Hu Lidan
Biographic Data
| ID | 6664761 |
|---|---|
| NAME | Hu Lidan |
| GIVEN NAMES | Hu |
| FAMILY NAME | Lidan |
| SIGNATURE | LIDAN H |
| AFFILIATIONS | Schlumberger (Ireland) |
| VERIFIED | No |
| TOTAL WORKS | 1 |
| TOTAL CITATIONS | 0 |
| WORKS AS AUTHOR | 1 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 2017 |
| LATEST PUBLICATION YEAR | 2017 |
| H-INDEX | 0 |
Rescuing female desire from revolutionary history
This paper examines Chinese women’s cinema in the 1980s, focusing on Army Nurse (Nüer Lou, dir. Hu Mei, 1985) and Women on the Long March (Mati shengsui, dir. Liu Miaomiao, 1987), both war films directed by two of the most prominent women directors who appeared on the scene in post-socialist China. While female desire is routinely repressed in mainstream war films, Army Nurse and Women on the Long March give voice to women soldiers and their pers…
No prominent works on this page.
Rescuing female desire from revolutionary history
This paper examines Chinese women’s cinema in the 1980s, focusing on Army Nurse (Nüer Lou, dir. Hu Mei, 1985) and Women on the Long March (Mati shengsui, dir. Liu Miaomiao, 1987), both war films directed by two of the most prominent women directors who appeared on the scene in post-socialist China. While female desire is routinely repressed in mainstream war films, Army Nurse and Women on the Long March give voice to women soldiers and their pers…
Aesthetics (1 work) · Art (1 work) · China (1 work) · Gender Studies (1 work) · Gender Studies (1 work) · History (1 work) · History (1 work) · Hong Kong and Taiwan Politics (1 work) · Law (1 work) · Law (1 work)