary potential of the poster—established by a legacy of the political poster extending back to the French Revolution—and the poster’s mode of collective spectatorship made it subject to greater scrutiny, censorship, and public debate in the period after the passage of the 1881 Press Law ( loi de press, 29 Juillet, 1881) until 1893 when political propaganda was increasingly repressed following anarchist bombings…
Hippie Modernism
Hippie Modernism: The Struggle for Utopia at the Walker Art Center was a far-reaching and unexpected exhibition devoted to examining the art, design, and architecture of the late 1960s and early 19
Art (3 works) · Art history (2 works) · Censorship (2 works) · Exhibition (2 works) · French Historical and Cultural Studies (2 works) · Law (2 works) · Law (2 works) · Media studies (2 works) · Political science (2 works) · Sociology (2 works)