Erfan Rajabi
Biographic Data
| ID | 6677157 |
|---|---|
| NAME | Erfan Rajabi |
| GIVEN NAMES | Erfan |
| FAMILY NAME | Rajabi |
| SIGNATURE | RAJABI E |
| AFFILIATIONS | University of Kurdistan |
| ORCID | 0000-0001-7811-4671 |
| VERIFIED | Yes |
| TOTAL WORKS | 3 |
| TOTAL CITATIONS | 0 |
| WORKS AS AUTHOR | 3 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 2020 |
| LATEST PUBLICATION YEAR | 2024 |
| H-INDEX | 0 |
Foodways and culinary identity in Iranian-American memoirs
The current study aims at exploring the issue of foodways in three Iranian-American memoirs, namely, Gelareh Asayesh's Saffron Sky, Firoozeh Dumas' Funny in Farsi, and Davar Ardalan's My Name is Iran (Ardalan). With this in mind, it adopts subject positioning theory and discourse analysis to examine the connectivity between food and religion, culture, economy, individual and collective gastronomic memories, urban and rural food habits, and ethnic…
The absence, marginalization and culturalization of the presence
Typography as a regime of reading/looking in Toni Morrison’s The Bluest Eye (1970)
This paper aims to investigate the significance of typography in Toni Morrison’s The Bluest Eye. With this view, the research deployed multimodal theory and multimodal stylistics theorized and developed by Kress & Van Leeuwen, Van Leeuwen's social semiotics, and Norgaard's multimodal stylistics. The key features of typography and layout such as typeface, type styles, punctuation, salience, information value, discursive import and visual negation …
No prominent works on this page.
Typography as a regime of reading/looking in Toni Morrison’s The Bluest Eye (1970)
This paper aims to investigate the significance of typography in Toni Morrison’s The Bluest Eye. With this view, the research deployed multimodal theory and multimodal stylistics theorized and developed by Kress & Van Leeuwen, Van Leeuwen's social semiotics, and Norgaard's multimodal stylistics. The key features of typography and layout such as typeface, type styles, punctuation, salience, information value, discursive import and visual negation …
Foodways and culinary identity in Iranian-American memoirs
The current study aims at exploring the issue of foodways in three Iranian-American memoirs, namely, Gelareh Asayesh's Saffron Sky, Firoozeh Dumas' Funny in Farsi, and Davar Ardalan's My Name is Iran (Ardalan). With this in mind, it adopts subject positioning theory and discourse analysis to examine the connectivity between food and religion, culture, economy, individual and collective gastronomic memories, urban and rural food habits, and ethnic…
The absence, marginalization and culturalization of the presence
Aesthetics (2 works) · Art (2 works) · History (2 works) · History (2 works) · Linguistics (2 works) · Philosophy (2 works) · Sociology (2 works) · Ancient history (1 work) · Anthropology (1 work) · Art history (1 work)