Fizzah Iqbal
Biographic Data
| ID | 6664443 |
|---|---|
| NAME | Fizzah Iqbal |
| GIVEN NAMES | Fizzah |
| FAMILY NAME | Iqbal |
| SIGNATURE | IQBAL F |
| AFFILIATIONS | University of Wah |
| ORCID | 0009-0009-4211-1941 |
| VERIFIED | No |
| TOTAL WORKS | 2 |
| TOTAL CITATIONS | 0 |
| WORKS AS AUTHOR | 2 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 2026 |
| LATEST PUBLICATION YEAR | 2026 |
| H-INDEX | 0 |
Imperial Ideology and Narrative Complicity in Joseph Conrad’s Heart of Darkness
This research examines how imperial and ideological power is stylistically recorded in Joseph Conrad’s novel Heart of Darkness (2007) using a postcolonial stylistic framework. The study explores Conrad’s critique of empire while simultaneously revealing his inability to escape the confines of imperial ideology. The African characters are not portrayed as fully human, as they remain in the perpetual darkness. The narrative marginalizes Africans by…
Fragments of Suffering, Threads of Survival
This paper provides a comparative analysis of how Han Kang and Bapsi Sidhwa, two wellknown Asian female writers, approach the depiction of trauma and literary experimentation, as reflected in the representation of gendered violence and mass suffering in a broken literary form.Based on trauma theory and feminist literary criticism, the study discusses the place of selected novels, The Vegetarian (2007) by Han Kang, and Cracking India (1991) by Bap…
No prominent works on this page.
Imperial Ideology and Narrative Complicity in Joseph Conrad’s Heart of Darkness
This research examines how imperial and ideological power is stylistically recorded in Joseph Conrad’s novel Heart of Darkness (2007) using a postcolonial stylistic framework. The study explores Conrad’s critique of empire while simultaneously revealing his inability to escape the confines of imperial ideology. The African characters are not portrayed as fully human, as they remain in the perpetual darkness. The narrative marginalizes Africans by…
Fragments of Suffering, Threads of Survival
This paper provides a comparative analysis of how Han Kang and Bapsi Sidhwa, two wellknown Asian female writers, approach the depiction of trauma and literary experimentation, as reflected in the representation of gendered violence and mass suffering in a broken literary form.Based on trauma theory and feminist literary criticism, the study discusses the place of selected novels, The Vegetarian (2007) by Han Kang, and Cracking India (1991) by Bap…
Colonialism (1 work) · Complicity (1 work) · Denunciation (1 work) · Empire (1 work) · Ideology (1 work) · Indian and Buddhist Studies (1 work) · Interdisciplinary Cultural and Social Studies (1 work) · Joseph Conrad and Literature (1 work) · Modernist Literature and Criticism (1 work) · Narrative (1 work)