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Antonella Bevilacqua

Biographic Data

ID6668431
NAMEAntonella Bevilacqua
GIVEN NAMESAntonella
FAMILY NAMEBevilacqua
SIGNATUREBEVILACQUA A
AFFILIATIONSUniversity of Parma
ORCID0000-0002-5938-9749
VERIFIEDYes
TOTAL WORKS6
TOTAL CITATIONS5
WORKS AS AUTHOR6
WORKS AS EDITOR0
FIRST PUBLICATION YEAR2013
LATEST PUBLICATION YEAR2025
H-INDEX1
  • Immersive 3D Soundscape

    Open Access•Adriano Farina, Antonella Bevilacqua et al.•ARTICLE•Urban Science•2025•References: 2

    Sound source localization represents one of the major challenges for soundscapes due to the dynamicity of a large variety of signals. Many applications are found related to ecosystems to study the migration process of birds and animals other than other terrestrial environments to survey wildlife. Other applications on sound recording are supported by sensors to detect animal movement. This paper deals with the immersive 3D soundscape by using a m…

  • Best selection of adhesive for restoration of archaeological glasses through the modal analysis of its acoustic and vibrational response

    Open Access•Lamberto Tronchin, Antonella Bevilacqua et al.•ARTICLE•Journal of Cultural Heritage•2025•References: 2

  • New Acoustic Design for the Piscina Mirabilis Located nearby the Port of Misenum

    Open Access•Antonella Bevilacqua, Gino Iannace et al.•ARTICLE•Heritage•2024

    Many heritage buildings from ancient Rome are being refurbished based on their original plan’s structure. One of them is the piscina mirabilis located nearby in Naples, which was a cistern used by the Romans to collect drinkable water for the navy waiting in the port of Misenum. The piscina mirabilis has similar architectural characteristics to a “cathedral”; however, its current precarious architectural state is the result of high levels of humi…

  • Investigations on the acoustic response of two heritage buildings designed by Galli Bibiena and disappeared from history in the 18th century

    Open Access•Antonella Bevilacqua, Lamberto Tronchin•ARTICLE•Journal of Cultural Heritage•2024

    Historical briefings that reassemble the causes and the reasons why the 2 opera theatres (built and destroyed in 1700) have been lost forever. • Analysis of the architectural features typical of Galli Bibiena as family of scenographers, architects and designers. • Attribution of absorption and scattering coefficients to digital models based on both descriptions of historical resources and extensive experience of acoustic measurements and simulati…

  • Rediscovering the Intangible Heritage of Past Performative Spaces

    Open Access•Angela Bellia, Antonella Bevilacqua•ARTICLE•Heritage•2022•References: 3

    The relationship between the shape and social use of Greek and Roman theatres has always been overshadowed by the technical and acoustic analyses of these performance spaces. Relevant ruins illustrate the relationship between performance typology, acoustics, and construction development of ancient theatres, which were mainly determined by the requirements of artistic venues. The music in tragedies and comedies, the dances, and the public speeches…

  • Turquerie

    Antonella Bevilacqua, H Pfeifer•ARTICLE•Past & Present•2013•Cited by: 5

    Shortly after Mass on 17 September 1719, three hundred men in janissary uniform marched through the gates of Dresden. A century earlier, the din of their drums would have caused panic in the city. Instead, as the soldiers advanced towards the palace, Italian acrobats rushed to wrap their turbans for the evening’s entertainments, servants prepared coffee and arranged half-moon tables for the banquet, and artisans adjusted the ears on a wax-sculptu…

  • Turquerie

    Antonella Bevilacqua, H Pfeifer•ARTICLE•Past & Present•2013•Cited by: 5

    Shortly after Mass on 17 September 1719, three hundred men in janissary uniform marched through the gates of Dresden. A century earlier, the din of their drums would have caused panic in the city. Instead, as the soldiers advanced towards the palace, Italian acrobats rushed to wrap their turbans for the evening’s entertainments, servants prepared coffee and arranged half-moon tables for the banquet, and artisans adjusted the ears on a wax-sculptu…

  • Turquerie

    Antonella Bevilacqua, H Pfeifer•ARTICLE•Past & Present•2013•Cited by: 5

    Shortly after Mass on 17 September 1719, three hundred men in janissary uniform marched through the gates of Dresden. A century earlier, the din of their drums would have caused panic in the city. Instead, as the soldiers advanced towards the palace, Italian acrobats rushed to wrap their turbans for the evening’s entertainments, servants prepared coffee and arranged half-moon tables for the banquet, and artisans adjusted the ears on a wax-sculptu…

  • Rediscovering the Intangible Heritage of Past Performative Spaces

    Open Access•Angela Bellia, Antonella Bevilacqua•ARTICLE•Heritage•2022•References: 3

    The relationship between the shape and social use of Greek and Roman theatres has always been overshadowed by the technical and acoustic analyses of these performance spaces. Relevant ruins illustrate the relationship between performance typology, acoustics, and construction development of ancient theatres, which were mainly determined by the requirements of artistic venues. The music in tragedies and comedies, the dances, and the public speeches…

  • New Acoustic Design for the Piscina Mirabilis Located nearby the Port of Misenum

    Open Access•Antonella Bevilacqua, Gino Iannace et al.•ARTICLE•Heritage•2024

    Many heritage buildings from ancient Rome are being refurbished based on their original plan’s structure. One of them is the piscina mirabilis located nearby in Naples, which was a cistern used by the Romans to collect drinkable water for the navy waiting in the port of Misenum. The piscina mirabilis has similar architectural characteristics to a “cathedral”; however, its current precarious architectural state is the result of high levels of humi…

  • Investigations on the acoustic response of two heritage buildings designed by Galli Bibiena and disappeared from history in the 18th century

    Open Access•Antonella Bevilacqua, Lamberto Tronchin•ARTICLE•Journal of Cultural Heritage•2024

    Historical briefings that reassemble the causes and the reasons why the 2 opera theatres (built and destroyed in 1700) have been lost forever. • Analysis of the architectural features typical of Galli Bibiena as family of scenographers, architects and designers. • Attribution of absorption and scattering coefficients to digital models based on both descriptions of historical resources and extensive experience of acoustic measurements and simulati…

  • Immersive 3D Soundscape

    Open Access•Adriano Farina, Antonella Bevilacqua et al.•ARTICLE•Urban Science•2025•References: 2

    Sound source localization represents one of the major challenges for soundscapes due to the dynamicity of a large variety of signals. Many applications are found related to ecosystems to study the migration process of birds and animals other than other terrestrial environments to survey wildlife. Other applications on sound recording are supported by sensors to detect animal movement. This paper deals with the immersive 3D soundscape by using a m…

  • Best selection of adhesive for restoration of archaeological glasses through the modal analysis of its acoustic and vibrational response

    Open Access•Lamberto Tronchin, Antonella Bevilacqua et al.•ARTICLE•Journal of Cultural Heritage•2025•References: 2

Computer Science (4 works) · Archaeology (3 works) · Engineering (3 works) · History (3 works) · Acoustics (2 works) · Art (2 works) · Art history (2 works) · Building materials and conservation (2 works) · Geography (2 works) · Geology (2 works)

Ethnos_APP • Open Source Project • MIT License • Frontend v2.0.0 • Privacy and Cookies • API Documentation: api.ethnos.app/docs • API Source Code: GitHub • DOI: 10.5281/zenodo.17049435 • Frontend Source Code: GitHub • DOI: 10.5281/zenodo.17050053 • cruz.rio.br • Expectantes Misericordiae